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The article offers information on the most busiest movie theater in the U.S., the AMC Empire 25 in the New York City. It states that the theater open early in the morning, which accommodates more than 2 million moviegoers annually. It mentions that the Empire offers a profile of modern multiplexes, where individual movies are assigned on the screen, on the bases of their drawing power, and to maintain cost-effectiveness, the staff is continuously adjusted, based on the projections.

The article discusses the set design by Smith for the theatrical production "War Horse." It mentions the simple strip of a projection screen over the stage. It states that the National Theatre supported the production, from its previews to its Tony-winning self. Productions video designer Mark Grimmer says that the projections have been connected to the play's evolution on its trip to New York.

The article offers information on the dual projection solution lines that are being showcased at the Sapphire Marketing's Roadshow in New York City. It matches the M-Vison Cine LED single-chip projector from Digital Projection International PLC and the Supernova 23-23 optical projection screen from DNP. Digital Projection has also demonstrated the HIGHlite Cine 260 three-chip DLP projector and the dVision WQXGA projector.

The article reports on the provision of video screens by Pete's Big Tvs Inc. for the Rock and Roll Hall of Fame Concert at Madison Square Garden in New York City. It is stated that a 16-foot-by-80-foot curved light emitting diode (LED) screen was featured in the concert set designed by Anne Brahic. It notes that the set also had spatial light modulation (SLM) projectors. It also mentions that the video screen support for the Hall of Fame induction ceremonies was provided by the company.