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The overconsumption of clothing has detrimental impacts on society and the environment. For consumers, reducing consumption is complicated by the vital role that clothing plays in individual expression. This study examined the influence of personal values and clothing style confidence on consumers' interest in upcycled clothing. An online Internet survey was used to gather data from a valid sample of 565 U.S. residents. Partial least squares structural equation modeling was used to analyze the data. Schwartz's self-transcendence and self-enhancement values were modeled as antecedents to clothing style confidence (CSC), which is a multi-dimensional construct composed of five factors, including (1) style longevity, (2) aesthetic perceptive ability, (3) creativity, (4) appearance importance, and (5) authenticity. CSC was predicted to mediate the relationship between self-transcendence and self-enhancement values and interest in upcycled clothing, including the purchase of upcycled clothing and interest in learning how to upcycle clothing. Findings showed that CSC mediated the relationship between self-self-transcendence and self-enhancement values and interest in upcycled clothing, as predicted according to value–attitude–behavior theory. Results suggest that bolstering consumers' confidence in personal style may provide intrinsic motivation for change, empowering individuals to embrace their personal style rather than follow fashion trends. [ABSTRACT FROM AUTHOR]

Fashion exists at the intersection of art, culture, and commerce, serving as a specific form of cultural industry and embodying a complexity that can be both fascinating and overwhelming. This article explores the main theoretical connections between the notions of fashion, mass art, and art, highlighting eight significant challenges within the grey zones of these three concepts. These eight challenging issues are: authenticity and lack of authenticity (1); popularity and unpopularity (2); market determination (3); mass production (4); democratization and availability (5); standardization and uniformization (6); cultural effect (7); and style and taste (8). In the second half of the article, I provide contemporary fashion examples (tabi shoes, the Barbie phenomenon, the Sleeping Beauties: Reawakening Fashion exhibition) that underscore the inherent complexity of these eight issues. [ABSTRACT FROM AUTHOR]

This article discusses the significance of effective communication skills for veterinarians who work with food animals. It emphasizes that communication is not only about educating clients, but also about facilitating change. The article suggests that understanding clients' general personality characteristics can help veterinarians present new ideas and suggestions in a manner that is more likely to be accepted and adopted. It also explores different communication styles based on personality types and provides tips for better communication with clients and colleagues. The article concludes by highlighting the potential for individuals to adapt their communication styles to better match the preferences of others. Additionally, the text discusses the benefits of implementing communication training in a clinic setting, particularly with clinic staff and colleagues. It emphasizes the importance of tailoring communication to match the style of clients, which can improve relationships and increase client uptake of recommendations. The author also shares their experience with small group meetings as a way to facilitate change in clients' management decisions, highlighting the power of information shared between farmers. The text provides tips for maximizing knowledge transfer in small group meetings, including asking open-ended questions and involving all participants in the discussion. It concludes by emphasizing the importance of using communication skills routinely and provides information on submitting photographs for the cover of The CVJ. [Extracted from the article]

Circular economy strategies may appear practical for business but are complex in application. Country-specific situations, taking into consideration the cultural dimensions, aid the practicality of such strategies. As part of a longitudinal research, this study sought to identify and evaluate circular strategies that could be integrated into selected fashion SMEs in Ghana. An in-depth qualitative case study was adopted to engage nineteen owner-designers of SMEs through interviews and observations. The owner-designers must have formal businesses, have been running their retail stores during the last decade and operate within the two major cities in Ghana where population growth supports economic activities. Life extension strategies were adopted for the study. The indications were that the majority of ownerdesigners of fashion SMEs, although practicing some circular strategies unknowingly, were not motivated to formally integrate the practice into their businesses. Cost, time, labour and consumer attitudes and behaviour were factors considered to undermine the effectiveness of adopting and implementing circular strategies in these firms. Creation of awareness of circular strategies and models for their implementation are needed to enable practitioners to imbibe circular economy principles in fashion SMEs in Ghana. [ABSTRACT FROM AUTHOR]

This article explores South Asian diasporic fashion retail spaces and sartorial practices in Glasgow. Drawing on ten months of ethnographic research, it investigates how fashion and clothing contribute to identity construction, community building, and cultural blending among British South Asians. Utilising patchwork ethnography and city walking, the article presents the lived experiences of shopkeepers and consumers, demonstrating the interplay of gender, migration, spaces, and religion in sartorial practices. The findings reveal that fashion and sartorial practices are not merely about personal expression but also about negotiating hybrid and multiple identities and fostering community solidarity amidst the challenges of migration and cultural preservation. The article also contributes to the broader discourse on transnational fashion, advocating for a decolonial perspective that addresses ethical, moral, and environmental sustainability within diverse fashion systems. [ABSTRACT FROM AUTHOR]

The article is a review of an exhibition titled "Strings the Length of Our Palm's Seal" by artist Ozioma Onuzulike at the ChertL€ udde Gallery in Berlin. The exhibition showcased the artist's textile works made from palm kernel shells and ceramic beads. The review discusses the artist's background, his use of discarded objects as art materials, and the themes explored in his works, including social, economic, political, and environmental issues in Nigeria. The review also highlights specific works in the exhibition, such as the "Extra-Large-Sized Jumper" and "Agbada," which reference popular clothing styles in Nigeria. The text discusses an art exhibition by Ozioma Onuzulike called "Strings the Length of Our Palm's Seal." The exhibition features artworks made from palm kernel shells, terracotta beads, stoneware clay bodies, recycled glass, and copper wire. The artworks explore the esthetic quality and cultural significance of palm kernels in Nigeria, highlighting the historical and economic aspects of the palm trade. The exhibition also addresses the artist's concerns about the reckless behavior of Nigerian politicians and the lopsided trade relations between Africa and the Western world. The artworks are visually striking and symbolically rich, representing the artist's critique of societal issues. [Extracted from the article]

This study examines the state of research in the field of digital fashion, specifically focusing on design and production. The authors propose a definition for digital fashion as the ‘virtual creation, production, and depiction of an individual's identity, in particular in the field of clothing and footwear, through computer-aided design’. Using PRISMA 2020 guidelines, 386 publications from the Web of Science database have been selected for the systematic review. A keyword map was created based on bibliographic data, and a cluster analysis of the publications revealed five main clusters. The analysis of articles shows that the most frequently mentioned topics are design, fashion, social media, and technology. Sustainability, digital fashion, and performance are also frequently discussed. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In recent times, clothing upcycling has emerged as a sustainable solution to tackling textile waste. Despite its popularity, there remains a limited understanding of the factors driving individuals' upcycling behavior. This study delves into the determinants of clothing upcycling behavior within the Japanese population. Administered via an online survey involving 433 participants in Japan, this research utilized structural equation modeling to assess a theoretical model that integrates personal norms, attitudes, social norms, perceived behavioral control, and intention within the theory of planned behavior. The outcomes reveal that both personal norms and perceived behavioral control exert a substantial influence on individuals' intentions to participate in upcycling activities. Interestingly, the impact of attitude on upcycling intentions is moderate, while subjective norms surprisingly showed no significant influence. These findings contribute to the pro-environmental behavior literature and can guide the development of focused interventions that promote sustainable fashion consumption through upcycling. [ABSTRACT FROM AUTHOR]

Fashion researchers have long theorized and debated how clothing, dress, and personal adornment communicate. This paper draws on theories of media ecology and a case study of U.S. Representative Alexandria Ocasio-Cortez's "Tax the Rich" dress worn to the 2021 Metropolitan Museum of Art's Costume Institute Benefit (colloquially referred to as the Met Gala) to argue that clothing should be understood as a form of remediation that is constantly being recontextualized during its wear. This paper expands discussions of clothing semiotics to address context while also contributing to the media ecology literature, which has yet to fully explore dress as a communicative medium. [ABSTRACT FROM AUTHOR]

The present study uses an autoethnographic situated strategy to undertake an analysis of the vogue/ballroom subculture. Vogue is an urban dance performed by a subculture with global reach. It is done in balls or dance competitions where identities challenging cis-heterosexist norms participate. These encounters have achieved enormous visibility, both through productions such as Pose and Paris is Burning, and in seminal academic essays such as the influential "Gender is Burning" by Judith Butler. This essay analyzes the way this dance acts as a stage for identity construction. At three analytical/biographical moments, an approach is developed, which, on the one hand, questions the romanticization of this scene and, on the other, criticizes the simplistic analyses conducted on it. [ABSTRACT FROM AUTHOR]

Institutions, as intangible factors, influenced the development and configuration of the Italian fashion system in the second half of the twentieth century. Historians have recognized the importance of institutions in understanding historical change, economic trends, and path dependence. This approach is well established in historical studies, but the application of the institutional logics theoretical framework to detailed analyses of specific cases and contexts remains unexplored. In this respect, the institutions and institutional logics in the emergence and configuration of the Italian fashion system exemplify how institutions influence organizational structure and behavior as well as market evolution. The evolution of Italian fashion therefore underscores the cultural dimensions of institutions and, eventually, their significance as intangible factors. [ABSTRACT FROM AUTHOR]

Within the library of the famed diarist Samuel Pepys (1633–1703) at Magdalene College, Cambridge sits one of the largest surviving bound collections of seventeenth-century French fashion prints. Containing nearly one hundred illustrations of named and anonymous figures spanning from 1670 though the 1690s, the Pepys fashion prints remain an underutilised resource for seventeenth-century dress history. Using Pepys's Habits de France and 'Modes de Paris', this article argues that these engravings served a dual purpose to Pepys and his contemporaries. In addition to reflecting long-standing trends in collecting images of historical and global fashions, the prints were considered in some capacity to accurately depict the current French modes. As such, they provided vital sartorial guidance to fashionable elites seeking to mimic Continental styles, cementing their importance in the visualisation and dissemination of dress in late seventeenth-century England. [ABSTRACT FROM AUTHOR]

The defining feature of the nuclear-free movement in New Zealand was people power: a groundswell of popular support which achieved a major change in government policy and became a turning point in our national identity. Creative expression was crucial to building visibility for the cause. By looking at the textiles produced at this time, we can both read the history of the movement and understand how New Zealanders saw ourselves and our place in the Pacific. Banners, fabric prints, and t-shirts used conventional protest messaging like peace signs and caricatures of key political figures. But it is the imagery chosen to support these messages which echoes a wider conversation in New Zealand's identity as a Pacific nation. In the 1980s and 1990s, an emerging "Pasifika" movement in craft and fashion adopted Pacific Island imagery to create a unique New Zealand style. Anti-nuclear textile designs formed a part of this, drawing upon the romanticized image of palm-tree-fringed islands, a natural paradise in which grotesque mushroom clouds had no place. This article considers how anti-nuclear textiles are a visible creative record of New Zealand's changing self-identity. [ABSTRACT FROM AUTHOR]

Logos are part of a brand's identity, responsible for its recognizability and what it stands for. Research showed that buying products easily recognizable by others is associated with status and/or conspicuous consumption. This research aimed to determine the reasons behind consumers wearing logo clothes. Building on existing literature, it investigated how status, conspicuousness, self-monitors, self-esteem, materialism, brand loyalty, opinion seekers and leaders, and gender influenced wearing visually branded clothing. A conceptual model was developed combining these constructs. An online questionnaire was conducted amongst 206 individuals, and the model was tested using PLS-SEM. Results indicated that materialism, conspicuous consumers, and brand loyalty affected the decision to wear logo clothes, whereas status consumers, self-monitors, self-esteem, and opinion seekers and leaders were not significant in explaining the dependent variable. Future research could expand the research to different countries and age groups. [ABSTRACT FROM AUTHOR]

This study aims to analyze the impact of Consumer Cultural Identity on the fashion preferences and buying patterns of hijab wearers. A mixed-method approach to gather data on the fashion consumption habits of young citizen women who wear hijabs. The study revealed that religious beliefs significantly influence the fashion choices and purchasing behavior of Muslim young citizens women. Consumer Cultural Identity plays a crucial role in shaping fashion consciousness, with implications for marketing strategies and product development in the hijab fashion industry. The findings highlight the importance of considering religious devotion and cultural influences. Marketers and designers can leverage these insights to create more tailored and culturally sensitive products and campaigns. This research provides valuable insights for businesses looking to engage with the hijab fashion market, emphasizing the need to align products and marketing strategies with the religious and cultural values of the target consumers. [ABSTRACT FROM AUTHOR]

The article discusses the female beauty ideal of the small foot in the Swedish press during the second half of the nineteenth century, as an object for the male gaze in fiction, as an actual fashion ideal, and as a prescribed beauty practice for women. It consists of three parts, analysing different subgenres within the press. First, I show how a male notion of the beauty and erotic attractiveness of the small foot was constructed in short stories and serial novels published in the daily and weekly press. Next, I show how this ideal was visually represented for its realization in every-day life in figures in fashion journals. Both genres presented an ideal unattainable for most women. Third, I discuss articles in dailies and weeklies giving advice on how to take care of feet, warning against ambitions to make the foot look small. Taken together, representations of female feet in the Swedish press involved a construction of the foot that also constructed women as perpetually failing in relation to the existing beauty ideal, making it part of a discursive misogynist practice, according to which women was supposed to invest in their appearance, and were derided and ridiculed when they did. [ABSTRACT FROM AUTHOR]

Copyright of Industria Textila is the property of Institutul National de Cercetare-Dezvoltare pentru Textile si Pielarie and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Purpose: The purpose of this paper is addressing the negative environment and social impacts of the fashion industry that has emerged as a major societal challenge in the last century; however, people continue to over-consume and over-waste textile products in the form of fashion garments. More research is required to understand how fashion consumption connects with perceptions of sustainability and sustainable action by individual consumers. Design/methodology/approach: This paper surveys 501 Australian and New Zealand consumers, on their fashion purchasing habits, and the role of sustainability in their fashion consumption behaviour. Findings: The study found a relationship between higher levels of garment consumption and increased focus on sustainability in fashion choices. This finding is significant, as it suggests that fashion over-consumers are still mindful of the sustainable impacts of their consumption, and are motivated towards reducing that impact, despite not reducing their volume of consumption. Originality/value: The study indicates the importance of a continued focus on transparency and traceability of fashion products in Australasia, as some over-consumers use this information to make better choices in the purchase situation, as opposed to acting on a general call to reduce consumption. [ABSTRACT FROM AUTHOR]

Purpose: The COVID-19 pandemic has caused irrefutable devastation globally. Yet, academic and trade commentators have claimed that this disruption could have had a silver lining by presenting the fashion industry with the opportunity to reassess and rebuild in a slower, more considered way. Part of this reassessment, some have argued, may have been allowing the industry's pre-COVID sustainability buzz to come to fruition by nudging the fashion industry to go circular. This paper explores if, and how, the COVID-19 pandemic was (not) nudging the industry towards circularity using the case study of circular textiles. Design/methodology/approach: Serial, semi-structured, qualitative interviews were conducted with three buyers and sourcers working for three UK-based fashion retailers. Each participant was involved in three interviews in June 2020 following the UK's first national lockdown. Findings: The research findings suggest that, at the time this research was undertaken, these retailers were focussed on regaining profit, protecting their supply chains and producing "safe" designs whilst cutting back and becoming more risk averse. These actors suggested that, in contrast to the suppositions made by academic and media commentators, the COVID-19 pandemic was acting as a hindrance to circularity, not a helping hand, as retailers were less willing to invest in circular textiles at that time than they were pre-pandemic. Originality/value: This paper offers valuable insight into the COVID-19 pandemic's impact on circular innovation within fashion retail whilst contributing to broader understandings of the principles of the circular economy within textiles and design. [ABSTRACT FROM AUTHOR]

Purpose: This paper analyses the factors that make fashion-product crowdfunding campaigns successful. The authors argue that crowdfunding is an innovative and functional way of bringing new fashion items to the market. The purpose of this paper is to answer the question whether product innovation, lifecycle and sustainability have a positive effect on the success of fashion crowdfunding campaigns. The findings highlight that the success of the fashion crowdfunding campaigns depends on creators' adherence to the values of the platform which they use to raise capital. Design/methodology/approach: A total of 300 fashion crowdfunding projects running between the 17th of October and the 15th of December 2017 were collected from Kickstarter – the world's largest crowdfunding platform based on reward-based all-or-nothing model. Two-step binomial logistic regression was used to analyse the data. Findings: The model predicted a significant increase in the odds of success for the fashion items crowdfunded during the first-time production, and innovative and environmentally sustainable products with a higher price range of rewards. In line with previous literature, regression analyses predicted a significant effect of the control variables of goal amount (negative) and the number of rewards (positive). Contrary to previous studies, neither the presence of a video nor the campaign length predicted success. Originality/value: The novel findings of this study contribute to the literature by providing an analysis of success factors of fashion items on crowdfunding platforms. The results show that innovative, environmentally sustainable and higher-priced products produced by early-stage ventures are better welcomed by the audiences. [ABSTRACT FROM AUTHOR]

Copyright of Stratum Plus Journal is the property of P.P. Stratum plus and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Purpose: The purpose of the perspective article is to review relevant literature on family business and ethnic fashion and establish links across identity (defined as culture, tradition, heritage and status) and fashion (color, design, pattern and fabric/texture) and internationalization (foreign market entry), and develop a conceptual model using the identity theory and qualitative method. Design/methodology/approach: This is a qualitative study by design. We used a systematic research and ethnographic method for this study. Specifically, the author used the participant observation aspect of ethnography to collect information and images relating to ethnic fashion. Ethnography is a well-established methodology widely used in social sciences research, including fashion. Findings: The study's conceptual model proposes that (1) ethnic fashion mediates the identity-internationalization relationship, (2) knowledge transfer moderates the identity-ethnic fashion relationship and (3) family business size moderates the ethnic fashion-internationalization relationship. It is also revealed that a person's status can be judged by their dress and fashion in under two minutes. Research limitations/implications: This study is limited to the African continent, though it has 54 countries with a current population of about 1.5 billion people, which is expected to be roughly 2.5 billion by 2050. Practical implications: Implications of the study for the entrepreneurs and family businesses are that they should realize the opportunities presented by ethnic African fashion and tap into the most crucial key to success—local design, color, fabric and patterns associated with meaning and messages. Cross-cultural collaborations and digital innovations can help the internationalization of African fashion while preserving local heritage and identity. Another implication is that quality and consistency in branding are equally essential to be on par with intentional luxury brands. Social implications: The social implication of the study is that culture and fashion are correlated and influence designers' creations, reflecting and conveying identity, status and societal values. Fashion allows people to express their identity, individuality and values. The proper fashion and outfit can boost mood, self-esteem and confidence, resulting in healthy social interaction and mental health. Fashion can also raise social issues (e.g. inclusiveness, diversity and gender by featuring various models and designs) and environmental issues (e.g. sustainable practices local and ethical production). Originality/value: The paper synthesizes ethnic fashion in the context of family businesses in Africa, highlights specific examples of ethnic fashion of African people with the potential for internationalization and proposes future fashion perspectives for family businesses. It adds value in that it focuses on fashion family businesses in the African continent. [ABSTRACT FROM AUTHOR]

Copyright of International Journal on Humanities & Social Sciences is the property of International Journal on Humanities & Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

With the rapid development of the fashion industry and the increasing diversification of consumer needs, accurately predicting the fashion trends of clothing elements has become an urgent problem in the field of art design. In order to solve these problems, this paper uses deep learning technology for fashion trend prediction and optimization of prediction models. Firstly, the EfficientNet-b7 model is constructed as an attribute predictor to accurately extract the attributes of clothing image elements. Then, based on user information, popular elements are grouped and counted to solve the problem of different populations having different opinions on popular trends. The prediction model is constructed based on the bidirectional long short-term memory network encoder decoder framework, which trains trend information as a whole and utilizes element coexistence relationships to assist in trend prediction. Meanwhile, the study uses random sampling method for clothing original adoption, and the experimental results show that the model considering coexistence relationship performs the best in terms of mean absolute error and mean absolute percentage error, which are 0.0132 and 14.68%, respectively. In addition, the model that introduces attention mechanism based on trend similarity has improved by 5.09% and 4.54% on two indicators compared to the latest model. The experimental results indicate that coexistence relationships can help improve the performance of prediction models. The attention mechanism based on trend similarity can further improve model performance by similarity comparison between historical information and changing trend, and selecting similar historical information as an important influencing factor for future trends. [ABSTRACT FROM AUTHOR]

The poor application effect of traditional sports training methods and the difficulty of recording data due to the time and space constraints of sports make it difficult for trainers to improve their learning outcomes. Based on this, the study proposes to apply human posture recognition in sports teaching design, and use VGGNet-19 as a feature extractor and OpenCV open source software to capture posture movements, and introduce the concepts of joint angle and movement similarity to design a sports assessment system for physical education based on the geometric spatial feature variability analysis of posture based on limb angle information. The testing outcomes demonstrate that the study's improved gesture recognition algorithm has a recognition rate of more than 90% on gesture movements, and the maximum recognition error value (0.010) is smaller than that of the dynamic time-regularised gesture algorithm (0.014) and the convolutional neural network algorithm (0.017). The assessment system is also better able to improve students' professional performance and satisfaction, with its average professional score and satisfaction reaching 86 and 92%, which is significantly better than other comparative algorithms. The method is effective in providing trainers with data-based training scenarios and helping them to improve their learning in sport. [ABSTRACT FROM AUTHOR]

The textile and fashion industries face challenges in pattern diversity, innovation, and the integration of mathematical and symbolic design methods. This study aims to address these issues by improving the diversity, complexity, and adaptability of models while integrating mathematical principles and symbol-based techniques. Basically, research shows that using different mathematical models, like Hamiltonian or fractals, can make our models more diverse and effective. Improving the mathematical skills of designers is essential to overcome the complexities associated with mathematical design methods. The advancement of symbol-based design methodologies promotes cross-cultural adaptability and mitigates limitations in methodology dependency. A holistic approach involving research, education, and technological advancement is vital to driving innovation in textile and fashion design. Algorithms for sacred geometry figures offer new avenues for creating visually appealing designs with spiritual meaning. The fusion of mathematical precision and artistic expression in gold geometric ornaments embody harmony and beauty, tailored to contemporary aesthetics. Integrating sacred figures into clothing and home goods allows designers to offer unique, personalized products while embracing sustainability trends. [ABSTRACT FROM AUTHOR]

Copyright of ModaPalavra e-periódico is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ModaPalavra e-periódico is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ModaPalavra e-periódico is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ModaPalavra e-periódico is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Al-Academy is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Al-Academy is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In Older to promje Chinese culture and intangible cultural heritage, enhance the inheritance and activation of traditional skills, and pronu integrated design, innovation and devBopment of national fashion products, Yangliuqing New Year Wood-block Prints were taken as the research object, and the hiHorical ciwitext, production process and artistic characteristics of Yangliuqing New Year Wood-block Prints were analyzed and summarized according to the method of literature research all field investigation. Based on the product investigation and analysis of the current generation Z consumer group, the theme elements and production techniques of Yangliuqing New Year Wood-block Prints, which are favored by consumers, are finally integrated with cultural innovation and national fashion for innovative practical design. The results show that the design of shoes, canvas bags, mugs and T-shirts in thifcpaper is fashionable and exquisite, which is in line with the preferences of young consumers. The design of four clothing types is exquisite and innovative, and has a unique artistic charm that is different from that of other woodcut New Year prints techniques. The article provides a new way for the design practice of the national tide products, and a new folk cultural element and design perspective for the cultural creation and clothing of the national tide. [ABSTRACT FROM AUTHOR]

The aim of this article is to look into some fashion consumption practices that manifest resistance at the micro social level and which occur through one specific virtual platform from Argentina, Renová Tu Vestidor (renovatuvestidor.com). The resistance mentioned here seeks to overcome market prices during the period concerning 2016 and 2018, as well as to find brand items and other affordable stylish garments and simultaneously generate extra income. Therefore, resistant practices through online shopping are linked to the need of managing the household economy in a time of national (and global) crisis, without neglecting the pleasure that fashion consumption provides (visiting virtual stores and shopping online), as well as avoiding the loss of class status and, last but not least, evincing an unconscious extension of domestic labour. This article will specifically address the relationships some women maintain between fashion consumption as resistant practices in virtual platforms that trade with second-hand clothes, and formal occupations, leisure, pleasure and an extension of domestic labour. [ABSTRACT FROM AUTHOR]

During the 1990s, Costa Rica experienced a growth in young bands performing emergent music genres. From a post-subcultural approach, this article argues that a varied array of young bands from different musical genres and scenes created a sense of unity and support that led to the creation of what was known as 'the underground scene' during the 1990s. The 'underground scene' served as a platform that opened up a series of spaces that were alternative to the mainstream, where youth groups were able to perform their music and create new styles. In these new spaces, members of the underground developed new clothing styles linked to their musical tastes. By interviewing members of different alternative rock and reggae bands, information was gathered and analysed to visualize the development of these scenes. Members of the scene established their clothing styles based on their icons and could be identified within a specific genre due to their dress. Aesthetics were a mix of influences and bands that came directly from western countries. Americanas (thrift stores) was youth's primary outlet for clothing hunting and they adopted current styles directly from the United States. [ABSTRACT FROM AUTHOR]

Copyright of Fashion, Style & Popular Culture is the property of Intellect Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Review of: Image and Identity: Mexican Fashion in the Modern Period, Curated by Akemi Luisa Herráez Vossbrink, Meadows Museum SMU, Dallas, TX, 9 September 2021–9 January 2022 [ABSTRACT FROM AUTHOR]

The Museum at FIT (MFIT) in New York City hosted the fashion exhibit ¡Moda Hoy! Latin American and Latinx Fashion Design Today from 31 May to 5 November 2023. The exhibit included over sixty objects from the museum's permanent collection representing designers from several Latin American countries and the diaspora including Brenda Equihua (United States), Bárbara Sánchez-Kane (Mexico) and Willy Chavarria (United States). An edited volume published by Bloomsbury complemented the show and expands on topics such as identity, popular culture, sustainability and gender. In this interview co-curators Tanya Melendez-Escalante and Melissa Marra-Alvarez share details of the exhibit planning process. [ABSTRACT FROM AUTHOR]

This article analyses the creation of a group time-space and its effects based on a master's thesis research that analysed some processes in a second-hand exchange group called Brechó de Troca. This group is a space for interaction, whose meetings promote the exchange of clothes and accessories. It was founded in Porto Alegre (south of Brazil) in 2009, with a distinct method aiming to produce subjectivity by exchanging clothes in a way that considers their stories. For this research, we assembled materials that paved the way to such results, analysing the mode of production of subjectivity through the dressing practices in the group. We could observe that the invention of another time, which suspends the eagerness for consumption, potentiates modes of subjectivation through the practices of dressing. This article also highlights the fact that access to consumption is not equalitarian in Global South capitalism. This can be seen in a social phenomenon called 'rolezinhos', which took place in Brazil in 2014 and illustrated the contrast between the purchasing power of the lower and upper classes. We believe that the invention of the limbo, name given to the time-space created in the group, works as a trigger of processes, which suspends and enables exercises of the self through clothing in the group meetings. The exchanges gain potency and various stories after going through the Brechó de Troca. [ABSTRACT FROM AUTHOR]

The present article aims to demonstrate the intersected relations between Indigenous communities and designers in the fashion industry. These interrelations are explained through a case study between Dotnit, an Otomí embroidery cooperative, and the Mexican designer Carla Fernández. An extensive multi-sited ethnography was carried out between 2013 and 2017 in Tenango de Doria, Hidalgo, and Mexico City. Both places were explored with the purpose of understanding the complex relationships between the local and the global through the introduction of tenango embroidery into the fashion world. This research aims to understand the consumption of Indigenous textiles in a glocalized world by following the paths of diversion that tenango embroidery navigates through artisans, designers and consumers. Through the article, interrelationships among different agents will be examined in an effort to understand the complexities within artisan–designer dynamics. [ABSTRACT FROM AUTHOR]

This article presents and analyses the relation between the cult of a Mexican folk saint, Santa Muerte (Saint Death), and fashion. The article describes the unique phenomenon and its complex history as an amalgamation of Christian and pre-Hispanic elements. Even with the cult's growing recognition, Santa Muerte is still surrounded by controversies – lack of academic research and stereotypes presented by media and popular culture lead to numerous discrepancies such as erroneous image of the followers of Santa Muerte who are often depicted as criminals related to drug smuggling. The main part of the article focuses on the practices of building and decorating the altars, shrines and chapels for Santa Muerte. The text also highlights a spreading custom of designing various types of dresses and robes for the figures of the patron and the practice of modifying the figures themselves (adding ornaments, artefacts and various items). Some of these items and ornaments express the intentions of the prayers, holidays and individual preferences of the worshippers. Following sections present the impact of the cult of Santa Muerte (especially its aesthetical dimension) on the fashion industry, which is visible in the example of jewellery and clothing. The article concludes with an exploration of trends among the followers of Santa Muerte and their impact on the esoteric industry that is wide and rapidly developing in Mexico. [ABSTRACT FROM AUTHOR]

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Released in 2004, Rebelde represented a turning point for telenovelas in Mexico, partly due to its subversion of conventions considered intrinsic to the genre. The series achieved this by relying heavily on fashion, not only to challenge traditional gender roles but also to address changing perceptions of class and wealth within the country. Clothing was used to explore identities new to Mexican entertainment media at the time and was central to many of the show's narratives and to the ways characters related to one another. As such, Rebelde was not only a reflection of a new globalized media landscape that had been arriving to Mexico in the previous decade but was also indicative of the ways in which teenagers all over the world were embracing these changes under the guise of freedom, rebellion and independence. [ABSTRACT FROM AUTHOR]

Dr Joseph H. Hancock, II celebrates Madonna as a fashion icon for Latin communities. He also celebrates that Fashion, Style & Popular Culture is now officially on EBSCOhost with the aid of Amy Rollason, Bethan Ball, James Campbell and Judith Schofield. The journal has become the primary source of fashion, style and popular culture on one of the most significant search engines. [ABSTRACT FROM AUTHOR]

This second issue on 'Latin American/Latinx Fashion' and popular culture introduces research on the creative output of fashion and style in popular culture through scholarly articles from a wide range of disciplines and perspectives. The articles contained here speak to Latin American and Latinx lifestyles and cultural diversity as well as the survival and influence of native, African and European dress in the forging of fashion and style identities. Other topics discussed include ideas of beauty and style, cultural appropriation, shifting values and perceptions of fashion and style, and the development of fashion systems in the region, including emerging markets, designers, brands and venues. [ABSTRACT FROM AUTHOR]

This paper investigates blockchain technology from a Triple Bottom Line (TBL) perspective. Transparency is vital for achieving accountability, improving the environmental footprint and ensuring that workers' rights are respected. Blockchain-enabled capabilities provide opportunities to support improved information transparency to sub-suppliers and customers. Case study research is used within the complex multi-tier global fashion industry to explore the application of blockchain technology in enhancing TBL performance. This paper responds to calls from the literature to provide practice-based research on blockchain and supply chain management challenges. The research is based on three technology-based start-ups (at different Technology Readiness Levels (TRL)) and investigates their practical experiences to date, in transforming and advancing supply chain TBL. As this research focuses on the early adoption of blockchain technology within the fashion industry, it demonstrates the practicalities of implementation including its capabilities, operational improvements, challenges and limitations. [ABSTRACT FROM AUTHOR]