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Presents information on the John F. Kennedy Center for Performing Arts in Washington, D.C., which opened September 8, 1971. Information on the world premiers presented by the center during the opening week; Disadvantages overlooked by the founding fathers of the Kennedy Center; Release of the schedule for the first three months.

Focuses on concerts to be initiated by the National Gallery of Art to be held at the East Garden Court of the gallery in Washington, D.C. Existence of musical life in the city; Role of Richard Bales as director of the concert; Training of Bales as a composer; View that the East Garden Court is not designed and suitable for concerts; Role of the gallery in opening the scene of an annual festival in the American music; Nationwide broadcasting of the concerts.

This article focuses on GianCarlo Menotti's new stage performance, "The Unicorn, the Gorgon and the Manticore," which had its premiere at the Library of Congress a bare eight days after the last bits of the score were given to the musicians, represents a radical change in that composer's approach to musical style and to the theatre. Menotti's musical enemies, who must have made a sizeable part of the invited audience, expected another forcible feeding of left-over Puccini. Menotti describes the work as " a madrigal fable for chorus, ten dancers and nine instruments," and to call it an opera is to beg the question. The presence of the dancers makes it possible to accelerate the timing of the piece and to present, in addition to good singing, the seductive visual spectacle that is so rarely attained in opera proper.