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Music heritage in cities has become a significant area of interest in the twenty-first century because it is linked to profitable music tourism and a growing cultural economy. Melbourne, the Victorian state capital, is used as a case study; in March 2013, the city was unofficially crowned Australia’s music capital because it, at the time, had the most music venues and a vibrant music economy. However, this paper argues that this identification is somewhat ahistorical for two reasons. Firstly, it leaves out the colonial and gold rush prehistory of Melbourne’s music culture. Secondly, it omits the critical recognition of Melbourne’s (and Australia’s) first international music superstar exports, such as opera diva Dame Nellie Melba (nee Helen Porter Mitchell), who was named after her home town of Melbourne, and pianist prodigy and composer Percy (Aldridge) Grainger. Drawing on a textual analysis of government policies, economic reports, and the work of historians, musicologists and journalists, this paper synergises the history of Melbourne’s music culture from its colonial beginnings in 1835, until 1927, when the city was no longer Australia’s political capital. It identifies four early stages of Melbourne’s musical development, which laid the foundations for iconic music venues, Australia’s first opera company, music entrepreneurs, and the initial nurturing of the nation’s first music superstars in Melba and Grainger. [ABSTRACT FROM PUBLISHER]