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Although violence among youth remains an important, global issue, little research has been conducted regarding how young people themselves define violence and what practices in relation to violence that are evident in their everyday lives. Using an intersectional gender perspective, specifically exploring the intersection of gender, age, and class, this paper therefore aims to explore how young people define violence, as well as to explore what practices in relation to violence that are evident in young people's everyday lives. By using a photovoice methodology, 11 focus groups of young boys and girls (17–19 years old) living in two municipalities in northern Sweden were interviewed and asked to take photographs representing themes that were discussed. Overall, three main themes in the young peoples' stories were identified: Violence as ubiquitous, Easy prey and dangerous predators, and The way forward. The findings demonstrated that violence is pervasive, all-encompassing and normalized in young people's everyday lives, and that this violence is moderated by intersecting power orders of gender, age, and class. Any future theoretical frameworks or prevention strategies should therefore aim to include an intersectional perspective as well as including the voices of the youths themselves. [ABSTRACT FROM AUTHOR]

This article examines narratives by professionals working on preventing gender-based violence in Sweden through a Gothic lens. It draws on interviews with authorities responsible for preventing gender-based violence in one region of Sweden and explores the way national policies are translated into regional action. Our analysis shows how the "reel" is adopted by the professionals and becomes a part of the "real," resulting in implications for policy. By looking at the participants' narratives through a Gothic lens, this article argues that local-level professionals working to prevent violence frame gender-based violence as a problem of two "othered" groups: the "Immigrant Other" and the "Rural Other." Through a narratological strategy of illumination and obscurity, these groups of offenders are rendered both uncanny and monstrous by the respondents—a monstrosity that obscures any violence occurring outside this framing. The problem of gender-based violence is relegated from the site of the mundane to the sphere of the monstrous. [ABSTRACT FROM AUTHOR]