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La CENI a par sa décision n°001/CENI/AP/2024 du 05 janvier 2024 annulé « des élections législatives, provinciales et communales et des suffrages dans certains bureaux et centres de vote ». Elle a fondé cette décision sur les articles 29, 30 et 31 de la loi organique n°10/013 du 28 juillet 2010 portant organisation et fonctionnement de la Commission Électorale Nationale Indépendante telle que modifiée et complétée par la loi organique n° 13/012 du 19 avril 2013 et la loi organique n° 21/012 du 03 juillet 2021. Cette décision a suscité plusieurs réactions contradictoires. Une opinion estime que la CENI a agi en excès de pouvoir, car aucune disposition des précités articles ne lui accorde un tel pouvoir. La loi précitée accorde à la CENI le pouvoir de « délibérer » en cas de violation de la loi dans le domaine rentrant dans sa compétence. La compétence étant d’attribution, délibérer signifiant « décider après réflexion », la CENI a décidé légalement. Nous avons néanmoins, conclu que le problème c’est au niveau du législateur qui n’a malheureusement donné aucune précision sur le sens qu’il a accordé en l’espèce aux concepts « délibérer ». Donc, nous recommandons à cet effet, la révision de ladite loi en vue d’insérer tous les détails possibles qu’il faut entendre du concept délibérer ; en précisant que délibérer prend ici le sens d’annuler car une AAI peut prendre des sanctions administratives.

Under the title "The Analytical Clinic: Ethical Problems", and based on a commentary on the last lessons of Lacan's Seminar VII, The Ethics of Psychoanalysis, my aim is to show how it is above all desire, that of the analyst and that of the analysand, which decides on the entry, the carrying out and the outcome of an analysis. It is also an opportunity to interrogate the question of the clinician's orientation in reference to psychoanalysis. [ABSTRACT FROM AUTHOR]

For Freud, inhibition, defined as defence, is inseparable from the ego, which acts as a barrier to jouissance. On the other hand, inhibition as a symptom is the effect of repression. In both cases, it protects us from a confrontation with anxiety. Lacan locates this anxiety at the very locus of desire, so he rearticulates inhibition in terms of unconscious desire as a defence and the act as a suspension of movement. As the tragedy of Hamlet shows, inhibition as a blockage to the act is linked to a desire against another desire. [ABSTRACT FROM AUTHOR]

Clearly, the syntagm, “psychoanalytic clinic” has been established in psychoanalytic literature. However, it is far from being indifferent to speak of The psychoanalytic clinic or of a clinic, at the risk of confusing psychoanalytic practice, psychoanalytic experience or the so-called “psychoanalytic clinic”. Moreover, whether we speak of “Freudian clinic”, of “Kleinian clinic” or of “Lacanian clinic” or of others, sufficiently indicates the link, not always thought through, between “clinical observation”, “construction of clinical cases”, doctrine or theory, and concern for transmission and training. Hence the question that this article wishes to address: is there a psychoanalytic clinic?. [ABSTRACT FROM AUTHOR]

Among the various activities carried out by scrub nurse, the role of operating assistant, now renamed operating assistant, has been enriched by the recent reengineering of its field of activity. New procedures are entrusted to these professionals, some of which require Ibode training., (Copyright © 2024. Publié par Elsevier Masson SAS.)

La réception des œuvres d'Arnold Schoenberg dans la Vienne d'avant la Première Guerre mondiale est foudroyante. Les scandales se succèdent et la musique atonale du compositeur avant-gardiste vient bouleverser la sensibilité morale, esthétique et politique de son époque et de sa culture. En transgressant les lois de la musique tonale, Schoenberg transgresse la loi au sens politique du terme. C'est parce qu'une nécessité intérieure le pousse à ne pas se contenter du savoir établi que Schoenberg a pu marquer l'histoire de son style et subvertir le pouvoir.

From the beginning to the end of an analysis, how does the urgency of the case present itself, in whatever analysis? The passage from the beginning to the end, “the time that is needed” will not occur without the analyst: it is urgent, from the beginning to the end, that he does not loose track of his politics, that is of his act: to give the satisfaction of the end to cases of urgency. [ABSTRACT FROM AUTHOR]

A say is encountered at the very moment when it arises, one can only take note of it. All of a sudden it feels urgent and in an irrepressible movement, with the haste increasing, the say gets into the body. The act is the instant when that is transformed, there is a break. And the subject, dislodged of his says, identifying with his act, sees his imprint in the living. Starting from two clinical cases, one about an entry into analysis, and another one about an end of cure, we will attempt to catch a few fleeting moments of says in analysis so as to try and measure the impact for the subject. [ABSTRACT FROM AUTHOR]

The geometric effects of Coanda trailing edges on the aerodynamic performance of an airfoil are numerically evaluated for a range of different freestream Mach numbers and momentum coefficients. A Circulation control (CC) airfoil with a circular trailing edge (ACTE) proves to have better control effectiveness at low subsonic freestream speeds (Mach = 0.1). A CC airfoil having an elliptic trailing edge (AETE) outperforms the ACTE at high subsonic flow conditions. The occurrence of C μ -stall for the AETE is greatly postponed, and meanwhile the maximum net lift coefficient increment achieved for the AETE (Δ C L = 0.51) is slightly higher than that of the ACTE (Δ C L = 0.50) at Mach 0.6. Compared to the ACTE, the AETE is found to have better control consistency at different operating velocities and better control stability when the Coanda jet is supersonic. Through careful consideration of the aerodynamic performance and the control effects, the most appropriate axial ratio for an AETE ellipse is within the interval from 1.5 to 2. Finally, the flow field instability phenomenon and the jet detachment induced by the supersonic Coanda jet are investigated. A self-sustained shock-wave instability phenomenon without jet detachment is first observed in this paper. [ABSTRACT FROM AUTHOR]

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Cet article se propose d’aborder la question de l’incarnation dans l’anthropologie philosophique de Ricœur en choisissant de faire porter ses analyses sur ces deux œuvres majeures que sont la Philosophie de la volonté et Soi-même comme un autre. Il défend la thèse selon laquelle la pensée ricœurienne de l’incarnation consiste pour l’essentiel à développer une analyse du corps propre comme médiation fragile, en s’efforçant d’articuler deux dialectiques complémentaires. Une première dialectique de l’acte et de la puissance exprime le caractère ontologique et opérant de ce procès dynamique de médiation, tandis qu’une seconde dialectique de l’activité et de la passivité pointe les limites et la vulnérabilité de cette médiation. L’articulation de ces deux dialectiques constitutives de notre expérience de l’incarnation peut alors être lue ultimement comme une dialectique de la structure et de l’événement dont le caractère à la fois éthique et ontologique constitue le cœur de l’anthropologie philosophique ricœurienne.

The reception of Arnold Schoenberg's works in Vienna before the First World War was staggering. Scandals succeed one another and the atonal music of the avantgarde composer upset the moral, aesthetic and political sensitivity of his time and his culture. By transgressing the laws of tonal music, Schoenberg transgresses the law in the political sense of the term. It was due to an inner necessity that drove him to be not content with established knowledge that Schoenberg was able to mark the history of his style and subvert power. [ABSTRACT FROM AUTHOR]

This paper is the result of a doctoral research on suicide in a journey that goes from Freud to Lacan, following the common thread of a question that does not presuppose the desire to live as natural. From the review and articulation of three concepts (acting out, passage to the act, and act) in Lacan's teaching, it makes a proposal divergent from the moral and psychopathologizing mantle that extends -even sometimes within psychoanalysis itself-over suicide. The limits of classification are crossed in order to unfold the surface towards and ethics of the suicidal act. [ABSTRACT FROM AUTHOR]

The love letter is an act of uprising that allows the passage from a border logic to a logic of the littoral, of the turn. Between knowledge and jouissance, the letter makes a littoral to leave the impasse of the demand for meaning and the mirage of the phallic. Through this passage, the love letter allows us to understand not only the function of the written word in the confrontation of the subject with the bar of his truth, but also the trajectory of the cure: from the letter in suffering in the transference to the love letter in the pass. [ABSTRACT FROM AUTHOR]

Copyright of Philosophy & Canon Law is the property of Wydawnictwo Uniwersytetu Slaskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Philosophy & Canon Law is the property of Wydawnictwo Uniwersytetu Slaskiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article aims to show how aggressiveness was taken into account by psychoanalysis from the first Freudian essays to Lacan's reinterpretation, which, starting from aggressiveness of the subject directed to a similar other, evolves to the concept of hatred of the Other. In this regard, we emphasize the last stage of Lacan's teaching, which highlights the concept of Real, crucial to understand the inception of hatred in the subjective constitution. We show how this reference starts to influence the way culture - and especially the clinic - are affected, summoning the subject to deal with the Real of existence. [ABSTRACT FROM AUTHOR]

This article approaches, based on Jacques Lacan's theory, the female devastation as a consequence of the woman's location as not-all in phallic logic. The point in this work is to find out how an act can be a possibility of treatment of the devastation. For this purpose, two resources were used to understand this proposal: the work Medea, dated 413 b.C., and the story of Holk, published in a book called Patu. The Lacanian proposal about the feminine used here is the one formulated in 1971, in which the sexual division occurs in two modes of jouissance: phallic enjoyment, located on the male side, and feminine enjoyment, located on the female side. The proposal of feminine enjoyment indicates that the woman is not all referred to the phallus, which can have as one of its consequences the devastation of love, that affects the feminine parlêtre. About the act, Lacan's theory is also used, especially the 1969 proposals, in which the act acquires the dimension of a significant mark, that delimits a new beginning for the subject, in which if it is erased at the moment of the act, resurfaces after the action. After presenting the two main theorizations, the article aims to demonstrate how Medea can emerge from the devastation that she was in, after being left by Jason, through the act of killing her children. And also, how Holk makes his way, moving the unconscious, forging a new signifier in the analysis: patu (a signifier that ciphered female enjoyment) the dimension of the analytic act is present here. [ABSTRACT FROM AUTHOR]

Copyright of Estilos da Clínica is the property of FEUSP - Faculdade de Educacao da USP - Universidade de Sao Paulo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper is the result of an accredited research in the National University of La Plata (Argentina) on the relationship between dream and act, and it is focused in Freud's paradigmatic dream. The work aims at showing that this dream had for Freud the value of an act. It is based on the difference established by Gabriel Lombardi between two types of auto-references, from which one of them is characteristic of the act, the only case in which, according to Lacan, the signifier is as close as it is possible to signify itself. To this end, a brief analysis of the biographical circumstances of the conception of this dream is made and some auto-references contained in the onirical text are analyzed. [ABSTRACT FROM AUTHOR]

In Causing Death and Saving Lives, Jonathan Glover makes the critique of the doctrine of acts and omissions the cornerstone of his positions in applied ethics. How can it be argued that an act and an omission, when they lead to exactly the same consequences, are given a different moral value? This article seeks to show that to refuse the doctrine of acts and omissions is to adopt the utilitarian notion of negative responsibility. Developed in particular by Peter Singer, whose professor Glover was at the end of the 1960s, the idea of negative responsibility implies that a moral agent is responsible not only for what he does, but also for what he does not do, precisely because he has failed to act. The refutation of the doctrine of acts and omissions leads Glover to the same conclusions as the defenders of negative responsibility. On the basis of this intuition, I will try to show that the opposition between negative responsibility and the doctrine of acts and omissions constitutes in fact the core of the opposition between consequentialism and deontology: each would be the fundamental meta-ethical principle. However, I will also try to argue that negative responsibility and the doctrine of acts and omissions are not perfectly symmetrical. At the end of this article, negative responsibility will still be far from being definitively established, as its implications remain problematic, but it will emerge stronger from the comparison. [ABSTRACT FROM AUTHOR]

This paper, from a theoretical review, aims at understanding the criminal act as a symbolic fact by taking as a reference Jacques Lacan's theory between 1954 and 1967, which considers the subject of the unconscious as part of a language structure. It also elaborates on the notions of language and speech as fundamental basis of the symbolic register. Hence, a clear status is given to the act from the point of view of the logic of signifier which, through speech, makes it possible to consider human actions as acts having significations that involve, in turn, desire and jouissance; these are notions from the Lacanian psychoanalysis and the main elements that constitute the subject's structure. Finally, it refers to the psychoanalytic clinical categories of passage to the act and acting out, thus allowing a possible comprehension and explanation of the phenomenon of crime by taking into account these two categories of the act, and illustrating it with the case of Althusser in order to punctuate both the logic of the criminal act and the basis of the so-called subjective responsibility. In conclusion, the criminal act, from the categories described of the act, is in relation to the chain of signifiers that, through desire and jouissance, marks the subjective position of the one who commits crime in his/her history as a subject. [ABSTRACT FROM AUTHOR]

Copyright of Ricoeur Studies / Etudes Ricoeuriennes is the property of University of Pittsburgh, University Library System and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper aims to pinpoint, from a clinical practice with an adolescent in a public general hospital, the concept of the act for psychoanalysis, according to Sigmund Freud and Jacques Lacan's theories. We will discuss the specificity of the act both as regards a peculiar mode of repetition, by way of compulsion that do not appear by means of speech, but by the acting out; as in regard to the analyst's act as function, indicating its particularity in the incidence of a cut in relation to repetition as compulsion. One's clinical approach to adolescent draws attention to consider the prevalence of repetition by way of the act, which has the body as a target. In addition, as the function of the analytic act can operate from an enigmatic signifier that is revealed in the act, so to allocate a repeat act in a repetition by means of speech. [ABSTRACT FROM AUTHOR]

Between 1966 and 1968, Jacques Lacan resorted to different philosophical, mathematical, and logical supports in order to present in his Seminar some operations that have effects on the subjective constitution and that, at same time, allow to delineate the course of an analysis. This paper tries to reconstruct and analyze the main aspects of such operative scheme from the analysis of some classes from Seminars XIV, The Logic of Fantasy, and XV, The Psychoanalytic Act, as well as from a number of contemporary writings. For this purpose, we start from Lacan’s particular reading of the Cartesian cogito and then we tackle the operations proposed and their respective effects. [ABSTRACT FROM AUTHOR]

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Malgré la problématique historico-littéraire qui implique les origines du théâtre vicentin, ainsi que sa filiation à une présomption théâtrale allégorique et de caractère théologique et moral, cette étude vise à trouver dans le texte de l'acte de la barque de l'enfer (Auto da barca do inferno) quelques indications rhétorico-poétiques de la mémoire et de l'action présentes dans l‟oeuvre du poète et le corps de l'acteur

Résumé Objectifs Les criminels considérés irresponsables pénalement témoignent d’actes violents commis sous l’influence d’hallucinations. Le texte vise à mettre en évidence la fonction de l’acte dans cette clinique extrême. Méthode Le récit de la rencontre avec deux patients dans une unité pour malades difficiles vient s’articuler avec des apports théoriques, afin de dégager les processus psychiques en jeu quand l’agir émerge dans un mouvement hallucinatoire. Résultats Le sujet semble confronté par l’hallucination à la réactualisation d’un pan non symbolisé de son histoire dont il s’échappe par sa transposition dans un acte effectif. Une fois les enjeux du clivage identifiés dans la rencontre avec ces patients, la scène du crime peut alors se regarder comme le lieu de figuration de terreurs vécues de façon sensori-motrice et perceptive. Discussion L’article met en évidence que le meurtre de l’autre protègerait le criminel de son propre vécu d’anéantissement, notamment en lui permettant de se dégager d’une position mélancolique. Le sujet/non-sujet du crime vise à advenir comme sujet différencié, par le meurtre d’un objet avec lequel il essaierait de se défusionner. Conclusion Le crime aurait donc une fonction de survie pour le sujet halluciné confronté à la réactualisation d’un pan non symbolisé de son histoire qu’il tente de traiter par l’acte. Afin d’endiguer un vécu de fusion catastrophique avec l’objet primaire, le meurtre apparaît comme une tentative de mettre des limites entre le sujet et l’objet, et correspondrait, en l’absence d’introjection d’un double empathique, à une ultime tentative de constituer l’autre comme un double non menaçant. Objectives Criminals that are considered as criminally irresponsible may have committed violent acts under the influence of hallucination. In this article, the author aims to cast light on the function of the act in this extreme clinical situation. Method The account of the encounter with two patients in a unit for difficult patients is completed by theoretical contributions aiming to identify the mental processes involved when action emerges while a person is under the influence of hallucination. Results It appears that, when undergoing hallucination, the subject is faced with reappearance in the present of a part of his story that had never been symbolized, and he breaks free from the hallucination by turning it into an act that is committed in real life. Once splitting phenomena have been identified in the encounter with these patients, the crime scene can then be regarded as a representation of terrors experienced in sensorimotor and perceptual manner. Discussion The article shows how, by killing another person, criminals protect themselves from their own feeling of annihilation, among other things by freeing themselves from a melancholic state. The subject/non subject of the crime is aiming to become a separate individual through the murder of an object from which he is attempting to “un-merge”. Conclusion The crime therefore functions as means of survival for the hallucinating subject who is faced with the reappearance of a part of his history never before symbolized, with which he is trying to deal through enactment. To contain the experience of catastrophic fusion with the primary object, murder appears as an attempt to separate the subject and the object; in the absence of introjection of an empathetic double, murder seems to be an ultimate attempt to instate the other person as a non-threatening double. [ABSTRACT FROM AUTHOR]

This paper seeks to investigate the relationship between suicide and the obscene. To this end, it begins by approaching the concept of obscene, which is understood as that which cannot be put on stage. It relates this obscenity to death - which, in turn, is revealed in its most disgusting aspect, related to the unthinkable of our disappearance. Next, reading of Durkheim's theory about suicide is discussed, as well as different psychoanalytic approaches to the topic. Finally, it approaches the relationship between the obscene and suicide, supporting the idea that suicide may harbor an obscene place. [ABSTRACT FROM AUTHOR]

Copyright of Studia Universitatis Babes-Bolyai, Philologia is the property of Babes-Bolyai University, Cluj-Napoca, Romania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)