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V konsih Sferično zrcalo in Srce v alkoholu, ki sta predmet te razprave, ter drugih ne gre za likovno poezijo, temveč za odpiranje v neevklidske prostore in za protigravitacijsko problematiko. Pri tem so bile Kosovelove pobude med drugim einsteinovska fizika, postevklidska geometrija in ruski konstruktivizem, na temelju katerih je Kosovel ustvaril konse, ki zahtevajo gibljivo gledanje namesto tradicionalno vzročno-posledičnega razpoznavanja tematskega gradiva. Kosovel's original poetic forms, such as the conses Spherical Mirror and Heart in Alcohol, which are the focus of this analysis, are not visual poetry: they open up into non-Euclidian space and address questions of anti-gravity. Kosovel found impulses for his work in Einsteinian physics, post-Euclidian geometry and Russian Constructivism. His conses induce mobile reading instead of the traditional cause-and-effect model of reading.

Končni rezultat v obliki grafičnega lista mora biti prepričljiv kot iluzija realnosti in delovati logično, zato je med drugim potrebno obvladovanje likovne teorije. Poznati moram tudi fizične lastnosti človeške figure in prostora. Treba je biti pozoren na lastnosti in učinke različnih svetlobnih virov, naravnih in umetnih. Raziskovanje svetlobe je pomembno, da zajamem emocionalno nabit trenutek, ki stimulira gledalca. Na moje delo je najbolj vplival ogled razstave Rembrandtovih grafik v Dulwich Picture Gallery v Londonu januarja 2020. Njegove študije učinkov svetlobe so zelo dobri učni primeri. V mojem nadaljnjem študiju grafike me še posebej zanimata fotografija in uporaba tehnologije v tradicionalnih grafičnih tehnikah. Ideja spojitve več fotografij izhaja iz moje grafike z naslovom Mama, ata in pes iz leta 2017. Nove motive izbiram iz lastnega fotografskega arhiva. Na grafikah upodabljam družino, prijatelje … v okolju, ki ga pogrešam. Predvsem pa me zanima, kako v realističnem upodabljanju prikazati trenutek v trajanju. The end result in the form of a print must be convincing as the illusion of reality and it has to be logical. This is why it is necessary to understand basics of theory of art. It is important to know physical properties of the human figure and space and be aware of the effect of various light sources either natural or artificial. Researching light is crucial when dealing with emotionally charged moment which stimulates the viewer. My work was mainly influenced by the exhibition of Rembrandt’s prints which I have seen in Dulwich Picture Gallery in London in 2020. His study of light is a perfect example. In my own study of printmaking I was especially interested in the use of photography in combination with traditional printing techniques. The idea of making picture out of several photographs was first applied in my work entitled “Mom, Dad and a Dog” printed in 2017. Since then I have used my own photo archive to create new work. Themes I choose I select from photographs I took of family, friends and gatherings I have been part of. Most of all I aim to find a lasting moment in whatever situation.

V članku smo konceptualno obravnavali spremembe pri organiziranju življenjskih sfer doma (bivanja) in dela (delovnega mesta) z vidika vsakodnevnih praks v časovno-prostorski perspektivi. Izhajali smo iz klasične sociološke dileme o mehanizmih diferenciacije in integracije. Zastavljeno raziskovalno vprašanje je, ali pandemija Covida-19 ob potencirani tehnološki mediaciji pospeši proces dediferenciacije sfer doma in dela. V analizi smo ugotovili protislovne učinke tega procesa, zlasti problematično vzpostavljanje zasebnosti doma kot sidrišča vseh aktivnosti. Manifestacija sidriščnosti doma je domocentričnost, ki jo povezujemo s tradicionalnimi, predindustrijskimi oblikami družbenoprostorske integracije homogenih, nediferenciranih življenjskih sfer. Te potencialno trajnejše premike pojasnimo kot regresivne. In the article, we conceptually discuss changes to how the spheres of life at home (living) and work (workplace) are organised concerning everyday practices in a time-space perspective. We start with the classical sociological dilemma about the mechanisms of differentiation and integration. The main research question is whether the Covid-19 pandemic, with its potentiated technological mediation, is accelerating the process of dedifferentiation of the spheres of home and work. We establish contradictory effects of this process, especially the problem of establishing privacy at home as a core for all activities. The manifestation of being tied to the home is domocentrism, which we associate with traditional, pre-industrial forms of the socio-spatial integration of homogeneous, undifferentiated spheres of life. These potentially more permanent shifts are explained as regressive.

Magistrsko besedilo opredeljuje in povzema proces lastne umetniške produkcije v obdobju zadnjih treh let, ki je potekalo v času študija druge stopnje. Osnovna forma se drži kronološkega zaporedja izbranih del in projektov, znotraj katerih izvedem podrobnejšo raziskavo konceptualnih izhodišč ter vsebinskih sklopov. Posledično se besedilo v prvem delu osredotoča na slikarsko produkcijo ter raziskavo prvih zastavkov koncepta del »na prelomu«. Serijo slikarskih del analiziram in primerjalno definiram preko referenčnega opusa nemške sodobne slikarke Charline von Heyl ter koncepta slabega slikarstva. Abstraktna dela z vizualnim izhodiščem v arhitekturnih in lokacijsko specifičnih dražljajih določenega okolja vodijo k prostorsko bazirani umetnosti. V drugem delu besedila se fokus prevesi v medij instalacije ter novih medijev (video, interaktivna umetnost), kjer se osredotočim predvsem na razumevanje fenomenov, povezanih z odnosom med človekom in okoljem: gibanje, spomin, zgodovina, čas in časovnost. Gre torej za razumevanje koncepta prostor-čas kot nerazločljivega področja človeške akcije. V tem delu se srečamo z glavnimi misleci tega področja (med njimi Henry Bergson, Martin Heidegger, Gilles Deleuze, Edmund Husserl), fizikom Albertom Einsteinom ter referenčnimi umetniki, med njimi: Marcel Duchamp, Olafur Eliasson, Dan Graham in drugi. In my master’s thesis, I conduct the basic analysis of my artistic process and production which emerged during the last three years of my master’s study. The basic form of the following text is chronologically following my own projects through which I develop conceptual analysis, as well as include the main referential material as an extension to my own contextual research. Therefore, the text coherently follows the dialogue between theoretical and practical. It is roughly divided into two sections. With the initial chapters of each section, I present the base of inspirations within the philosophical and art historical references which are followed by the specific analysis of my own art practice. The first part is focused on my painting practice which is also the foundation of the conceptual field evident throughout the entire thesis. Abstract painting series is a basic starting point in terms of “breaking point” or “in-between” concept which I develop through contextualizing the oeuvre of German contemporary artist Charline von Heyl and the concept of Bad painting in the 20th century. The transition in the space-based art is manifested with the turn to sculpture and installation intertwined with new media (video and interactive art) in my practice. The second part, therefore, is focused mainly on the phenomena related to the relation between a subject and space. Here, I focus on the basic concepts of motion (as the basic interaction between being and space), memory and history, and time and temporality and its perception. The main topic of interest is the space-time as a platform of human action and perception through which understanding of the world emerges. In this research, I include the basic theories of well-known philosophers (i.e. Henry Bergson, Martin Heidegger, Gilles Deleuze, and Edmund Husserl), a physicist Albert Einstein, and several artists, among others Marcel Duchamp, Olafur Eliasson, and Dan Graham.

Razprava analizira pojem mimesis v odnosu do abstrakcije pri Aristotelu ter v Stari zavezi v odnosu do brezpredmetnosti. Tako razločuje med abstrakcijo in brezpredmetnostjo. Nadalje se posveča brezpredmetnosti pri Maleviču in Kosovelu ter ob primerjavi njunih del v zvezi s premagovanjem gravitacije, s preseganjem mimesis, časa in logike, s časoprostorno mistiko in belim človekom, s preseganjem evklidskega prostora ter linearnega časa, s prostorskostjo in arhitektonskostjo, mikrokozmosom in makrokozmosom dokazuje, da je Kosovel dobro poznal dela Maleviča in ideje Fjodorova ter v svojih konsih sintetiziral suprematizem in konstruktivizem, ter s svojo prostorsko poezijo idejno-filozofsko zasnoval Tržaški konstruktivistični ambient. The article analyzes the concept of mimesis in relation to the abstraction of Aristotle, and to the concept of objectlessness in in the Old Testament. Thus, it distinguishes between abstraction and objectlessness. In addition, this article discusses the work of Malevich and Kosovel, compairing their work in regard to the topics of the overcoming of gravity, the overcoming of mimesis, time and logic, the time-space mysticism and white man, the exceeding of euclidean space and linear time, the spatiality and architectonics, microcosm and macrocosm. The article aims to prove that Kosovel knew well the works of Malevich and the ideas of Fyodorov, and that he synthesized suprematism and constructivism in his cons poetry, and, with his spatial poetry, conceived the conceptual and philosophical design of the Trieste Constructivist Ambiance.

The aim of the diploma thesis is to define a specific phenomenon bound to the current consumer society, which by its expression considers certain values and relations to the material world as necessary or, on the contrary, unnecessary. At the same time, it examines the boundary between consumer goods that we use on a daily basis and the subjects that have become part of our personality. These findings are demonstrated on specific examples. Telecommunication progress and its impact on today's consumer society in all aspects of nowadays lifestyle has become the starting point for the diploma work. Phone as an artifact has become part of our life with an ever more personal approach. This phenomenon is grasped theoretically, creatively and as an opportunity for pedagogical activity and research. The pedagogical intention is not only suggested but also verified and reflected in praxis.

/ a b s t r a c t This thesis deals with the environment of the landscape in connection to movements of the body and of the mind which result in an art gesture. It closely focuses on an individual experience of a landscape as a unique environment. It explains concepts and speculates about their meanings. Through interviews, the thesis presents different approaches to art from plethora of artists, who work in and with the landscape. It deals with a didactic project which aspires to inspire students to think more deeply about the environment that surrounds them and to communicate their understanding o fit through art. Personal artworks created in Finland in the Arctic Circle region capture motion in the landscape of the nature and that of the mind.

Magistrsko delo »Hiša glasbe San Francisco« je rezultat sodelovanja na mednarodnem natečaju »San Francisco house of Music«, ki ga je organiziral AWR Competitions. Nov objekt glasbenega avditorija, ki vstopa v ikonični prostor parka Golden gate, bo moral s svojim konceptom in z arhitektonsko formo tvoriti dialog z naravo, z urbanim mestom tkivom in z navzočo arhitekturo v neposredni bližini. Programsko bo hiša z dodatnimi 918 sedeži in s spremljajočim programom dopolnjevala že obstoječo operno hišo War memorial. Projekt je nastal kot plod ideje o povezavi materialnosti z lokalnimi značilnostmi mesta San Francisca in forme ter organizacije objekta na globljem filozofskem premisleku o glasbi, prostoru in času ter na našem dojemanju univerzuma in doživljanju trenutka. My master’s thesis ‘’Hiša glasbe San Francisco’’ is the result of a collaboration at the international competition called ‘’San Francisco House of Music’’, organised by AWR Competitions. The new musical auditorium edifice, which enters the iconic space of the Golden Gate Park, will have to create a dialogue between the nature, auditorium’s concept and its architectural form, together with the contemporary urban tissue including the area’s present architecture. San Francisco House of Music will complement the already existing opera ‘’War Memorial Opera House’’, with the addition of 918 seats and an accompanying program. This project derived from the idea of linking materiality with the local characteristics of San Francisco, along with the structure and organisation of the project on a deeper philosophical reflection on music, space, time and our perception of the universe connected to the experience of the present moment.

V prispevku so predstavljeni mednarodni standardi ISO 31 (Veličine in enote) z naslednjimi deli: ISO 31-0 (Splošna načela), ISO 31-1 (Prostor in čas), ISO 31-2 (Periodični in sorodni pojavi), ISO 31-3 (Mehanika), ISO 31-4 (Toplota), ISO 31-5 (Elektrika in magnetizem), ISO 31-8 (Fizikalna kemija in molekulska fizika), ISO 31- 12 (Karakteristična števila) in drugimi. Poudarek je na splošnih načelih, ki so pomembna za pisanje poročil, referatov, člankov, knjig in za pedagoški proces. International standards ISO 31 (Quantities and units) are presented, including the folowing parts: ISO 31-0 (General principles), ISO 31-1 (Space and time), ISO 31-2 (Periodic and related phenomena), ISO 31-3 (Mechanics), ISO 31-4 (Heat), ISO 31-5 (Electricity and magnetism), ISO 31-8 (Physical chemistry and molecular physics), ISO 31-12 (Characteristic numbers), and others. General rules for writing reports, papers, articles, books, as well as teaching are highlighted.

The main topic of Master thesis with the title Private Archives - The Traces of Past in Our Present, is creation of private archives and how reading and work of French philosopher Gilles Deleuze support understanding of those archives and establishment of intimate history of human being. Private archives are represented by any object, collections of objects or by anything else what reminds to owner or author of archives his past and who is returning back to the past through this object. Private archives are present in life of human being and we are coming back to the archives whenever we consider it important and whenever we want. Private archives are the part of life of all of us and that is why I consider crucial to understand their functioning, their role in our life and to know how to use them. The private archives, unlike our memories, which can be mixed one into each other, represent concrete tool referring to our past. The master thesis includes the description of practical part which is represented by creation of private archive, the functioning and the characteristics are also described. Three philosophers who influenced Gilles Deleuze have their place in this master thesis as well. I am referring to Michel Foucault, Henri Bergson and Marcel Proust.

Málková, H.: Multiplication of shape as a means of constructing reality. [Diplom thesis] Prague 2017 - Charles University, Faculty of Education, Department of Art Education, 123 pages. The diploma thesis focuses on the theme of creation of systems, structures and constructions in visual reality. The theoretical part is aimed at the possibilities of multiplication, its growth into space or a plane, while regarding creation of plastic arts by selected artists from the field of fine arts. The practical part introduces author's conception of the topic by the means of photographic medium. Structure is a crucial phenomena in possible understanding of visual reality. It has prerequisites for development of transcendental thinking. We can discover it throughout the whole universe as its unifying element. The findings from the theoretical part are used as basis for didactic activities. The didactic part presents the realized art assignments, which are a part of the implementation of the research. The thesis brings findings and conclusions within the framework of the results of creation and teaching of the topic of spatial composition of multiplied form within a coherent object. KEY WORDS: construction, structure, movement, shape, space, material variability, racionality, photography, object creation,...

The bachelor thesis deals with the narrative of Terry Pratchett in the book series called Discworld. The biggest concern of this thesis is the representation of time, space and characters in the books selected from the series. The aim is to map the nature of Prachett's fictitious universe and to describe the narrative techniques of his representations.

The theoretical part is about concepts of places, landscape, genius loci, Land Art and in those concepts are connected through the walking. The theoretical part is structured into various individual "imaginary steps", the development of my thoughts on the subject and then refers to the cultural contexts. In the practical part I focus on descriptions and examples of my own artistic realization. The last didactic part describes the model learning schemes. I tried to follow starting experience, i.e. scheme: to live - to think out - to tell. The main part is mainly inspired by my one year study in Lisbon in Portugal. Just stay here and the opportunity to perform physically demanding 750 km long pilgrimage route across Portugal, forms the basis of my practical part performance art. This topic applies to didactic etudes. Powered by TCPDF (www.tcpdf.org)

This bachelor thesis deals with Jan Zábrana's short stories from the 1950s. With the example of the short story V noci u pece, it tries to demonstrate the specifics of Zábrana's prose in the context of literary history. In the first place, it examines the "illusion of reality" which arises during reading of the text. At the same time, it tries to prove that prose is determined by historical circumstances. Therefore, the thesis focuses on the following categories: narrator, language, space and time. In order to analyze these categories, suitable works of literary theory dealing with the individual categories have been consulted and the consequent findings are demonstrated on specific examples from Zábrana's text.

This thesis deals with time and space expresion in written composition of 5th and 9th grade students. The thesis is dividend in two parts. First on eis focused on teoretici knowledge of naratology, development psychology and research of language acqusition regarding upper primary school students. Written compositions of 5th and 9th grade students are analyzed in sekond (practical) part according to knowledge described in first part of this thesis. Areas of interest are koherence of expresion, time, space and charakter describing. In closing of this part is comparison between both age Gross. In conclusion you can find proposals for school edication improvng according to results of students works analysis.

This thesis discusses the relation between theology and natural science in the works of Wolfhart Pannenberg. Pannenberg addresses the factors that led to a dispute between theology and natural science. Furthermore, Pannenberg's biography and most important works are outlined. The chapter "anthropology" deals with the human as a central theme in theology and natural science. The last chapter, "Dialogue between theology and natural science", covers the relation of theology and physics. Special attention is given to the topics space, time and the conception of the existence of God as an array

SEDLÁČKOVÁ, E., Painted by dance. Prague 2014. Charles University in Prague, Faculty of Education, Department of Art. 106 pages (78 norm pages) The dissertation Painted by dance is focused on the development of dance-movement exposure of the pupils during the art education. It amplifies forms of body usage and finds out its' application as the expression means. The dissertation points on abstract expression opportunities usable for personal and social development of the authors. The findings and conclusions are based on the long term experiences at the field of dance training and are confronted with the own experiences and practical usage. Key words: motion, space, dance, time, body, photography, video, body, physicality, reflection, dance and movement education

The principal aim of this thesis is a definition of fundamental features occur in utopia and dystopia literary genre. There are six specific features - language, time, space, topicality or present, system and order. On the basis of these elements we analyze the drama The White Disease by Karel Čapek. The main purpouse is to definite the utopian and dystopian features that are found in The White Disease. Key word: utopia, dystopia, The White Disease, Karel Čapek, language, time, space, system, topicality

Utopia in The Diary of Christopher Columbus At first, we meet with the context of era of 15th century in Spain, as well as we come to know complicated journey of Christopher Columbus. The first chapter describes the most important moments of his life together with the Renaissance rebirth of thinking. The second chapter is concerned with the birth of hispanoamerican literature based on anal ysis o f Columbus's marine diary and his messages. All the content and formal part of diary confirm value of Columbus who enrich spanish vocabulary. The main part of this thesis is dedicated to utopia and th e et ymological meaning of the word. We know definition of the utopia but more important is to see the utopia as a literary genre. New literary and mental phenomenon is represented, it's the Utopia of America. The m yth is actual again, we comeback to the Beginning. Also we know differences between utopia and m yt h and we confirm that it is almoust impossible to separate them. The trust, hope and the return to the biblical Paradise are transformed to the isolated place and time, the literature plays the role of creative force which intensifies and spreads these hopes. We aplicate teorical work of Mircea Eliade to Columbus's Diary. Thanks to Eliade we know how the example act was born and his teories are...

(in English): The bachelor's diploma thesis deals with the prose fiction of Miloš Urban and aims at a complex interpretation of his work with the help of the key narratives categories. The text of the thesis is based on textual analysis and application of established narrative concepts and categories. Therefore, it covers the categories of the plot, protagonists, space, time and the narrator; each category is first specified in its general terms and then applied to the analysis of specific texts.

V prispevku so predstavljeni mednarodni standardi ISO 31 (Veličine in enote) z naslednjimi deli: ISO 31-0 (Splošna načela), ISO 31-1 (Prostor in čas), ISO 31-2 (Periodični in sorodni pojavi), ISO 31-3 (Mehanika), ISO 31-4 (Toplota), ISO 31-5 (Elektrika in magnetizem), ISO 31-8 (Fizikalna kemija in molekulska fizika), ISO 31-12 (Karakteristična števila) in drugimi. Poudarek je na splošnih načelih, ki so pomemebna za pisanje poročil, referatov, člankov, knjig in za pedagoški proces. The international Standard ISO 31 on Quantities and units is presented. The paper deals with the following parts: ISO 31-0 (General principles), ISO 31-1 (Space and time), ISO 31-2 (Periodic and related phenomena), ISO 31-3 (Mechanics), ISO 31-4 (Heat), ISO 31-5 (Electricity and magnetism), ISO 31-8 (Physical chemistry and molecular physics), ISO 31-12 (Characteristic numbers) and other manuals. The stress is on general principles, which are important when writing reports, articles, books and in the pedagogical process.