Search

Your search keyword '"Pedersini, R"' showing total 257 results
Start Over Author "Pedersini, R"
257 results on '"Pedersini, R"'

57. Istituzioni e sviluppo

Author

AZZOLINA, Laura, PEDERSINI R., CATANZARO R. A CURA DI, AZZOLINA L, and PEDERSINI R

Published
2004

63. International Expert Consensus on Primary Systemic Therapy in the Management of Early Breast Cancer: Highlights of the Fifth Symposium on Primary Systemic Therapy in the Management of Operable Breast Cancer, Cremona, Italy (2013)

Author

Amoroso, V., primary, Generali, D., additional, Buchholz, T., additional, Cristofanilli, M., additional, Pedersini, R., additional, Curigliano, G., additional, Daidone, M. G., additional, Di Cosimo, S., additional, Dowsett, M., additional, Fox, S., additional, Harris, A. L., additional, Makris, A., additional, Vassalli, L., additional, Ravelli, A., additional, Cappelletti, M. R., additional, Hatzis, C., additional, Hudis, C. A., additional, Pedrazzoli, P., additional, Sapino, A., additional, Semiglazov, V., additional, Von Minckwitz, G., additional, Simoncini, E. L., additional, Jacobs, M. A., additional, Barry, P., additional, Kuhn, T., additional, Darby, S., additional, Hermelink, K., additional, Symmans, F., additional, Gennari, A., additional, Schiavon, G., additional, Dogliotti, L., additional, Berruti, A., additional, and Bottini, A., additional

Published
2015
Full Text
View/download PDF

65. La qualità del lavoro in contesti diversi: un'analisi multidimensionale

Author

Fellini, I, Chiesi, A, Colombo, S, Regini, M, Barbieri, P, Cutuli, G, Checchi, D, Cella, GP, Pedersini, R, Scherer, S, Argentin, G, Ballarino, G, Fullin, G, Parella, S, Solé, C, Gallie, D, Lucchini, M, Negrelli, S, Zaccaria, D, Kogan, I, Trivellato, U, Anastasia, B, LUCCHINI, MARIO, NEGRELLI, SERAFINO, Zaccaria, D., Fellini, I, Chiesi, A, Colombo, S, Regini, M, Barbieri, P, Cutuli, G, Checchi, D, Cella, GP, Pedersini, R, Scherer, S, Argentin, G, Ballarino, G, Fullin, G, Parella, S, Solé, C, Gallie, D, Lucchini, M, Negrelli, S, Zaccaria, D, Kogan, I, Trivellato, U, Anastasia, B, LUCCHINI, MARIO, NEGRELLI, SERAFINO, and Zaccaria, D.

Abstract

Questo saggio si pone l'obiettivo di osservare, in alcuni dei principali paesi dell'Unione europea, le principali tendenze di trasformazione della "qualità del lavoro", intesa questa essenzialmente come condizioni fisiche e di impiego, a partire dalla banca dati della European Working Condiitions Survey (EWCS), resa disponibile dalla European Foundation for the Improvement of Living and Working Conditions (Eurofound). L'analisi è stata condotta secondo un approccio innovativo in grado di valorizzare lo spazio multidimensionale del concetto di qualità del lavoro, utilizzando in particolare una procedura di riduzione dati non supervisionata, definita Self Organizing Map (SOM), mediante la quale sono stati identificati gruppi tendenzialmente omogenei di osservazioni.

Published
2014

73. Dialogo sociale e democrazia deliberativa

Author

Bordogna, L, Pedersini,R, Provasi, G, Negrelli, S, NEGRELLI, SERAFINO, Bordogna, L, Pedersini,R, Provasi, G, Negrelli, S, and NEGRELLI, SERAFINO

Published
2013

75. L'accordo interconfederale sulla contrattazione e la rappresentanza aziendale

Author

BORDOGNA, LORENZO, PEDERSINI, R., PROVASI, G., Napoli, Mario, BORDOGNA, LORENZO, PEDERSINI, R., PROVASI, G., and Napoli, Mario

Abstract

L'autore commenta l'importante accordo interconfederale del 28 giugno 2011, che ha riordinato la contrattazione collettiva, specie a livello aziendale., The author comments on the important intersectoral collective agreement of 28 June 2011, which has restructured collective bargaining, especially at plant level.

Published
2013

78. How do painters represent motion in garments? Graphic invariants across centuries

Author

Gori, S, Pedersini, R, Giora, E, GIORA, ENRICO, Gori, S, Pedersini, R, Giora, E, and GIORA, ENRICO

Abstract

Western visual art has radically changed throughout the centuries: different techniques, interest in the representation of reality, and use of graphic signs. Indeed, only a few pictorial cues have retained the same meaning and use. These kinds of graphic invariants may play a key role not only in a comparative study of art history, but also for discovering underlying common perceptual mechanisms. Here the aim is to show that western painters use the same graphic solutions to represent motion in garments, across countries and centuries. A pilot experiment, using 160 paintings representative of all main western European art movements from the thirteenth to the twentieth century, shows that different artists represented the motion of garments with the same orientation, curvature and convergence of lines. Experiment 1 demonstrates, with a smaller sample of paintings (16, i.e. two per century) that the relationship between orientation, curvature and convergence of lines is a good predictor of perceived motion. Experiment 2 shows how the same garments, isolated from the context of the paintings, still give different dynamic impressions according to the same rules. Finally, Experiment 3 confirmed the same results, whilst patterns previously used are simplified to their geometrical structure. These results call for an underlying perceptual mechanism that specifically recognizes orientation, curvature and parallelism levels as cues of motion in a static pattern

Published
2008

Catalog

Books, media, physical & digital resources
See catalog results