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In this paper, I argue that frontiers are dilemmas composed of multiple dualities, be they exclusive and inclusive powers, connected space and national periphery, or modernity and primitiveness. These dilemmas, in consequence, become the mechanism to create a leeway for the state to 'tailor' different meanings of frontier to meet the contingent market demands. I use tea production on China's southwest frontier as an example to demonstrate that dilemma is not an end result, but a mechanism to rearticulate the relationship among frontier, the state and the market economy. Specifically, I argue that dilemmas on China's southwest frontier have been forged by the Chinese state with its incompatible desires between 'modernisation' and 'primitiveness' of the tea landscapes in Yunnan, a province on China's southwest frontier. Meanwhile, the incompatible desires and the resulting dilemmas on China's southwest frontier have further mobilised the state to flexibly rework its power to reconstruct the frontier to meet contingent market demand. Based on the shifting meanings of tea landscapes, the state has flexibly 'shuttled through' the dilemmas between development of modernisation and preservation of primitiveness on the frontier. [ABSTRACT FROM AUTHOR]

Abstract: The simultaneous but incompatible desires for both “tradition” and “advancement” have produced the “ambiguity of modernity” in the areas of minority nationalities (shaoshu minzu diqu) on China’s southwest frontier. This paper, in accordance, directly addresses the ambiguity of modernity through the investigation of the tea landscape in Yunnan. This essay builds on Aihwa Ong and Stephen Collier’s “global assemblage” framework to analyze the relationship between the “global form” of modernity and the situated assemblages of “ambiguity of modernity” in southwest China. Data are based on ethnographic research in the village of Mangjing, located in Jingmai Mountain, a renowned tea mountain in Yunnan. Most of the villagers in Mangjing are one of the minority nationalities of China, Bulang. I discuss the state-led project in transforming the modern tea plantation for “restoring” a landscape deemed as “ancient tea forest” (guchalin) in Mangjing. In addition, I address Bulang villagers’ and government officials’ multiple responses to the transformation of tea landscapes. I argue that the transformation of tea landscapes has been the practice to turn the “global form” of modernity into the shifting “assemblages” amongst tradition, modernity, science, and nature. The ambiguity of modernity has emerged from the shifting assemblages, providing both the state and Bulang villagers more leeway to symbolically and physically (re)produce meanings for the tea landscapes to meet the contingent market demand for tea. The transformation of tea landscapes, however, has become another process to perpetuate Bulang villagers’ social status of being “low quality” as China’s minority nationalities. [Copyright &y& Elsevier]