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This paper examines the significance of experiences and understandings of targeted harassment to the identities of youth subcultural participants, through case study research on goths. It does so against a context of considerable recent public discussion about the victimization of alternative subcultures and a surprising scarcity of academic research on the subject. The analysis presented indicates that, although individual direct experiences are diverse, the spectre of harassment can form an ever-present accompaniment to subcultural life, even for those who have never been seriously targeted. As such, it forms part of what it is to be a subcultural participant and comprises significant common ground with other members. Drawing upon classic and more recent understandings of how subcultural groups respond to broader forms of outside hostility, we show how the shared experience of feeling targeted for harassment tied in with a broader subcultural discourse of being stigmatized by a perceived 'normal' society. The role of harassment as part of this, we argue, contributed to the strength with which subcultural identities were felt and to a positive embrace of otherness. [ABSTRACT FROM AUTHOR]

Recent debate on the conceptualisation of youth cultures has been characterised as an irreconcilable stalemate between materialist defenders of a version of subcultural theory derived from the Centre for Contemporary Cultural Studies (CCCS) and post-subcultural theorists who favour more individualised understandings. This article suggests that, beneath this facade lies a more complex and reconcilable debate and that it may be time to move beyond the polarising presence of the CCCS as primary reference point for the discussion. Turning to substance, I go on to examine how enduring areas of disagreement within the debate can be resolved, establishing ways forward with respect to the interplay between spectacular groupings and individual pathways and the contextualisation of youth cultures, including with respect to material and structural factors. I advocate greater emphasis on the study of collective youth cultures as part of broader biographies as a way forward that can draw together these substantive strands and bring together insight from across the subcultures/post-subcultures debate. [ABSTRACT FROM AUTHOR]

This paper examines how much we can learn about youth music and style groupings from the detail of the spectacular content and practices which most obviously distinguish such groups. First, I consider an apparent revival in theoretically driven interpretations of subcultural style, music and content in recent work on the goth scene, arguing that, for all their sophistication, such studies seem liable to reproduce some of the difficulties of earlier studies of spectacular symbolic meanings unless their findings are connected with other kinds of evidence. The paper then examines recent calls for greater focus on the minutiae of participants' sensory experience of distinct subcultural practices. I discuss case studies of promising work in the area, while emphasising the need to avoid reducing subcultures to the specificities of selected spectacular experience. Drawing the two parts together, 1 suggest many elements of subcultures are neither imprinted in spectacular sounds and texts nor discernable from the immediate sensations spectacular practices give rise to. In order to enhance our overall understanding it is important, therefore, that our examination of the distinct and extra-ordinary features of subcultures is contextualised in relation to broader understandings of a range of other properties and patterns which may be less distinct, unique or extra-ordinary. [ABSTRACT FROM AUTHOR]