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The article presents criticism on the 2013 film "Nymph()maniac," directed by Lars von Trier and starring Charlotte Gainsbourg and Stellan Skarsgård. Particular focus is given to how the film is broken up into two volumes. Details relating to the film's depiction of myth, the film's plot and the film's cast are also discussed.

The article presents a profile of the 2013 film "Inside Llewyn Davis," created by Joel and Ethan Coen, starring Oscar Isaac, who portrays a struggling folk singer in Greenwich Village, New York City in the 1960s. Topics addressed include the Coen brothers' inspirational sources for the film, the themes of sorrow and struggle within the story, and the use of music within the film.

The article discusses author F. Scott Fitzgerald, and mentions his connection to the French Riviera and the Cannes Film Festival, director Baz Luhrmann's 2013 film adaptation of his book "The Great Gatsby," and his last novel "Tender Is the Night." Fitzgerald's personality, social reputation, and attitudes toward class conflict are discussed, as well as his portrayal of fictional actress Rosemary Hoyt in "Tender."

Critiques are presented of films such as "Memento" directed by Christopher Nolan, "Brick" by Rian Johnson, and "Drive" by Nicolas Winding Refn, which are presented as examples of modern film noir. The relationship between motion pictures and U.S. culture is discussed, as well as themes such as memory, psychological thrillers, and human sexuality.

An interview is presented with film director Martin McDonagh, who wrote and directed the film "Seven Psychopaths," which includes self-referential or metatextual elements. McDonagh discusses the characters played by actors such as Colin Farrell and Woody Harrelson, the violence in the film, and interracial couples in the film.

The article presents an interview with Romanian director Cristi Puiu about his film "Aurora," which also stars Puiu as the main character. When asked about his decision to play the main character, Puiu comments on the effect of the production schedule on casting. Puiu addresses his interest in casting people he personally knows. He explores the shifting psychology of the main character Viorel.

An interview with the British film director Peter Strickland is presented. Particular focus is given to his 2012 film "Berberian Sound Studio," which stars Toby Jones and Tonia Sotiropoulou. Additional topics discussed include where the idea for the film came from, how he approaches sound in his films and his motion picture "Katalin Varga."

The article presents criticism on several films that were screened at the Cannes Film Festival that took place in Cannes, France, in 2012. Films discussed include "On the Road," directed by Walter Salles, "Beasts of the Southern Wild," directed by Benh Zeitlin and "You Ain't Seen Nothin' Yet!," directed by Alain Resnais. The films' plots, themes and cinematography are also briefly explored.

An interview with the French screenwriter Jean-Claude Carrière is presented. Particular focus is given to Carrière's role as the subject of the Mexican documentary "Carrière 250 metros," directed by Juan Carlos Rulfo. Additional topics discussed include how travel has influenced his work, his work with the directors Luis Buñuel and Peter Brook and how he approaches storytelling.

In this article the author offers observations on the use of manifestos in the film industry. Several manifestos are discussed including "The Foundation and Manifesto of Futurism," by Filippo Tommaso Marinetti, "WE: Variant of a Manifesto," by Dziga Vertov and "The First Statement of the New American Cinema Group." The cultural relevancy of art and film manifestos in the twenty-first century is also discussed.

A personal narrative is presented of the author's experiences visiting the set of the film "The Deep Blue Sea," during production.

The article offers an interview with director Terence Davies, with an emphasis on the film "The Deep Blue Sea." When asked about adapting the play by Terence Rattigan, he discusses how it is about different kinds of love. When asked about how the closing shot is a reversal of the opening, he discusses how life continues despite tragedy. Other topics include changing social values in Great Britain, casting actress Rachel Weisz, and color as metaphor.

The article offers a profile of the career of English actor Dirk Bogarde. The author reflects on his military service during World War II and his debut role in the film "Esther Waters." Emphasis is given to his characters in films such as "The Servant," "Accident," and "Death in Venice." Topics discussed include the accuracy of his memoirs, work with Italian director Luchino Visconti, and the film "Ill Met by Moonlight."

The article reviews several films screened at the 2011 Cannes Film Festival including "Midnight in Paris" directed by Woody Allen, "La piel que habito" ("The Skin I Live In") directed by Pedro Almodóvar, and "Le Havre" directed by Aki Kaurismäki.

The article reviews the film "The Tree of Life," directed by Terrence Malick, starring Jessica Chastain.

An interview is presented with filmmaker Wim Wenders on the film "Pina." When asked about shooting dance sequences, he discusses the expectations of the choreographer Pina Bausch. When asked about shooting in 3D, he discusses learning how to move the equipment and the interior logic of dancing. Other topics include sound in the film, the city of Wuppertal, Germany, and the use of 3D technology in making documentary films.

The article reviews several films screened at the Berlin Film Festival in Berlin, Germany including "A Torinói Ló" ("The Turin Horse") directed by Béla Tarr, "The Future" directed by Miranda July, and "Pina" directed by Wim Wenders.

An interview with motion picture director Darren Aronofsky is presented in light of the release of the motion picture "Black Swan," directed by Aronofsky. When asked about working with young actors after filming the motion picture "The Wrestler," Aronofsky comments on the art of ballet. He comments on the work of actress Natalie Portman, the role of professional ballet dancers in the film, and the film's cinematography.

The article reviews the film "The American," directed by Anton Corbijn, starring George Clooney and Violante Placido.

The article revisits the career of Brazilian filmmaker Alberto Cavalcanti, whose British films of the 1930s and 1940s is seen as influential but overlooked. Cavalcanti films made for the British production company Ealing Studios are discussed, including "Went the Day Well?" (1942), "They Made Me a Fugitive" (1947), "Nicholas Nickleby (1947), and others.

The article examines the 2010 Cannes Film Festival in Cannes, France. Relatively low attendance at the event, particularly among film critics, is attributed to the ongoing effects of the recession on journalism and the motion picture industry. The presence of a large number of motion pictures with political themes in the festival's various competitions is considered, and a variety of those films are summarized and evaluated.

The article discusses the history of films which have revolved around the plot of police corruption. According to the author, these films from the 1940's onward have reflected society's changing attitudes towards law enforcement. He describes notable police dramas including "Touch of Evil," directed by Orson Welles in 1958, "Bad Lieutenant," directed by Abel Ferrara in 1992 and "The Bad Lieutenant Port of Call: New Orleans," directed by Werner Herzog and released in 2009.

The article discusses trends in global cinema during the decade from 2000 to 2009. The author discusses the creation of a list of the best films from the decade, including "Memories of Murder," "Adaptation," "There Will Be Blood" and "Spirited Away," that represent the global motion picture industry and the use of digital cameras in filmmaking. The author discusses the quality of Mexican, Korean and British motion pictures.

The article discusses the motion picture "Up in the Air," directed by Jason Reitman. The film, an adaptation of the book by Walter Kirn, features actor George Clooney as an executive who specializes in terminating employees. Reitman discusses how the film depicts air travel and notes that the film features actual terminated employees in small roles.

The article lists the best 20 films and their filmmakers for year 2015 as voted by 168 critics, including "The Assassin" by Hou Hsiao-Hsien, "Carol" by Todd Haynes, and "Mad Max: Fury Road" George Miller. It also talks about these film's cast, characters, and plots.

The article reviews the film "Bright Star," directed by Jane Campion and starring Abbie Cornish and Ben Whishaw.

Presented is an interview with Peter Strickland, a motion picture director and maker of the 2009 release "Katalin Varga." In the interview Strickland addresses a number of issues including making the motion picture on a small budget, the perils of shooting a film in Romania, and the performance of Hilda Péter, the actress who plays the title role in the film.

The article reports on the 2009 film festivals held in Venice, Italy and Toronto, Canada. The article notes that as both festivals are held at approximately the same time every year some film critics do not attend both events. Discussed are films screened at the two festivals including "A Serious Man," "The Men Who Stare at Goats," and "The Road."

The article reviews the motion picture "Public Enemies," starring Johnny Depp and Christian Bale, directed by Michael Mann.

The article discusses the Cannes Film Festival. Although the film festival indicates that it is trying to preserve world arthouse cinema, it is the shock tactics that critics and observers focus on, the author states. Topics include the image used for Cannes' 2009 publicity poster and acts of aesthetic provocation.

The article reviews the motion picture "Inglorious Basterds," directed by Quentin Tarantino and starring Brad Pitt, Diane Kruger, and Michael Fassbender.

The article discusses the cinematic collaboration in the 1960s between Joseph Losey and Harold Pinter, both directors and screenwriters. Films discussed include Losey's "Eve" (1962) and Losey and Pinter's "The Servant" (1963), "Accident" (1967), and "The Go-Between" (1970). Also discussed is the rivalry between Losey and Italian director Luchino Visconti.

The article reviews the 2009 Berlin International Film Festival in Germany, with a focus on movies with female protagonists.

The article discusses the motion picture "Revolutionary Road," an adaptation of the novel by Richard Yates starring Leonardo DiCaprio and Kate Winslet and directed by Sam Mendes. The film depicts martial problems between a suburban couple during the 1950s. The author notes differences in the film compared to its source material and comments on how Mendes does not focus on visual details of film's 1950s setting. Yates' literary career is also discussed.

An interview with film director Oliver Stone is presented. When asked about the timing of the release of the film "W." just before the U.S. elections, Stone responds that events just fell into place. When asked about refining the story of the film, Stone mentions books by author Bob Woodward. Other topics include the influence of the Bush family, the religious conversion of U.S. president George W. Bush, and editing of the film.

The article discusses the childhood of motion picture director David Lean and how it may have affected his ability to endure criticism of his films. The author comments on how Lean rejected the Quaker ideals of his family and depicted the end of British imperialism in films such as "Lawrence of Arabia" and "A Passage to India." He comments on Lean's depiction of foreigners in his films and how criticism of the film "Ryan's Daughter" inspired Lean to stop making films for years.

The article reviews several motion pictures presented at the 2008 Cannes Film Festival, including "Che," starring Benicio Del Toro and directed by Steven Soderbergh, "The Changeling," starring Angeline Jolie and directed by Clint Eastwood and "Blindness," starring Julianne Moore and directed by Fernando Meirelles.

The article offers information on the films featured at the Berlinale 2008 film festival. They include José Padilha's "Elite Squad," Petri Kotwica's "Black Ice" and "Gardens of the Night," directed by Damian Harris, among others. It also adds that some of the films were selected for what their directors have done in the past. The festival also featured the Rolling Stones and Madonna, among others.

The article presents an in-depth exploration into the motion picture "There Will Be Blood." The thematic depiction of the oil prospecting in Californian history in the film is analyzed in detail. The acting of Daniel Day-Lewis as the lead character of Daniel Plainview is described, highlighting the symbolic manifestations of his character in the film.

The article presents an interview with motion picture director Ang Lee. Lee discusses adapting a short story by Chinese author Eileen Chang for his film "Lust, Caution." He comments on how a midlife crisis forced him to confront his personal views on desire and how film noirs influenced "Lust, Caution." He discusses working with actors Tony Leung and Tang Wei.

The article discusses the motion picture "American Gangster," and considers whether crime films are a reliable barometer of American society. The article discusses the depiction of the American Dream in crime films, and draws parallels between the early 1970s setting of "American Gangster" and modern political problems in the U.S.

The author focuses on the 2007 Venice Film Festival. According to the author, American films, such as "Redacted and "In the Valley of Elah," performed well at the festival. The author also discusses a number of American and international films shown at the festival, including "The Assassination of Jesse James by the Coward Robert Ford," "I'm Not There," and "Sukiyaki Western Django."

The article discusses the social and political significance of documentary films. The author discusses the delineation of films that are significant artistically and those that are socially important. Discussed are films that spurred a demonstrative change including the Chinese documentary "Heshang-The River Elegy", which fueled a debate that culminated in the Tiananmen Square protests in 1989, and the film "The Thin Blue Line," which won death row inmate Randall Adams a reprieve.

The article recaps the 2007 Cannes Film Festival in Cannes, France. The slate of films shown was considered by many to be the best in years. The article discusses the opening of the festival with showing of the films "My Blueberry Nights" and "4 Months, 3 Weeks and 2 Days." The article discusses the large number of U.S. films screened at the festival. Also discussed is the number of films featuring strong performances from actresses.

The article discusses Great Britain's youth culture of the early 1980s as it relates to the motion picture "This Is England." The film, from director Shane Meadows, concerns a young English boy recruited into skinhead culture. The article discusses the influence of punk rock on British culture, and the discontent felt by many young Britons of the early eighties over the rule of British Prime Minister Margaret Thatcher.