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This essay examines parallels between the resolidification of German identity and reconfigurations of German national space and nation-state time. From recurring events (refugee-guided tours) to temporary installations (a private home's garden memorial), these performances by and about those excluded or conditionally tolerated define an emerging refugee subjectivity. Each performance stages the dichotomy between transience and permanent residence and engages the public in perpetual enactments of democratic deliberation. We argue that these performances force audiences to recognize how they implicitly define their nations and fellow citizens by both their domestic democratic practices and the exceptions at the border: who is deported and kept out, who are permitted to enter and remain. With growing critical interest in performance and performativity in international relations, we consider the impact of individual and collective pro-migrant protest performances on national identity and electoral politics in Germany and their effects on organizing, resistance, and performance "artivism" globally. [ABSTRACT FROM AUTHOR]