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A calendar of cultural and entertainment events in New York City for January 25-February 8, 2017 is presented, including the art exhibition "Beat," the opera "Rusalka," and a14-film retrospective featuring the films of Stanley Kubrick.

The article reviews an art exhibition held at Frieze in New York on May 3, 2018.

A calendar of arts and culture events for the New York City area for June 17 to July 1, 2015, which include artist Ellsworth Kelly's exhibition at the Matthew Marks Gallery, the showing of Martin Scorsese's 1990 film "GoodFellas" at the Film Forum, and the New York Philharmonic's performance in Central Park.

The article offers information on several cultural events to be held in New York City, and also offers brief information on several books. Another Look at Detroit: Parts 1 and 2 art show will be held in Marianne Boesky Gallery and Marlborough Chelsea, through August 8, 2014. The book discussed include "Knish: In Search of the Jewish Soul," by Laura Silver. Bolshoi Ballet will be held at David H. Koch Theater, through July 27, 2014.

The article highlights things to hear, read, see and watch in New York City. Stegner Fellow NoViolet Bulawayo released his debut novel entitled "We Need New Names," which is set partly in an unnamed African country and partly in the U.S. Philip Seymour Hoffman, Stephen Adly Guirgis and their collaborators at The Labyrinth Theater are busy staging playwright Bob Glaudini's classic setup. James Levine will be returning to stage when he makes his comeback on May 19, 2013 at the Metropolitan Opera.

The article features several exhibitions in New York City, including "Mickalene Thomas: Origin of the Universe," at Brooklyn Museum, "Mategna to Matisse: Master Drawings From teh Courtault Gallery," at Frick Collection and "Picasso Black and White," at the Solomon R. Guggenheim Museum.

The article mentions several art exhibits shown at various museums in New York City beginning December 2010, including "Yoshitomo Nara: Nobody's Fool" at Asia Society until January 2, 2011, "Norman Rockwell: Behind the Camera" at the Brooklyn Museum until January 9, 2011 and "Chaos and Classicism: Art in France, Italy, and Germany, 1918-1936" at the Solomon R. Guggenheim Museum until January 9, 2011.

A list of art museums and galleries in New York City is presented including the Brooklyn Museum, Neue Galerie, and the New Museum of Contemporary Art.

The article offers information on several exhibitions by women artists in New York City from October 2009 to January 2010 including the multimedia exhibition "Up Against," by Janine Antoni at Luhring Augustine, the painting exhibition "Here and Now/And Nowhere," by Tauba Auerbach at Deitch Projects, and the photography exhibition "This Train Is Bound for Glory," by Justine Kurland at Mitchell-Ines & Nash.

This article reports on the art of 20th century painter Francis Bacon and a retrospective of his work at the Metropolitan Museum of Art in New York City, New York in 2009. The article discusses Bacon's art and his life as a gay man in New York City from the 1940s through his death in 1992. Information is also provided on his pieces, including "Painting," "Jet of Water," and "Crucifixion."

GLO:NYO/03feb20:14n1.jpg DIAGRAM: . gl AFTER HEARING OF Jason Polan's death at age 37 from colon cancer, I realized I had never seen him not drawing. Like some Borges character, he set out to draw "every person in New York" and made it past 30,000 squiggly ink drawings, including the 150 seen here from 2019. [Extracted from the article]

The article reviews the exhibition "Chris Ofili: Night and Day" at the New Museum in New York City ongoing through January 25, 2015.

Focuses on the 1993 to 1994 exhibition season of paintings in New York City galleries. Painting as a medium supposedly on the wane; Relevance of painting as a medium; Categorization of the season's solo painting exhibitions.

Reports on exhibitions presented by New York galleries on May 1, 1993. Show of sculpture and drawings by artist Michael Jenkins at Jay Gorney's downstairs gallery; Artist Anselm Kiefer's show at Marian Goodman gallery; French artist Orlan's exhibition; More.

The article reviews the exhibition "Impressionism, Fashion, and Modernity," at the Metropolitan Museum of Art in New York City through May 27, 2013.

The article features Jeff Koons, who is described as the emblematic artist from 2000 to 2009. It mentions the tendency of his work to stand apart from others and the significance of their strangeness. The modern time and the image of the U.S. are said to be portrayed in his art. In the author's opinion, his 2000 large-scale topiary sculpture "Puppy" in front of the G.E. Building in Rockefeller Center in New York City was able to reach out to and elicit response from viewers. INSET: THE STICK LIST.

The article looks at various events in the gallery scene in New York City in the fall of 2009 which negate speculations of the imminent demise of the art world. The Bruce High Quality Foundation has organized the event called "Explaining Pictures to a Dead Bull" that includes lectures by artists. Radical vulnerability is said to be showcased in an exhibition by Dasha Shishkin at the Zach Feuer Gallery in Chelsea. The author describes the scene as showing a willingness to fail in new ways.

The article reviews the art exhibit "The Generational: Younger Than Jesus," curated by Lauren Cornell, Massimiliano Gioni, and Laura Hoptman, at the New Museum in New York.

The article reviews several exhibitions in New York including "Love Is the Message, the Message Is Death" by artist Arthur Jafa at Gavin Brown's Enterprise gallery; "You Can Call Me Baby" by Myla Dalbesio, at James A. Farley Post Office building; and "Golden Eggs" by Alissa Bennett at Team Gallery.

The article reviews the exhibition "Et tu, art brute?," featuring the works of various artists, at the Andrew Edlin Gallery in New York City until January 28, 2018.

A review is offered for the Museum of Modern Art, located in New York City.

The article discusses a book and photograph exhibit by Robert Rauschenberg, and presents samples of his work. It states that both the book and the exhibit are called "Robert Rauschenberg: Photographs 1949-1962,"and presents 167 pictures of the period wherein he developed his point-and-shoot style, and include pictures of himself, as well as friends. The exhibit is ongoing until October 3, 2011 at the Robert Rauschenberg Foundation Project Space in New York City.

The article argues that Jackson Pollock's "The Panorama of the City of New York" is the greatest work of art about New York City of all time. The 9,335-square-foot model which was commissioned by city builder-destroyer Robert Moses is housed in the Queens Museum of Art since 1964. It is made of wood, plastic, fake shubbery, Formica and other materials.

The article provides information on the exhibits at the Museum of Modern Art (MoMA) in New York City. The exhibition titled "Abstract Expressionist New York" features the works of Mark Rothko. One of the paintings of Jackson Pollock that is displayed at the museum is "Pollock's One: Number 31, 1950." According to the author, Barnett Newman's "Vir Heroicus Sublimis" is the reddest painting ever made.

The article reviews the top 10 art exhibitions in New York City in 2010, including "Chaos and Classicism: Art in France, Italy and Germany, 1918-1936" at the Guggenheim Museum, "Heat Waves in a Swamp: The Paintings of Charles Burchfield" at the Whitney Museum of American Art, and "Jessica Jackson Hutchins" at Derek Eller Gallery and Laurel Gitlen.

The article reviews the painting exhibition Juwelia at Jack Hanley Gallery, New York City through February 7, 2016.

The article looks at two art gallery spaces in New York City. Boiler is located in Williamsburg. The author feels that the standout piece in Boiler is a 2.5-ton ice sculpture made by Tavares Strachan. X Initiative: Phase 1 is located in Chelsea. The author discusses the opportunities made available to galleries when others are forced to close.

The article presents a review of several art exhibits in New York City including a showing by artist Lisa Yuskavage, an installation titled "Switch and Bait" featuring the work of Adam McEwen, and an exhibit by artist Rudolf Stingel.

The article reviews several art exhibitions in New York City as of December 14, 2015 which include Cheyney Thompson solo painting show's "Birdwings and Chambered Shells" at Andrew Kreps Gallery Cheyney, "Margret: Chronicle of an Affair -- May 1969 to December 1970" at White Columns One, and Leidy Churchman's realistic paintings at Murray Guy.

A review is offered for the Museum of Modern Art located in New York City.

The article reviews several exhibitions including "Cindy Sherman" at the Metro Pictures in New York City through December 23, 2008 and "Picasso's Marie-Thérèse" at the the Acquavella Galleries in New York City through November 29, 2008. INSET: BACKSTORY.

The article reviews art exhibitions in New York City for the week of September 29, 2008, including video installations by Shimon Attie at the Jack Shainman Gallery, a photography exhibit by Andres Serrano at the Yvon Lambert Gallery, and a multi-media exhibit by Neil Campbell at the Marianne Boesky Gallery.

This article reviews a recreation of a 1964 installation art piece by artist David Flavin at the Zwirner & Wirth Gallery in New York City in May, 2008.

This article discusses art and artists that are representative of New York City. The New York canon of art is made up of art that features the city, influential artists, and individuals responsible for opening galleries and institutions. The list includes Vito Acconci's "Following Piece," Cindy Sherman's "Untitled Film Stills," and Andy Warhol's "Self-Portrait."

The article reviews the exhibition "The Whitney Biennial" at the Whitney Museum of American Art in New York City open through June 1, 2008. INSET: BACKSTORY.

This article focuses on the art exhibition "Jasper Johns: Gray" by Jasper Johns. The exhibition is at the Metropolitan Museum of Art in New York City and includes a collection of 119 pieces that are all gray, and range from paintings, sculptures, prints, and drawings. The article details the show, and also includes some biographical information on Johns. INSET: BACKSTORY.

The article, part of a special section on reasons to love New York City, presents a diagram of the layout of the Metropolitan Museum of Art surrounded by small captioned photographs of some of the author's favorite works.

The article reviews the exhibit "Unmonumental" showing at the New Museum in New York City through March 23, 2008.

The author reflects on the representation of female artists at the Museum of Modern Art (MoMA) in New York City. He states that the lack of women artists speaks to the museum's creative failure as well as gender bias. The author points to the incorporation of women artists, such as Georgia O'Keefe, at the Metropolitan Museum of Art. He also comments on the exhibitions of Deborah Wye, Louise Bourgeois, and Hanne Darboven in various other art departments.

The article reviews the exhibition "Kara Walker: My Complement, My Enemy, My Oppressor, My Love," featuring art by Kara Walker, showing at the Whitney Museum of American Art through February 3, 2007 in New York City. INSET: BACKSTORY.

The article reviews the art exhibition "Devil's Pie," paintings by the artist Chris Ofili, presented at the David Zwirner gallery, New York City, through November 5, 2007. INSET: BACKSTORY.

The article reviews two art exhibitions, including one by Takashi Murakami at the Gagosian Gallery in New York City through June 9, 2007, and the exhibition "Beneath the Underdog," from various artists including Jessica Diamond and Michael Joaquin Grey, at the Gagosian Gallery in New York City through June 26, 2007.

This article reviews the exhibition "High Times, Hard Times: New York Painting, 1967-1975," at the National Academy in New York City through April 22, 2007.

In this article, the author features Chelsea as the center of art in New York City. The author observes that the district is not only the largest scene, but it is also the largest ever. He cites a number of art galleries found in the city. Moreover, the author indicates several exhibitions held in the district. Some factors which contributed to this status of the district in the art world are stated.

Comments on the changes in art events in New York City as of December 2004. Description of New York City's art scene; Appointment of Matthew Higgs as director of White Columns Gallery; Comments by Bellweather owner Becky Smith on changes in art galleries.

A review is offered for the Metroplitan Museum of Art located in New York City.

The article features artist Brice Marden's two-gallery show at Matthew Marks in New York City.