Search

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article proposes to point out discourse distinctiveness from memory stories, but centered in one enunciation: the episodes related to the 70's in Argentina; particularly the Last Military Dictatorship event. It is inscribed within the investigations about argentine memory discourses, particularized in Córdoba as a cultural space. On this sense, it is from the consideration about the possibility/impossibility to narrate and the incommensurable aspect of some of the experiences, that a series of considerations are structured to characterize the enunciations and -fundamentally- the enunciation processes. The marking of some determined resources related to the narrative structure, the enunciating voice/s, the plurality and overlay of times, the metaphors, etc., which show the reminiscence work and ratify -simultaneously- a correspondence between aesthetics and politics, between memory and resistance. [ABSTRACT FROM AUTHOR]