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The article focuses on Mirjam de Zeeuw's installation artwork that depicts the theme "ideal place" at the Hague Center of Contemporary Art (HCAK) in the Netherlands. It discusses possible meanings of the symbols Zeeuw used, which include five small columns placed in the exhibition room, interpreted as pedestals and fingers pointing at the moon. Moreover, it explains the concept of distinguishing mark, which could possibly be one of the fingers pointing at the moon.