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The article profiles Bill Macomber, founder of the editing company Fancy Film that handles television and movie projects. He graduated at the Wesleyan University and worked as a production assistant in New York City. Working as an assistant editor in 2001, he made a decision to start his own editing company and invested on his first semi-professional system. He had his big break when he was hired to edit the reality show "Life Moments."

The article focuses on the film editing of Howie Lazarus' production "Tap Dancing" in New York City. As the production undergoes stages of editing, various flaws are determined highlighting on the last pair of vignettes involving the toothless boy and the toothless hockey player. A conversation between Lazarus and Jerry Pfiffner to resolve the flaws of the production is considered. Furthermore, the final filming of the edited production with a revise version of "Tap Dancing" is presented.

The article focuses on the career profession of film editor Howie Lazarus in New York City. An overview of his career ability in the filming of the production of "Tap Dancing," is presented with comparison to the filming ability of Steve Horn. It also discloses on how he was able to shot the five vignettes of the production into an average of twenty-five takes, with each vignette undertakes only four to five takes. Additional information on how he turned to be a film editor is posted.

The article focuses on the film editing on the production of "Tap Dancing" at the Beacon Theater in New York City. The assessment which is undertaken by Jerry Pfiffner, Gaston Braun and Howie Lazarus determine the flaw in the tapping sound of the dancers' shoes. It examines that the sound overlaps the original music, such that several editing are employed. Furthermore, actions being applied to resolve the heavy soundtrack of the shoes are considered.

The article reports that the biggest incentive in tax in the U.S. should bring film-editing work in New York City. Yana Collins Lehman, managing director at Trevanna Post Inc., says that the incentive may increase postproduction business to New York. It adds that New York Governor Andrew Cuomo has signed a bill into law that triples the tax credit for postproduction work in the state to 35% upstate and 30% in New York City.

Reports that Madstone Films and writer-director Aaron Woodley are handling over editing of the movie "Rhinoceros Eyes" to film students from different colleges in New York City. Premiere of the movie in the Toronto Film Festival; Discovery award won by the directorial debut of Woodley; Release of the film in the city before expanding to other cities in spring.

Reports on the use of digital video at New York City's The Edit Center. Application of digital video in commercial filmmaking; Drawbacks of the technique; Release of Apple Computer Inc.'s software Final Cut Pro; High-profile projects at the center.

Focuses on the post-production film and television community of New York City. Quality of films in terms of artistic and technical considerations; Capital investments in facilities and systems; Film processing laboratory opened by Moving Images; Soundtrack's operation of a sound house on West 22nd Street. INSET: The vitals.