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Cultural heritage is generally regarded as something of value – but it is valued in different ways by different communities. Here we explore the value of cultural heritage for rural Scottish communities and how it is generated through social and cultural capital. Using the idea of 'gathering', we consider the process of gathering historical archives, narratives and gathering places based on local knowledge. We draw upon a study of communities in the Outer Hebrides of Scotland, where a well-established cultural heritage tradition has developed and is continuing to do so with the adoption of various digital technologies. The paper argues that cultural heritage offers a real sense of cultural value for participants and communities for which digitisation offers both threats and opportunities. The paper adds to our understanding of locally generated cultural capital and the meaning of cultural value. [ABSTRACT FROM AUTHOR]

The study is about social cohesion in rural communities and how this interacts with Information and Communications Technology (ICT). Social cohesion is considered in terms of both system integration and social integration. System integration includes business and cultural organisations, civil society and communal spaces on and offline, which can provide bridging mechanisms to bring together disparate social groups. Social integration refers to more informal mechanisms of inclusion, including social networks, a sense of belonging, commitment to the common good. The paper considers these elements of social cohesion in relation to the intertwining of on and offline relationships by examining two contrasting rural communities in Northern Scotland. The paper concludes that ICT can play very different roles in social cohesion for different social and cultural groups as well as for different kinds of locational communities, but that ICT is becoming an integral part of rural social relations. [ABSTRACT FROM AUTHOR]

The CURIOS (Cultural Repositories and Information Systems) project has been working with community heritage groups to co-produce sustainable solutions for the production of heritage archives in digital form. This process has produced an opportunity for fascinating geographical research into the ways in which community heritage groups produce history from their own perspective. This paper will therefore begin to open up these ongoing processes to consider, through case study examples, the ways in which the production of digital archives alters the geography of community heritage production. A number of community heritage groups have been converting their ‘analogue’ collections into ‘digital’ forms and the paper will argue how this significantly alters the positionality of the archive. This will be shown by detailing the ways in which the processes of collection and preservation, conducted by community volunteers, take place. The paper will then move to consider the ways in which this historical material, representative of place, is presented back to a wider audience. In doing this, it will discuss the rationales and processes involved in these practices and how this relates to broader themes of research within geography. Whether for historical research or for theoretical positioning, geographers have, on a number of levels, engaged with archives. Yet, the digital archive has seen little attention especially in terms of thinking through the ways in which digital mediums alter perceptions of space and place. [ABSTRACT FROM AUTHOR]