1. Moving serenades: Hearing the Sinophonic in MP & GI's Longxiang Fengwu.
- Author
-
WONG, LILY
- Subjects
CHINESE films ,MOTION pictures ,MOTION pictures -- History -- 1951-1960 ,SOUND in motion pictures - Abstract
As the first full-coloured film-musical produced in Hong Kong, Longxiang fengwu/Calendar Girl (Tao Qin, 1959) is known for its restaging of 1930s Shanghai oldies and its resulting box office success. This article traces the transpacific and transmedial meaning-making processes the restaged tunes (lyric and sound) offer so to hear the social spaces, geographies and identities that the intersection of music and cinema can enable, reflect and prophecy. In particular, it discusses the ways the restaged Shanghai oldies in the film 'move' technologically, spatially and affectually. That is, in addition to tracking the geopolitics of the musical numbers' audiospatiality, I listen closely to the 'structures of feeling' that shift and mutate through the songs' travels through time, place and medium. Gesturing towards a 'Sinophone Geography of Affect', I argue that it is precisely through these 'movements' that the tunes are able to create spaces in which discourses of national and cultural nativity get both contested and consolidated, both sounded and silenced. As such, I submit that it is precisely through these movements that we find openings to complicate both the films' geopolitical rendering of Cold War-era Sinophone identities, and the disciplinary boundaries that govern past studies of the text in the academy. [ABSTRACT FROM AUTHOR]
- Published
- 2013
- Full Text
- View/download PDF