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The article discusses the development of electronic displays during World War II. It highlights the invention of the cavity magnetron, which revolutionized radar technology and led to the display of terrain and map-like images on cathode-ray tubes. The article also mentions the use of radio navigation aids and the role of television in the war effort. It explores the advancements in high-definition television in the United States and the development of night vision technology. Additionally, it touches on the history of color television and the early experiments with television in Australia. [Extracted from the article]

The article discusses innovations in television (TV) technology with focus on streaming services, and video resolutions in Australia. Topics include comparison of streaming services of Netflix, Stan and Presto, competition of streaming services with free-to-air (FTA) networks, FTA's flexible plans to increase viewership, and the 4K and HDR resolutions and their compatibility like Xbox One S and Netflix services. Also discussed are the parameters to be kept in mind while buying HDTV.

The article focuses on the growing trend of the flat panel television in the market of Australia. It cites the increase of sales in the flat panel category caused by new features and technologies, drop in prices for many models, and the cathode ray tubes (CRT) end of life replacements. It states the development of other features of television which include the internet protocol television (IPTV) and the diplexer low noise amplifiers (DLNA).

This article presents information on the introduction of the Liquid Crystal Display (LCD) or digital TV in Australia. It has been seen as the cheaper alternative of high definition television (HDTV). It is the next stage of development in the domain of digital television. It offers roughly the same picture quality as analogue television but mostly in 16:9 wide-screen like a DVD, rather than traditional 4:3 broadcasts. Digital television also eliminates signal problems such as ghosting but the downside is that poor reception can cause the image to freeze. Digital TV also offers better sound. The government originally intended to pull the plug on analogue broadcasts in 2008 but slow take-up means this will be pushed back. One of the big promises of the digital television revolution high definition. Digital television's rocky start in Australia was partially due to the exorbitant cost of HDTVs and set-top boxes capable of displaying better-than-DVD quality. LCD TVs are now putting the amazing clarity of HDTV within the reach of the masses.

The article discusses the impact of digital technology on the role of broadcast audio engineer in television (TV) and radio in Australia. It says that the use of digital desks in the recording of live audio for TV has become almost exclusive since the analogue could not provide the facilities required. It cites that the application of full bitrate audio is the current trend in audio production. Sky TV has adopted 5.1 audio production for the programming of its high definition television (HDTV) services.

The article focuses on the innovation and convergence of high-definition (HD) video technology with other digital technologies. The development is driven by the emergence of technologies like Microsoft's Xbox 360 video game console, and Sony's PlayStation 3 that delivers high-definition video at 1080 pixel resolution with a noncompromise Blu-ray player. Meanwhile, the technology cited to be a critical factor in the spread of HD video are HD disc players and HD digital video disc. With this developments, the author projects a remarkable switch to high definition technology in Australia. INSET: HDTV RESOLUTIONS.

Information about several papers discussed at the conference of Society of Motion Picture and Television Engineers (SMPTE) in Sydney, Australia in 1990. The topic was delivered by N. R. Wake, group general of Greater Union Screen Entertainment which include the competing future of in-home and out-home alternatives to cinema and a comparison between cinema and television. Wake also tackled the factors that high-definition TV (HDTV) has to offer for consumers.

The article presents information about one80, which has geared up to become the only production facility in Australia that can procreate High Definition video from acquisition to final edit. Their High Definition (HD) outside broadcast vans, which have been in operation since the digital post studio's inception, are the only such units in Australia, and the newly purchased HD Avid edit suites go on-line in September 2004. Although one80, which is housed in Newcastle's NBN television facility, is basically the only pre/post production facility (SD or HD) in NSWs Hunter region, it is by no means a small concern, and not short of vision in a rapidly changing industry.

The article discusses the plans of the Metropolitan Opera for the high-definition (HD) television broadcast of eight of its productions. They include "Roméo et Juliette" on December 15, 2007, an English-language "Hansel and Gretel" on January 1, 2008 and "Manon Lescaut" on February 16. The scope of the series expands to include more than 700 locations across North America, Europe, Asia and Australia.

The article presents an outlook for the home entertainment industry in Australia for 2006. High-definition television will be pushed by both vendors and governments alike. Digital television will be the focus of the government while vendors are eager to encourage the already growing home theater market. Due to the slow take up of digital television, the original plan of the Australian government to have the analog television transmission system switched off in 2008 will be delayed.

The article presents a buyer's guide to notebook computers in Australia for 2006. Despite the decline in sales of laptop computers in the country in 2005, the worldwide demand for notebook computing technology is forecast to increase. will not only see manufacturers aim for bigger, better and brighter, but demand for that technology will outstrip supply. High definition television content is expected to rise together with DVD movies.

Criticizes the Australian government's policy toward digital television. Cost of a high-definition television and a stereoscopic television; Censorship of commercial television services in the country.

The article discusses the report "Ultra High Definition TV Displays: Global Market Forecast" of the firm Strategy Analytics' Connected Home Devices (CHD) as of March 2015. It mentions that the report revealed that the U.S. will lead the market for 4K or ultra high definition (HD) television (TVs) in terms of household penetration by 2020 followed by Western Europe markets, Australia, South Korea and China. It include comments from David Watkins of Connected Home Devices, on same.

The article offers news briefs as of November 1, 2012 in Australia on the winners of Canon Oceania's annual environmental grants program, the industry standard of Ultra High Definition for televisions settled by the Consumer Electronics Association, and the development of omni-channel retailing.

The article reports on the advancement of television broadcasting in Australia. It cites the 900-million dollars investment of the Australian government in the transition of television from analogue to digital free-to-air. It also reveals the development of three-dimensional television and the issues need to address by broadcasters and consumer electronic suppliers.

In this article the author discusses the role of the Internet in the development of the home entertainment industry in Australia. He explains that the Internet allows Australian households to access to a high definition television (TV). He cites the factors that contribute to the success of the Internet Protocol television (IPTV).

The article offers news briefs related to sales promotions in Australia. Canon Australia is spending an extra 15 million U.S. dollars in 2009 to support its digital cameras and printers. Panasonic Australia P/L announces that consumers buying one of two new Panasonic Lumix cameras have a one in five chance to win a 32-inch Viera high definition (HD) liquid crystal display (LCD) television. Consumers can get a bonus Active HEPA filter with the purchase of selected vacuums in the Miele S5 Series.

The article informs that to try and prevent ongoing confusion about high definition television (HDTV) among consumers, the Australian Digital Suppliers Industry Forum (ADSIF) has announced a so-called High Definition (HD) certification logo. The logo is used to identify TVs with a built-in HD digital tuner. It also helps in identifying TVs that meet all Australian and industry standards for true HD.

The article compares the energy consumption of the LCD and plasma TVs. The science says plasmas need to fire up the gas in each of the tiny plasma cells, so would need more voltage than the backlights that power LCDs. According to Jaga Park-Ross, an Environmental Consultant with Neco Environmental Solutions, energy consumption hasn't always been a buying criterion for big-screen TV buyers, but with electricity costs forecast to rise 30% over the next few years in Australia due to the rising costs of carbon credits for power companies, it's definitely worth thinking about.

The article reports on the views of RMIT University energy expert Alan Pears regarding labelling of television (TV) screens in Australia. According to Pears, the wide range of energy consumption across TV brands, models and sizes made it harder for consumers to gauge how energy-efficient a TV screen is. The call for energy labelling has been suggested by New South Wales Greens legislator John Kaye, who believes that people are not aware that alternative television brands and sizes are more energy efficient compared to plasma screens.

The article features LG's new range of plasma and liquid crystal display high-definition television sets in Australia in 2006. It includes information on the key features and specifications of the new product line, as well as its various entertainment applications. Information on the product's price and manufacturer are also provided by the article.

The world is beginning to speak the global language of digital and high definition (HD) television. In addition to the United States and Japan, some HD programming is already offered in such parts of the world as Australia, Canada and Europe. Australia adopted a 1080/50i video format and the Digital Video Broadcasting transmission standard that has been adopted in other parts of the world, including Europe. Japan adopted the 1080/60i video format and is offering some HD via satellite and terrestrial broadcasting. South Korea also began trials and a DTV transition, which involves some HD terrestrial broadcasting. INSET: DISPLAY SPACE.

After a slow start, digital television is finally gaining significant momentum in Australia. HDTV cards are becoming more prevalent for PCs, and Panasonic has even launched a HDTV-compatible projector, aimed at the high-end home user. On paper, the unit is impressive: it boasts a 1300:1 contrast ratio, an 850 ANSI lumens lamp and an HDTV 1,280 x 720 pixel LCD panel. It features a range of connection options, including VGA, DVI, Scart, RGB, S-Video and composite sockets. When the unit reaches 2,000 hours under normal operation, it's automatically shut down to prevent potential damage. The fan noise is rated at 27dB, an acceptable level for a home cinema projector, and the internal speaker is easily loud enough to overcome it. The HDTV LCD panel provides a clearer image than DLP projectors—and that's before the Smooth Screen technology is applied to the resultant image.

Reports that the Australian Productivity Commission has issued a recommendation against imposing high definition television (HDTV) as the standard for the introduction of digital television in the country. Concerns over the high costs of HDTV; Goal to make digital television more affordable.

Presents comments from television producers regarding the high definition production and post production industry in Australia. Pat Egerton of Ambience Entertainment; Jeff Oliver of Digital Pictures Sydney; Phil Watts of Omnilab Post; Peter Fisher of GMD; John Fleming of Digital Pictures Melbourne.

The article reports that GfK AG has reported that the company has sold 140,000 large screen flat panel televisions between the first week of May 2010 through June 14, 2010 in Australia.

The article reports that Sony Australia Ltd. has partnered with Sydney Opera House to become an exclusive entertainment technology provider in Australia. In the deal, Sony will provide digital signage on the venue and will lead to capture, create and deliver performances to Sydney Opera. In addition, Sony will provide high-definition (HD) screens in the Painting art studio within the Opera House.

The article reports on the high-definition (HD) pay television service offered by Australian firm Foxtel to its high-end customers. According to Foxtel's executive director of content and innovation Patrick Delany, Foxtel has 10,000 existing Foxtel customers waiting in line for the HD service, which will allow them to record programs and rewind live television.

The article reports that Australian television networks Seven and Ten have launched high-definition channels. According to the author, the move has fueled media fragmentation, a trend that television and radio companies have previously complained against. According to the author, the networks' move will accelerate the fragmentation of consumers' media consumption habits.

The article reports on business conditions in the Australian digital television industry. The Australian Digital Suppliers Industry Forum expects sales of television sets and set-top boxes to reach 9.5 million units in the period 2008-2013. The industry will be boosted by high-definition television broadcasting of sports on free-to-air channels.

The article reports on developments related to the financial performances of business enterprises in Australia. Sales of plasma and liquid crystal display televisions for the first quarter of 2006 have increased. A third-quarter 2006 forecast has revealed that new housing construction will fall by 1 % and the home renovations market will remain stagnant. Personal bankruptcy and insolvency in Australia has increased.

The article reports that "Reality Check" is the first film ever to be shot with JVC GY-HD101E ProHD cameras. It is being directed by Geoff Cox and produced by his independent production company, Tempo Pictures in Australia. The camera has interchangeable lenses and uses newly developed CCD image sensors. JVC claims that the native resolution of the camera matches that of most HDTV displays and allows real time playback in all major DTV formats.

Reports on the Department of Communications, Information Technology and the Arts review of the Australian Broadcasting Services Act, as it relates to high definition television. Highlights of the biennial conference of the Society of Motion Pictures and Television Engineers.

The article presents information about Euro1080, the first high definition television (HDTV) group in Europe. The company, which was officially launched on January 1, 2004, has signaled a very telling broadcast industry message. With the launch of HD2 on June 1, 2005 it will become the very first channel to broadcast HDTV in MPEG-4. This will definitely cause Australian broadcasters, some of whom have mentally relegated MPEG-4 to a lifelong IP delivery structure, to stir uncomfortably when committing further broadcast dollars to their MPEG- 2 infrastructures.

Focuses on the plan of Pinnacle System to trademark its own marketing term to refer to its suite of high definition television products in Australia. Offer of support to third-party upconverters and integration with Liquid Edition; Specifications of the format.

Editorial. Comments on the failure of the Australian government to stimulate the market for high-definition television and to sell off the Australian Broadcasting Corp. (ABC) in 2003. Complaints of the ABC management against government budget reductions; Dispute between former Senator Richard Alston and ABC over the government subsidy.

Introduces the digital high definition television in Australia. Interest of the public in buying television sets and set-top boxes; Failure of government broadcasting policy; Differences between public interests and he interests of existing media owners.

Reports on the preparation of Australia's television (TV) production and post production houses for the introduction of digital television in the industry in July 2000. Issues on the legislation governing digital TV; Impact of high definition television.

Reports that the Advanced Television Systems Committee (ATSC) has conducted its first over-the-air broadcast of digital high-definition television (HDTV) service in the southern hemisphere in October 1997. Digital signals from the TCN Channel 9 tower in Willoughby; Assistance from the Australian Commercial Television Stations; Support from member organizations of the ATSC.