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This paper is an ethnographic examination of the early social life of a project to map Costa Rica's aquifers using LandSat imagery and a specialized algorithm. The project aims to make subterranean formations accessible for public agencies mediating recent environmental conflicts over underground water, which have been diagnosed as the country's first "water war." I analyze the presentation to the public of this project and the technology it uses to show how vision and touch are conceptual resources that people use to describe the technicalities of satellite imagery. Attending to the semiotic and technical power of vision and touch requires a nonessentialist understanding of the senses. It requires moving away from a narrow understanding of sensing as embodied, phenomenological practice. Focusing on the role of texture as that which operates in the interstices of vision and touch, I propose going beyond panoptic imaginaries in order to grasp the diverse social lives that technologies such as satellite imaging have. [ABSTRACT FROM AUTHOR]

This essay is an examination of how sensing capacities can draw in, and from, other-than-human entities—both animate and inanimate. Based upon ethnographic field research in Iceland, it describes sensory encounters that are realizable through the bodies, sensations, and ontological status shifts of other beings and entities, namely, in bears and ice and earth. As anthropogenic impacts deepen, the essay argues, sensing ought to be practiced as a collaborative effort among human and other-than-human entities. Sensing by other means entails sensing through others' means and beyond the human sensorium. [ABSTRACT FROM AUTHOR]