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In the preparation of the bata drums of Cuba and Yorubaland, ritual specialists affix a small iron ring near the smaller of the two heads of these drums. The ring is the material marker that the drums are consecrated, imbued with the power of Ayan, the orisha of drumming. This study looks to other appearances of iron rings and iron idiophones along sub-Saharan trade routes connected to the Oyo Empire, the 'source' of bata drumming. The study links the use of rings in these regions to iconic sites of Yoruba culture in the Americas--Brazil and Cuba--as a means of revisiting some of the dominant narratives in the constructed past of orisha worship on both sides of the Atlantic, before and after the transatlantic separation. The prominence given to the Oyo-Shango complex in American forms of orisha worship is considered here to be unwarranted. [ABSTRACT FROM AUTHOR]

This study investigates the importance of the bullroarer cult in Cuban orisha worship. Though the cult was one of the most feared collectives of precolonial Yorubaland, carrying out the executions of criminals and witches on behalf of the state councils, the cult that came to be recreated in Cuba after the transatlantic separation took on a quality that was more devotional, though equally secretive. Given that so much change has occurred among the bullroarer cults in Cuba and Yorubaland since the termination of the slave trade, the conspicuous links between the two cults have all but disappeared. The case will be made however that, by lending particular attention to the bullroarer and other accouterments of the cult in Cuba, links can be re-established that explain the persistence of the cult in Cuba and demonstrate the ways in which ironically this emblematic sounding instrument of the cult is often constructed in a manner that actually "mutes" the instrument. [ABSTRACT FROM AUTHOR]