417 results on '"Martens, William"'
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102. Spatial room acoustics descriptors from a concentric source-receiver array: potential applications for auditoria
103. Individual differences in the relative salience of percussive timbre dimensions
104. Perceived elevation of simultaneously presented sound sources depends upon the correlation between the source signals
105. Using time-varying loudness to model the reverberance of rooms
106. The effect of loudness on the reverberance of music: Reverberance prediction using loudness models
107. Acoustic Consequences of Performative Structures Modelling Dependencies between Spatial Formation and Acoustic Behaviour
108. Validation of the Expanded Hammersmith Functional Motor Scale in Spinal Muscular Atrophy Type II and III
109. Variation in Oral-Binaural Room Impulse Responses for Horizontal Rotations of a Head and Torso Simulator
110. Equal Reverberance Contours for Synthetic Room Impulse Responses Listened to Directly: Evaluation of Reverberance in Terms of Loudness Decay Parameters
111. Validation of the Children's Hospital of Philadelphia Infant Test of Neuromuscular Disorders (CHOP INTEND)
112. Confirming the perception of virtual source elevation effects created using 5.1 channel surround sound playback
113. Evaluation of three different standard head-related transfer functions using an elevation discrimination task for virtual sources displayed in the median plane
114. Effects of individualized headphone equalization on front/back discrimination of virtual sound sources.
115. Critical listening research on reproduced sound in diffuse environments.
116. Failure of a nursing infant to thrive after the mother's gastric bypass for morbid obesity
117. Multimodal interaction of auditory spatial cues and passive observer movement in simulated self motion
118. Evoked myotonia can be “dialed-up” by increasing stimulus train length in myotonic dystrophy type 1
119. Comparison of Japanese and English language descriptions of piano performances captured using popular multichannel microphone arrays
120. The effect of postural information on the perceived velocity of moving sound sources
121. Evaluation of virtual acoustic stage support for musical performance
122. Effects of Low‐frequency Absorption on Perceived Tightness of Bass Imagery in Music Reproduction
123. Nearfield Crosstalk Increases Listener Preferences for Headphone-Reproduced Stereophonic Imagery.
124. Acoustic rendering of a virtual environment based on virtual microphone control and binaural room scanning
125. A comparison of listener loudspeaker preference ratings based on in situ versus auralized presentations of the loudspeakers
126. Deriving individualized control over music synthesis via inversion of psychophysical scaling results
127. Evaluating the principal spectral components positioning a virtual sound source on a cone of confusion
128. The influence of changes in diffusive acoustical treatment on spatial imagery associated with multichannel sound reproduction
129. Predicting perceived sharpness of broadband noise from multiple moments of the specific loudness distribution
130. Multimodal interaction in the perception of impact events displayed via a multichannel audio and simulated structure-borne vibration
131. Simulating the acoustics of classical sound recording techniques in rooms
132. Modeling auditory localization in the low-frequency range
133. The impact of variation in low-frequency interaural cross correlation on auditory spatial imagery in stereophonic loudspeaker reproduction
134. Low‐frequency interaural cross correlation discrimination in stereophonic reproduction of musical tones
135. The effects of identification training on the identification and production of American English vowels by native speakers of Japanese
136. Sensitivity to intermodal asynchrony between acoustic and structural vibrations
137. The effects of acoustical treatment on lateralization of low-frequency sources
138. A signal delection theory‐based analysis of American English vowel identification and production performance by native speakers of Japanese
139. Virtual acoustic reproduction of historical spaces for interactive music performance and recording
140. Capturing the acoustic response of historical spaces for interactive music performance and recording
141. Quantitative subjective analysis of color tone perception and description by native speakers of Japanese
142. Psychophysical calibration of auditory range control in binaural synthesis with independent adjustment of virtual source loudness
143. The importance of perceived self‐motion in experiencing convincing virtual acoustic rendering
144. Low-cost coding of directivity information for the recording of musical instruments
145. Language Universals: Cross-lingual Comparison of Topic Dependent Adjectives
146. PERCEPTUAL ATTRIBUTES OF MUSICAL TIMBRE FOR CONTROLLING EFFECTS PROCESSING
147. Universal Perceptual Attributes for Perceptionof American English Vowels by English and Japanese Native Speakers and Implications for Language Typology
148. Perceptual evaluation of tone mapping operators
149. Design of a tone mapping operator for high-dynamic range images based upon psychophysical evaluation and preference mapping
150. Simulation of sparkling and depth effect in paints
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