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A classical branch of graph algorithms is graph transversals, where one seeks a minimum-weight subset of nodes in a node-weighted graph G which intersects all copies of subgraphs F from a fixed family\scrF. Many such graph transversal problems have been shown to admit polynomial-time approximation schemes (PTASs) for planar input graphs G, using a variety of techniques like the shifting technique [B. S. Baker, J. ACM, 41 (1994), pp. 153--180], bidimensionality [F. V. Fomin et al., Bidimensionality and EPTAS, in Proceedings of SODA 2011, ACM, New York, SIAM, Philadelphia, 2011, pp. 748--759], or connectivity domination [V. Cohen-Addad et al., Approximating connectivity domination in weighted bounded-genus graphs, in Proceedings of STOC 2016, ACM, New York, 2016, pp. 584--597]. These techniques do not seem to apply to graph transversals with parity constraints, which have recently received significant attention, but for which no PTASs are known. In the Even Cycle Transversal (ECT) problem, the goal is to find a minimum-weight hitting set for the set of even cycles in an undirected graph. For ECT, Fiorini, Joret, and Pietropaoli [Hitting diamonds and growing cacti, in Proceedings of IPCO 2010, Lecture Notes in Comput. Sci. 6080, Springer, Berlin, 2010, pp. 191--204] showed that the integrality gap of the standard covering LP relaxation is\Theta (log n), and that adding sparsity inequalities reduces the integrality gap to 10. Our main result is a primal-dual algorithm that yields a 47/7\approx 6.71-approximation for ECT on node-weighted planar graphs, and an integrality gap upper bound of the same value for the standard LP relaxation on node-weighted planar graphs. [ABSTRACT FROM AUTHOR]

Woody Allen is one of the directors who have worked the most the city on his filmography. New York City is an icon that defines his work. In order to know what the image he has projected of New York is, his urban work has been analyzed in a transversal way. The process consisted of breaking down the feature films into sequences and selecting those fragments of New York urban content. These sequences were analyzed from various perspectives: visual, oral, and narrative. The interpretation of the results leads to the conception of a coherent New York urban identity tale that goes through different stages in the director's filmography. [ABSTRACT FROM AUTHOR]

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