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Copyright of Studia Gdańskie is the property of Gdanskie Seminarium Duchowne, Kuria Metropolitalna Gdanska and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En este artículo se propone un análisis crítico de algunos de los principales relatos que sostienen la narrativa postqueer de Paul-Beatriz Preciado, partiendo del supuesto de que toda identidad sexual es una ficción y toda realidad, una construcción psico-social. Mostraremos el modo en que la ficcionalidad biopo- lítica y el constructivismo trans-humanista del autor borran la consistencia ontológica de lo real, lo irreductible de la diferencia sexual, a la mujer como sujeto político del feminismo y, en última instancia, al feminismo como proyecto po- lítico emancipatorio.

En el proceso de estratificación que comienza con su fundación romana y continúa con la manipulación islámico-cristiana hasta la época contemporánea, la ciudad ibérica es un laboratorio de múltiples oportunidades arquitectónicas, donde la figura arquetípica del recinto es una herramienta operativa para el proyecto y sigue siendo rica en potenciales actualizaciones. Entre los arquitectos contemporáneos más reconocidos, muchos han optado por seguir la tradición del acto de encerrar y, entre sus obras de las últimas décadas, un estudio comparativo permite destacar líneas de investigación y temas de proyecto comunes. Con este fin, se investigan aquí: la casa en Alenquer de Francisco y Manuel Aires Mateus (1999-2002); la ordenación del espacio urbano junto al templo romano de Diana en Mérida de José María Sánchez García (2006-2011); las oficinas para la Junta de Castilla y León en Zamora de Alberto Campo Baeza (2004-2012). Una lectura crítica de los tres proyectos, centrada en los conceptos clave de ‘medida’ (con relación a la ciudad), ‘materia’ (con relación a la memoria) e ‘interpretación’ (con relación a los lugares y las lenguas) permite identificar temas, opciones, soluciones —implícita o explícitamente— compartidas por los tres autores.

Copyright of Estúdio (1647-6158) is the property of Revista Estudio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Annals of Philosophy / Roczniki Filozoficzne is the property of John Paul II Catholic University of Lublin, Faculty of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En el presente ensayo exponemos algunas líneas de reflexión contemporáneas sobre la voz, sus insistencias en la pregunta por el habla y su enlace con la cuestión de la voz como materia de la lengua. En este marco, una escena se repite: Babel, figura recuperada por diversos autores del pensamiento contemporáneo para reflexionar sobre la voz y su vinculación con la capacidad de hablar y donde la lengua se revitaliza en la vibración de su materia. Desde Giorgio Agamben, Roland Barthes, Jacques Derrida, Michel de Certeau, Daniel Heller-Roazen, Jean-Luc Nancy, entre otros, analizaremos la voz en el umbral del sonido, del sentido, de la letra, del habla, de la lengua. En estas reflexiones, la voz, como materia y como figura, expondrá su complejidad, su singularidad, su extensión, sus insistencias. De este modo, estas páginas se situarán en una zona liminal del pensamiento contemporáneo, donde algunas categorías se ven socavadas por la materia inclasificable de la voz.

A filosofia da mente contemporânea, bem como as neurociências, desenvolveu nos últimos 70 anos avanços inéditos na investigação da mente. Muito antes desse cenário, contudo, o filósofo francês Henri Bergson (1859 - 1941) apresentou abordagens ontológicas e metodológicas de investigação que compartilham semelhanças importantes com o debate contemporâneo. Em seu artigo intitulado A Alma e o Corpo de 1916, Bergson anunciava problemáticas acerca da superveniência mente-cérebro e esboçava intuições úteis para a compreensão da natureza da consciência. A despeito de sua complicada proposta cosmológica assentada na concepção metafísica de duração, é possível conjecturar, com ressalvas, possíveis perspectivas do autor dentro do atual debate da filosofia da mente quanto ao estatuto da consciência. Assim sendo, teremos, como objetivo geral, a tarefa de visitar algumas obras de Bergson a fim de tentar situá-lo dentro das discussões contemporâneas acerca da consciência, bem como tentaremos, mais especificamente, mostrar algumas das intuições importantes que Bergson oferece para o atual debate com a sua metafísica da duração.

Jednym z głównych tematów powracających w twórczości Małgorzaty Szumowskiej jest ciało ujęte w sposób podmiotowy, jako konstytutywny element tożsamości, oraz przedmiotowy, jako obiekt zabiegów medycznych, fragmentaryzacji, rozkładu, autopsji. Zwrócenie przez reżyserkę uwagi na materialność ciała oraz wskazanie splotu między nim a materią, która posiada własną dynamikę i sprawczość, zachęca do przyjrzenia się jej wybranym dziełom z perspektywy nowego materializmu reprezentowanego m.in. przez Karen Barad, Rosi Braidotti czy Roberta Esposita.

Przedstawiona w artykule analiza motywu domu z perspektywy posthumanistycznej pozwala pokazać uwikłanie bohaterów w liczne intra-akcje, które można interpretować w kategoriach realizmu sprawczego zdefiniowanego przez Karen Barad oraz podmiotowości relacyjnej i mikropolityki opisanych przez Rosi Braidotti, odwołującej się w swoich przemyśleniach do Félixa Guattariego i jego idei trzech ekologii: społeczeństwa, środowiska i psyche. Wybór przykładowych projektów artystycznych oraz filmów polskich (Pora umierać, Dzikie róże, Cicha noc) i zagranicznych (Fukushima, moja miłość, Pod wiatr) pozwala pokazać różne poetyki filmowania domu oraz sposoby budowania narracji ukazujących związki bohaterów z materialnością, przyrodą, środowiskiem społecznym i naturalnym.

Pensar é uma espécie de exercício responsável que não pode ser omitido neste momento que vivenciamos e partilhamos. Por isso, cultivar boas reflexões depende, por um lado, da capacidade técnico-acadêmica de pesquisadoras e pesquisadores e, por outro, da maneira como conduzem o seu horizonte filosófico diante de um quadro de perspectivas e desafios. Assim, a produção filosófica não precisa de milagres para compreender a natureza, como afirmará Espinosa, mas de uma aliança entre liberdade e razão. É neste sentido que o presente número da Aurora contempla o dossiê “Atualidade da Filosofia de Espinosa: Matéria e potência”, organizado pelos professores Ricardo Espinosa Lolas e Eladio Craia. O Fluxo Contínuo, por sua vez, dispõe dos artigos “Fantasised alterity, inaudible voices. Notes for a critique of the coloniality of desire”, de Jorge Polo Blanco; “El Estado Intensivo de Gilles Deleuze”, de Julián Ferreyra; “Nietzsche e a mnemotécnica: do sofrimento à afirmação da vida pelo artista da dor”, de Adilson Felicio Feiler; “The role of sense of justice in Rawls’theory”, de Pablo Aguayo Westwood; “Paradigms in Action”, de Paulo Pirozelli e, por último, “É possível filosofar com Heidegger após as confissões nos Cadernos Negros?”, de Luiz Rohden. A Aurora também apresenta, ao final, as resenhas das obras “Aporías de la Democracia”, obra coordenada por Ricardo Espinoza Lolas e Jordi Riba, assinada por Angélica Montes Montoya, e “Hegel and Espinosa: Substance and Negativity”, de Gregor Moder, realizada por Eladio Craia e Arion Keller.

Este trabajo indagará en el problema de una eventual materialidad del ente a la mano que Heidegger entendería como útil. Su consideración dará ocasión de discutir la fundación temporal de su aparición en el horizonte del cuidado, entendido como el ser del Dasein. Así, se hará énfasis en la posibilidad de ser-cuerpo como la que acusa su propio derecho de ser integrada en un análisis existencial. Tal derecho se discutirá en dos sentidos: se expondrá el ser-cuerpo a) como aquel que termina por vincular el proyecto del Dasein a un poder-ser con la presencia concreta del mundo circundante y b) como una posibilidad existencial que lleva a plantear algunas consecuencias de la caracterización temporal del existir en relación a la presencia material del “mundo exterior”. Así, se subrayará que es el ser-cuerpo aquel momento existencial que puede contribuir a pensar en el fenómeno de la manifestación que el Dasein es, en su última concretud.

Quiero dar las gracias por haber recibido el honor de que este número, titulado Lingüística materialista, esté dedicado a mis trabajos, y así lo manifiesto, reconociendo a su coordinador, Pedro Fernández Riquelme, y a todos los que en él participan. Aprecio especialmente el tema de este número. A él he dedicado gran parte de mi reflexión. Mis “maestros”, “maestros de signos y constructores de paz” (es el título de la próxima entrega [XXXI, 24] de la colección que dirijo, “Athanor, Semiótica, Filosofía, Arte, Literatura”), con los que mantuve “encuentros de palabras” (es el título de un número anterior de la misma colección [14, 2011]), son, en el orden en que han orientado mi investigación hacia una “lingüística materialista”: Emmanuel Levinas, Ferruccio Rossi-Landi, Adam Schaff, Mijaíl Bajtín, Charles Sanders Peirce, Charles Morris y Thomas A. Sebeok. También debo citar a Julia Kristeva, a su libro Le langage, cet inconnu (cf. 1982)

En el presente trabajo me propongo estudiar la relación entre el alma y el cuerpo en la filosofía de Numenio de Apamea, a partir del análisis de algunos fragmentos y testimonios conservados por diversas fuentes. Por una parte, mostraré cómo dichos mate­riales tienen como trasfondo común la polémica con­tra la filosofía de los estoicos. Por otra parte, inten­taré argumentar que la concepción del alma como princi­pio de estabilidad, por un lado, y como principio de movimiento, por otro, se resuelve en una diferen­cia­ción entre dos tipos de movimientos: uno que ga­ran­tiza la estabilidad, el orden y la racionalidad de lo real y el otro que implica irracionalidad y desorden. Pre­cisamente, en el encuentro e interacción entre ambos movimientos anímicos se ubican el mundo y también el hombre, en tanto ser corpóreo y animado.

There are many contexts in which emotions, and the intelligent use of them, are necessary for the integral development of the person. But without a doubt, and in relation to the field in which we find ourselves, emotional competences play a very important role in education. To understand many phenomena of our day to day is fundamental the study of science. Awakening scientific interest in children from an early age should be understood as one of the objectives of the education system. For this, schools must have adequate, entertaining and playful educational programs, where the emotional competences of the students are taken into account. The present research, included in the National Plan project (EDU2016-77007-R), is focused on Primary Education, at which point the emotions of the students begin to crystallize. The objective of our research is to analyze the emotions felt by Primary Education students in the subject of Natural Sciences, more specifically in the “Matter and Energy” block, through a non-experimental study. The sample is constituted by 151 students of Primary Education of different public schools of Extremadura. The results show that students begin to experience negative emotions such as boredom in this block

When the Swiss theologian Karl Barth visited America in 1962, he had a private conversation with Charles H. Long, who asked, among other things, "How do you like this strange place called the United States?" The locus for Long's question--the black religious experience--complicated Barth's audacious proposal that American theologians should develop a theology of freedom. Long's question, furthermore, outflanked Barth by calling for the recognition of America as a hermeneutical situation and advancing the (de)constructive argument that "a theology of freedom is first a destruction of theology as a powerful mode of discourse." This article suggests that the way toward Barth's so-called theology of freedom is to develop theology in this (de)constructive mode by recharting the Mediterranean and Atlantic worlds in order to catalyze the (re)imagination of matter. Such recasting of our thought means "going back into the water," specifically the Pacific Ocean, for a reorientation. [ABSTRACT FROM AUTHOR]

Worrying the disciplinary line between black studies and religious inquiry in the name of what might be called "black (religious) study," this essay explores a resonance if not a convergence between the work of historian of religions Charles H. Long and work being done in black critical philosophizing, particularly, the black feminism of Zakiyyah Iman Jackson. The resonance here attended to concerns the nexus of imagination and matter or what Long himself called the "imagination of matter." More specifically, this essay's central claim is that Long's account of modernity as a situation of religious matter, along with his account of what is called "black religion" as signaling counter-creative reimaginings of matter that are anarchic from the reigning terms of order, are actually clarified and even amped up when thought with Zakiyyah Iman Jackson's black feminist poetics, a poetics without recourse to the human. A Longian re-imagination of matter but without residual recourse to the human suggests black religion, which is to say blackness, as an-archē. [ABSTRACT FROM AUTHOR]

This paper is a thought experiment to attune to the geo-physical and geo-political materialities of sediment, a terra-aqueous substance produced when the earth's continental surfaces intra-act with the atmosphere and are chemically transformed by it. The paper is framed by questions of how to engage more closely with the dynamics of earth systems and of how social and political agency emerges alongside earth forces. Sediment is important to such questions because it is the mechanism by which the earth recycles itself and is thick with the climatological and geological histories that have conditioned the possibility of life on the planet. While acknowledging the import of Deleuze and Guattari's metaphysics to such questions, the paper takes a material approach to them. It is based on field work in Bangladesh, but also traverses a range of scientific, historical and theoretical literature. It is arranged in four sections that loosely correspond to the sedimentary cycle. It follows sediment from chemical processes on rock surfaces in the Himalayas, to its lively travels in monsoonal rivers across flood plains to its eventual deposition and subterranean diagenesis. In each section, the paper discusses the material processes at work, their socio-political enmeshments and the theoretical implications of these intra-actions. The paper concludes that sediment serves as a reminder not only of close entanglements of geo-physical and geo-political becomings, but also of the profound indifference of earth systems to human affairs, and asks what this might mean for the re-imagination of politics. [ABSTRACT FROM AUTHOR]

This article seeks to recover the peculiar notion of "matter" that Xavier Zuribi formulated in his final philosophical works, recovering the proposals that he previously worked out in On Essence, the course on matter and the courses on the person that were edited in Man and God, in order to then subject them to a profound transformation on the basis of the trilogy of Sentient Intelligence, which highlights the concept of "actuality" as a deepening of the term "substantivity," fundamental in the first treatises. The relevance of this deepening can be seen in the theological elaboration that Zubiri undertakes of the sacrament of the Eucharist, modifying a previous work and resignifying the concept of "trans-substantiation" as "trans-actualization." This play of concepts points toward an enrichment of his notion of matter, allowing it to serve as an interdisciplinary bridge for the philosophy of humanity, of history and of theology. [ABSTRACT FROM AUTHOR]

Copyright of Investigación Bibliotecológica is the property of UNAM, Centro Universitario de Investigaciones Bibliotecologicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Estúdio (1647-6158) is the property of Revista Estudio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Arrebato (1979), dirigida por Iván Zulueta es una película de culto que narra el camino de sus tres protagonistas hasta convertirse en seres extáticos. Pedro, Ana y José buscan el arrebato a través de diversos métodos: el sexo, las drogas y, en último término, el cine. Este viaje sucede en paralelo al de una serie de objetos y materiales que van empoderándose gradualmente a medida que avanza el film. Entre ellos se cuenta una cámara que filma y se mueve por voluntad propia, muñecos con la habilidad de parar el tiempo, cromos que son capaces de trasladar a la gente de vuelta a su infancia... Este artículo emplea teorías fílmicas de autores clásicos como Dziga Vertov y Jean Epstein, entre otros, así como la idea propuesta por Jane Bennett de la materia vibrante para analizar el sugestivo papel de estos objetos animados en la película y su relación con el recorrido extático que emprenden los protagonistas humanos. [ABSTRACT FROM AUTHOR]

Copyright of Film Quarterly / Kwartalnik Filmowy is the property of Kwartalnik Filmowy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

La densidad, o concentración de materia, es un concepto muy relevante pero que genera muchas dificultades de comprensión. Para medir la competencia en la estimación de la densidad del alumnado de la ESO, se pasó un cuestionario acompañado de un juego de materiales a 196 alumnos de los cuatro cursos de la ESO en dos colegios. La estimación de la densidad depende del peso percibido, el tamaño o la viscosidad, lo que a veces lleva a estimaciones erróneas. En todos los cursos, más del 40 % de los alumnos consideran la densidad como una propiedad extensiva; en torno a un 50 % usan modelos –no siempre coherentes– más cercanos a una propiedad intensiva y específica. Existen además dificultades para predecir los cambios en densidad con el estado de agregación o la temperatura, lo que sugiere que deben introducirse cambios en su enseñanza.

Depois de termos apreendido várias perspetivas extensionais de Terra/Espaço, e de termos capturado diferente matérias da Terra, que se aprofundaram e se disseminaram no nosso projeto artístico pessoal, designado “A Terra Como Acontecimento”, construído nas dimensões de pintura, instalação, fotografia e filme, parte-se agora para uma continuidade do discurso metodológico, aquela que aproxima a picturalidade de conotações ontológicas com o espaço e com a matéria, determinando assim, a criação de novas fronteiras-limite, isto é, determinando um encontro de desterritorialização entre geografia, topologia e filosofia. Conceitos espaciais particularmente significativos param a reflexão sobre as artes contemporâneas em geral e sobre a nossa arte em específico; como forma de articular os limites espaciais com que a arte se confronta, especialmente esta arte com matérias da Terra, e como forma de balizar concetualmente a distribuição das imagens do pensamento no espaço, para estabelecer o seu desenho e o inscrever posteriormente numa análoga articulação, a que apreende potencialmente a espacialidade dentro de outra reflexão, a geofilosófica, permitindo deste modo que a ideia de substância de mundo se torne no fio condutor para a inscrição destas noções no nosso ensaio.

O artigo investiga a produção do artista brasileiro Nuno Ramos a partir de chaves conceituais que permitem um trânsito por suas obras a partir da perspectiva de um limite da comunicação e da linguagem.

Summary: On the year 1916, Teilhard de Chardin has already been for more than one year working as a stretcher carrier, at the war front. It is then that the «teilhardian genius» unfolds. His first essay of spiritual, philosophic and mystic type is «The Cosmic Life», the centenary of which falls in 2016. In this work we offer the context in which this essay was elaborated by the writer, and also we present the more outstanding ideas of the author, together with some clarifying and critical notes. In another place, we offer the complete text in a new translation, realized from the French text of Teilhard’s Works.

Articulo que relata la experiencia en torno al modelo matérico como herramienta de indagación formal y espacial, confeccionados a partir de materia recolectada en el territorio del Valle Central de Chile. Esta experiencia forma parte de la enseñnza de la proyectación arquitectónica que reciben los alumnos de la Escuela de Arquitectura de la Universidad de Talca, Chile.

In the contemporary art, the conservation of the original matter is not as important as the conservation of the authenticity of the work, because of this it is very important to know the artist and his work, to be able to conserve the most important values. In this process it is very important the documentation and the research. Therefore the criteria of restoration has changed, we can not conserve the patina of the contemporary art as a historic document, if this means the loss of the aesthetic value of the work. Nowadays the art is different, and therefore its conservation is different too.

En el presente trabajo se hace una evaluación de la forma en la que se exponen en los libros de texto españoles de segundo (LOMCE) y tercer curso (LOE) de educación secundaria obligatoria (ESO) los conceptos volumen, masa y densidad. La intención es establecer la presencia o ausencia de elementos, en este recurso, que puedan ayudar a eliminar, o a favorecer, las concepciones alternativas asociadas a estos conceptos que poseen los estudiantes. Los resultados demuestran que los libros LOE suelen presentar carencias relativas a estos conceptos, que no mejoran sustancialmente con la implantación de la LOMCE. En general, los libros introducen la densidad como una fórmula matemática sin previa aclaración cualitativa. Tampoco suelen tratar las concepciones alternativas, como las confusiones existentes entre densidad y viscosidad.

Como habitantes da nave Terra em um momento histórico em que o ser humano ou esquece-se de deslumbrar-se com o fato de estar vivo, em atos de consumo que extrapolam e agridem tanto sua necessidade quanto a sua liberdade de viver, ou relaciona-se de forma desmembrada com o fenômeno da vida, desconectando-se da interdependência entre sua alma e seu corpo, e o profundo envolvimento que este binômio mantém com toda a sua vizinhança concreta e sutil, pode ser instigador nos depararmos com um pensamento, como o do filósofo alemão Hans Jonas, que procura resgatar e atualizar os princípios da vida. Ao fazer isso, acusa colateralmente o nosso atual mergulho nos princípios da morte como parâmetro equivocado para o viver. Aluno de Martin Heidegger e seguidor da tradição hilemórfica de Aristóteles, Jonas afirma que na mais elementar expressão do orgânico, a dimensão espiritual está presente, assim como o orgânico permanece nas mais elevadas expressões do espírito. É nesta complexa e, para ele, indissociável relação entre corpo e espírito que este filósofo irá percorrer sua investigação. De acordo com o sentido natural das investigações aristotélicas sobre a alma como princípio de movimento ter recaído em um estudo sobre o comportamento humano, Jonas também irá se deparar, como efeito colateral dos seus estudos, com a necessidade de alertar para a ética. E a ênfase da sua ética está em um voltar-se para o futuro. O futuro como um conceito intrínseco ao fenômeno da vida. Procuraremos com nossa breve apresentação passar por alguns dos principais conceitos com que Jonas trabalha esta relação entre corpo, espírito, princípio vida e ética.