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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper proposes an action plan aimed at the use of comics as a didactic tool in the application of Law 10.639 / 03. The research is based on studies referring to the educational function of comics. Thus, it will be analyzed the insertion of these materials in school libraries and in the curriculum guidelines — for the implementation of the aforementioned law. The purpose of the plan is to enable the use of comics about Afro-Brazilian culture, suggesting titles specifically designed to comply with the law; it is recommended, as well solutions for one of the points considered critical in its effective fulfillment: the lack of familiarity of teachers with the topic and their unpreparedness to approach it in the classroom. [ABSTRACT FROM AUTHOR]

These article observes how comics are approached in the National Common Curricular Base. The hypothesis is that the interpretation about comics is open to questions. Thus, all references to the different genres presented in the document are identified and, from them, possible aspects are pointed to be criticized, from the point of view of studies about comics developed in the country and which support this analysis. The corpus is composed of the BNCC text. Approved in December 2017, it has the proposal to standardize primary education throughout Brazil. [ABSTRACT FROM AUTHOR]

This article aims to examine the production by cartoonist Chiquinha by highlighting how important guidelines of feminist movements are present in her work. By drawing attention to the analysis of the self-portraits produced by the cartoonist and the use of grotesque style in her drawings, we will analyze how the cartoonist criticizes political control over the female body, essentialized forms of understanding men and women, and the normative patterns imposed on women, which are important themes for feminist critique. Through this approach, we want to highlight the humour produced by women, for women and with a feminist orientation, which still lacks significant space in the field of Cultural History of Humour. [ABSTRACT FROM AUTHOR]

Copyright of Revista Práxis Educativa is the property of Revista Praxis Educativa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article presents the analysis and results of an investigative experience related to the teaching of polarization through cartoons. It is a qualitative approach and it involves the design and validation of a didactic sequence based on guided research principles. The proposal includes the making of three cartoons entitled: "The One Direction Car", "3D Cinema" and "Anti-Spy Cell Phone Screen", all of which are experimental design and model building exercises. The process was documented on the student-designed handbooks and the teacher's field journal. The sequence helped to generate questions in the students about polarization, and it promoted the development of action plans to address the situations proposed in a theoretical-practical manner. The process helps to understand the meanings attributed to the polarization phenomenon in line with the characterization of light as a wave, the behavior of light in relation to materials and processes of 3D image composition. Some considerations about the importance of using cartoons while teaching physics are also described. [ABSTRACT FROM AUTHOR]