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Although the popularity of recreational pole dancing continues to gain momentum, its prevailing association with the erotic sphere and resulting stereotypes shape it as a borderline activity. Notably, the way pole dancing is approached and enacted elucidates how bodies, especially female embodiment, are socially constructed and controlled. Thus, to look at that issue from recreational female polers’ perspectives, this article sheds light on how their understandings of the body evolve with their engagement in the leisure activity at hand. That process is analyzed in the context of how women deal with tensions that arise while they navigate between the internalized societal expectations concerning desired femininity and personal agency. Drawing on ethnographic and interview data from pole dance studios in Poland, I discuss how polers’ perspectives on their bodies change from personal and interactional ‘limitations’ to embracing their bodies as interactional partners with whom to achieve their goals. In the process of learning by doing, women get to know their bodies and develop with them a relationship based on trust. Subsequently, growing to understand the bodies as their substantial selves that functionality allows them to achieve the ‘impossible’ as one empowers women. At the same time, I highlight how the process of espousing alternative perceptions of one’s body unfolds under the umbrella of an internalized frame of meanings concerning female embodiment that lures women to fit societal expectations. The interplay between the two sheds light on how female polers navigate toward reclaiming their self-confidence from the clutches of the critical social gaze while negotiating the notion of their bodies. Compelling in that regard is how relying on erotic associations with recreational pole dancing in terms of inciting empowerment through a sexual agency, as some studios do, plays out and factors into female pole dancers’ experiences concerning their leisure activity.

This paper aims to shed light on how various micro- and macro-level contexts shape the parenting decision-making process among same-sex female couples. Drawing on my six-year study of two-mother planned families in Poland, I focus on voicing their experiences related to the process of family formation from its genesis and their related desires to fit in the social fabric despite being different. Specifically, I illustrate how those who navigate within the unfavorable socio-cultural climate give meanings to their experiences thereof, and thus negotiate their moral right to become mothers, as well as what kind of interactional and contextual factors shape how same-sex female couples in Poland embrace motherhood as an option they can choose. That is, how they decide to do what is largely considered normal—to enlarge their families.

This article aims to shed light on how non-heteronormative mothers—whose child had been conceived via artificial insemination of one of them with the sperm of an anonymous donor— decode, experience, and make meaning of diverse (symbolic) dimensions of their social invisibility, as well as how their understandings of the category at hand have an impact on projecting and negotiating their roles as mothers (especially in case of those women who did not give birth to their children). Drawing on specific examples from the field, I analyze how—while acting within the context of anxiety exemplifying their non-existing legal status—non-heteronormative mothers construct the image of self against the backdrop of no ready-made role scripts available, as well as strive towards making oneself (socially) visible. The insights at hand are based on data collected during my six-year ethnographic study of planned non-heteronormative motherhood in Poland, where same-sex relationships are not legally recognized.

Since the beginning of time art-making has been a tool to express, preserve, and challenge the extant knowledge in society. Artists do this by finding or creatively constructing new understandings in society. An artist is able to do this through the medium he/she uses to relay the message of the artwork. The medium that an artist uses to express his/her artistic concept has an impact on the character that the artwork will take. The medium of expression forms but one of the many considerations that go through an artist’s mind when creating art. In the process of art-making, an artist seeks to create new meanings or re-imagine old ones by organizing materials and concepts. In so doing, he/she discovers novel ways to get ideas across, and thereby creates new interpretations of social phenomena. In this article, attention is given to meaning-making as a conscious and iterative component of creating art. From a series of in-depth interviews, the authors analyze the inward processes that occur within six artists’ creative praxes and how these lead their construction of meaning. Attention is also paid to how the artists manipulate concepts and how they construct and deconstruct their understandings of these concepts in the course of their creative endeavors.

The aim of this paper is to shed light on how various interactional and interpretational contexts arising from specific researcher—research participants relationship established in the course of doing ethnographic study on sensitive, and thus often enough resistant to immediate cognition, phenomenon, namely, lesbian parenting in Poland, as well as different ways of embracing these, may factor into the research process. Drawing on specific dilemmas I encountered while doing the study at hand—from engaging a hard-to-reach population that, in a sense, wished to be reached, and the consequences thereof; through being pushed out of the comfort zone as the women under study, in the wake of becoming acquainted with the analysis I offered, “switched” from narrating their “in-orderto motives” to reflecting on the “because motives” behind their actions; to contextualizing emotions arising as my response to experiencing the issues they face (on a daily basis), to name a few—my goal here is to discuss how different ways of collecting and analyzing data—in the context of developing rapport with the women under study—have had an impact on conceptualizing and (re)framing the data at hand.