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Copyright of Revista Comunicação Midiática is the property of Universidade Estadual Paulista, Faculdade de Arquitetura, Artes e Comunicacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper presents reflections on the network mode of production of Television America Latina (TAL) and its role in strengthening public and cultural televisions of this Region, in the diffusion of this culture and the adoption of an alternative or resistant stance faced with a historical situation of global trade dominance on regional television production. Methodologically we start from the perspective of the model of culture circuit to propose the circuit of TAL and, from there, outline the steps necessary for the understanding of the cultural representation process in this Network television. Specifically we focus the forms of TV co-production and its mediations as a network, captured through fieldwork in TAL's Annual Meeting 2014. [ABSTRACT FROM AUTHOR]

Copyright of Revista FAMECOS - Mídia, Cultura e Tecnologia is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of this paper is to present the methodological proposal and the results of the research "Communication, culture and politics: dimensions of representation" in which we aim at understanding the positions of slam dwellers subjects built by television programs. From the presupposition that television is an important dimension of social life, we try to unravel its productions from a methodological approach which matches content analysis with television gender analysis to understand the ways the narratives suggest for the presentation of those subjects. The corpus is composed of four programs exhibited by Rede Globo Television: Central da Periferia (2006), Linha Direta (2004), Globo Repórter (2004) and Cidade dos Homens (2002). [ABSTRACT FROM AUTHOR]