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Crop diversification often promotes farm sustainability. However, proper management of newly introduced crops is difficult when pests are unknown. Characterizing herbivore dynamics on new crops, and how they respond to agronomic factors, is crucial for integrated pest management. Here we explored factors affecting Lygus spp. (Hemiptera: Miridae) herbivores in quinoa crops of Washington State. Quinoa is a newly introduced crop for North America that has multiple varieties and a range of agronomic practices used for cultivation. Through arthropod surveys and discussions with growers, we determined that Lygus spp. was the most abundant insect herbivore and likely contributed to low quinoa yields in previous seasons. We assessed how different varieties (Pison and QQ74), irrigation regimes (present and not), and planting methods (direct-seeded and transplanted) affected Lygus population dynamics. Lygus phenology was correlated with timing of quinoa seed-set in July and August, corresponding to a period when quinoa is most susceptible to Lygus. Both irrigation and planting manipulations had significant effects on Lygus abundance. Irrigation reduced Lygus abundance compared with nonirrigated plots in 2018. Planting method had a significant effect on Lygus populations in both 2017 and 2018, but effects differed among years. Variety had a significant effect on Lygus abundance, but only in nonirrigated plots. Overall, our study shows that Lygus is a common insect herbivore in quinoa, and careful selection of variety, planting method, and irrigation regime may be key components of effective control in seasons where Lygus abundance is high. [ABSTRACT FROM AUTHOR]

The U.S. art museum sector is grappling with diversity. While previous work has investigated the demographic diversity of museum staffs and visitors, the diversity of artists in their collections has remained unreported. We conduct the first large-scale study of artist diversity in museums. By scraping the public online catalogs of 18 major U.S. museums, deploying a sample of 10,000 artist records comprising over 9,000 unique artists to crowdsourcing, and analyzing 45,000 responses, we infer artist genders, ethnicities, geographic origins, and birth decades. Our results are threefold. First, we provide estimates of gender and ethnic diversity at each museum, and overall, we find that 85% of artists are white and 87% are men. Second, we identify museums that are outliers, having significantly higher or lower representation of certain demographic groups than the rest of the pool. Third, we find that the relationship between museum collection mission and artist diversity is weak, suggesting that a museum wishing to increase diversity might do so without changing its emphases on specific time periods and regions. Our methodology can be used to broadly and efficiently assess diversity in other fields. [ABSTRACT FROM AUTHOR]