Search

This text presents bullerengue as a socio-cultural practice that is difficult to fragment without falling into its simplification and sacrificing its full understanding. It means an attempt to gather what has been commonly separated in the existing studies on this manifestation (party, music and dance), but without losing sight of its junctures, through two dimensions of analysis artistic-cultural and socio-spatial. The text refers to a recent research experience in Urabá (region located in the department of Antioquia, north-western Colombia), a project called Bullerengue in Urabá, an approach to a complex sociocultural manifestation (2018-2019), which from an interdisciplinary focus integrates ethnomusicology, dance studies, socio-spatial studies and ethnography. [ABSTRACT FROM AUTHOR]

Copyright of Educación y Ciudad is the property of Instituto para la Investigacion Educativa y Desarrollo Pedagogico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)