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The influx of European émigré filmmakers into the US film industry during the mid-1930s led to an exilic critique in Hollywood films. This study analyzes Fritz Lang's Fury (1936) to explore the relationships between exile and trauma, engaging with issues of displacement, memory, the victim/perpetrator duality, and the loss of "home." [ABSTRACT FROM AUTHOR]

The article analyzes the points of intersections of culture, justice, and national identity in Orson Welles's directorial venture Touch of Evil (1958). Explanation of the political events that drove him shape up the Touch of Evil. It mentions his political exile and discusses the film based on Badge of Evil, written by Robert Wade and William. It also mentions the revision of the characters and relationships of the novel and transforms the critical themes by Miller.

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