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It is intended to discuss the artwork "Parthenon of Books" by Argentine artist Marta Minujín by analyzing the contexts that dialogue with the artwork: the burning of books during German Nazism and the military dictatorship in Argentina. The analysis is based in the curatorial proposal of documenta 14 to displace from its hegemonic center (the city of Kassel) to the South (in Athens). [ABSTRACT FROM AUTHOR]