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The article analyzes the work of María Rosa Oliver and Ezequiel Martínez Estrada, two Argentine writers, and their relationship with the genre of travel narrative. The importance of the Sur magazine in the cultural life of Argentina at the time is highlighted, and the connection of these authors with anti-fascism and communist regimes is explored. The book offers an enriching perspective on travel narratives and their relationship with politics and utopia in the work of these writers. Additionally, an analysis is presented of the political and intellectual trajectories of María Rosa Oliver and Marta Martínez Estrada in relation to the Cuban Revolution and Peronism. [Extracted from the article]

Copyright of Rheinische Vierteljahrsblatter is the property of Universitat Bonn, Inst fur Geschichstwissenschaft, Abt Fruhe Neuzeit & Rheinische Landesgeschichte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Militärgeschichtliche Zeitschrift is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article titled "A poetics of the call. The communist literature of Raúl González Tuñón" is a review of the book written by María Fernanda Alle. The book focuses on the literary production of Argentine writer Raúl González Tuñón during his communist period between 1930 and 1970. Alle combines literary and historical readings to provide a more nuanced perspective of González Tuñón's literary practice. The book sheds light on González Tuñón's determination to maintain a lasting ideological and aesthetic practice throughout the years. [Extracted from the article]