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Part of James Joyce's genius was his ability to find the poetry in everyday life. For Joyce, even a simple object like a table becomes magical, “a board that was of the birchwood of Finlandy and it was upheld by four dwarfmen of that country but they durst not move more for enchantment.” How might we learn to regain some of the child-like play with language and sense of delight in the ordinary that comes so naturally to Joyce? The Joyce of Everyday Life teaches us how to interpret seemingly mundane objects and encounters with openness and active curiosity in order to attain greater self-understanding and a fuller appreciation of others. Through a close examination of Joyce's joyous, musical prose, this book shows how language provides us with the means to revitalize daily experience and social interactions across a huge, diverse, and everchanging world. Acclaimed Joyce scholar Vicki Mahaffey demonstrates how his writing might prompt us to engage in a different kind of reading, treating words and fiction as tools for expanding the boundaries of the self with humor and feeling. A book for everyone who loves language, The Joyce of Everyday Life is a lyrical romp through quotidian existence.

A critical examination of the ‘agricultural trap'in literature For thousands of years, agriculture and civilization were essentially synonymous. The superiority of farming over the unsettled, itinerant life of hunting and gathering appeared, to many, self-evident. Only recently has the field of anthropology challenged this assumption by positing that foragers were, and are, actually happier and healthier than people living in agro-cultures. Plowswords is the first work to consider the refiguring of the agricultural revolution into the agricultural trap through a literary lens. Reading texts that depict farmers in conflict with foragers, Cates Baldridge argues that agricultural ideology justified the tedium and toil of farming by enlisting a rhetorical foil: the “savage” and “backward” hunter-gatherer. Texts such as The Tempest, Robinson Crusoe, Frankenstein, Wuthering Heights, Heart of Darkness, and the novels of J. M. Coetzee use this figure either to exalt farming's triumph over foraging or to mourn the consequences of the agricultural turn, anxiously championing or stridently challenging the received wisdom of humanity's supposed progress.

This book is a new study of Chinua Achebe's novels in which they are read as works of literary art, as literary works are studied and discussed within the discipline of literary studies and criticism. A central concept, care, which is a humane value, is found to run in the texts, and is the crux of the test that the major characters are subjected to. What challenges them as things to be taken care of through concern may be a human being in a dire circumstance, as with Ikemefuna (Things Fall Apart), the human group itself exposed to famine in what should be harvest time (Arrow of God), or the state which needs to be brought to its proper being, as Heidegger would say (No Longer at Ease and A Man of the People), or human suffering calling to be relieved (Anthills of the Savannah). The novels are all in the tragic mode, because intervention is under some kind of interdiction.

Das Meer ist die größte Medientheoriemaschine der Welt. Denn „Welt“ muss auf See immer erst medientechnisch ermöglicht werden. Die primäre Infrastruktur, durch die das Meer operationalisiert und historisiert wird, ist das Schiff. Bernhard Siegerts groß angelegte Medienarchäologie des Meeres handelt vom Schiff und vom Meer als der Final Frontier des menschlichen Habitats, des Rechts, des Krieges, der Ästhetik, des Bildes und des Zeichens, durch die diese ihr eigenes Medienapriori reflektieren. Von der res nullius bis zum Torpedoboot, von der Verstaatlichung des Meeres im niederländischen Seestück bis zur Deterritorialisierung der Signifikanten auf dem Mississippi-Dampfer, vom Urschleim bis zum Nanoplankton, vom Undarstellbaren bis zum Verrat an der symbolischen Ordnung: All diese Figuren des Meeres lassen den medialen (Ab-)grund miterscheinen, durch dessen Ausschluss sie sich konstituieren: sei es die Materialität des Mediums, der Bildgrund, der Pirat, das Rauschen oder der Dreck.

The girl who would become George Eliot began her professional writing life with a poem bidding farewell to all books but the Bible. How did a young Christian poet become the great realist novelist whose commitment to religious freethinking made her so iconoclastic that she could not be buried in in Westminster Abbey? Memorialized there today by a stone lain in the Poets'Corner in 1980, George Eliot wrote herself and her fellow Victorians through turbulent decades of moral and historical doubt in religious orthodoxy, alongside the unrelenting need to articulate a compelling modern faith in its place. Unafraid to confront the most difficult existential questions of her time, George Eliot wrote immensely popular novels that wrestled with problems whose hold has barely lessened in the last 150 years: the pervasiveness of human suffering and the injustice of its measures; the tension between fulfilling our ethical obligations to others and pursuing our own well-being; the impetus to act virtuously in this world without any guarantee of reward, and the need to make some'religion'in life, something beyond our own immediate, fluctuating desires. In this new account of George Eliot's spiritual life, George Eliot: Whole Soul, Ilana Blumberg reveals to us a writer who did not simply lose her faith once and for all on her way to becoming an adult, but devoted the full span of her career to imagining a wide religious sensibility that could inform personal and social life. As we range among Eliot's letters, essays, translations, poetry, and novels, we encounter here a writer whose extraordinary art and intellect offer us company, still today, in the search for modern meaning.

Contemporary nudge theory points out that people make good choices over issues where they have had past experience of similar circumstances, where there is reliable, substantial, and relevant information about the situation, and where they will get prompt feedback about the effect of their decision. Yet none of these conditions apply to the most vital choice of action facing early modern Protestants: how can they be saved? In George Herbert and the Business of Practical Piety, Ceri Sullivan uses nudge theory to show how practical divinity disregards the doleful conclusions of predestination--that salvation cannot be earned--to supply readers with suggestions on how to prepare to act, regardless of their final destiny. Such texts create cognitive niches to support cheerful, godly thought and action, in a way which is far from being despairing or compulsive. Their nudges were repeatedly put into practice by Herbert's friends, the Ferrars, who tried to form an ideal religious community at Little Gidding. These prescriptions and examples illustrate how George Herbert's The Temple (1633) is a compendium of the techniques of choice architecture. Herbert's poems are full of the humour emerging from a life of faith which is willing to guard high ideals by low cunning, stooping to use the least little things to change a self. George Herbert and the Business of Practical Piety initially calls on theories of the extended mind to ask what sort of minor physical and social structures scaffold decisions, then examines a selection of nudges used by Herbert: contracts with the self, building a mind, cleaning a heart, conversing with God, making to-do lists, and working on working well.

This book looks at Dalits in the city and examines the nature of Dalit aspirations as well as the making of an urban sensibility through an analysis of hitherto unexamined short stories of some of the first- and second-generation as well as contemporary Dalit writers in Hindi.Tracing the origins of the emergence of Dalit critical consciousness to the arrival of the Dalits into the print medium, after their migration to the city, this book examines their transactions with modernity and the emancipatory promises it held out to them. It highlights the literary tropes that mark their fiction, specifically those short stories which take up urban themes, and shows how even in seemingly caste-neutral spaces caste discrimination is present. The book also undertakes an examination of the stories by contemporary Dalit women writers in Hindi – Rajat Rani Meenu and Anita Bharti – who have posed a radical challenge to both the mainstream feminist movement and the Dalit movement.The volume will be of great interest to scholars and researchers of South Asian literature, especially Hindi literature, Dalit studies, subaltern history, postcolonial studies, political science, and sociology as well as the informed general reader.

Life / Afterlife traces the development, evolution, and uses of underworld scenes in ancient Greek literature and society. Underworld scenes are a unique form of embedded storytelling, appearing across time and genres. These scenes employ a special register of language that acts as a narrative space outside of chronological time and everyday reality. Suzanne Lye shows how writers such as Homer, Hesiod, Aristophanes, Plato, and Lucian, among others, used afterlife depictions as commentaries to communicate a call to action for their audiences in response to cultural, religious, and political changes to their worlds. Using networks of underworld scenes which often featured mythic and historical figures, authors could reinforce or challenge traditional religious and cultural beliefs and practices by presenting the long-term, cosmic effects of actions in life on an individual's post-death experience. From ancient to modern times, underworld scenes have helped authors and audiences define the essential qualities of a'good life'for different social, political, and religious groups and their societies. This book offers an approach to reading underworld scenes that explains how they function and why they have persisted in various forms, both literary and artistic, from the eighth-century B.C.E. to the present day.

This book explores how the English rural has been represented in contemporary theatre and performance. Exploring a range of plays, forms, and contexts of theatre production, Representing the Rural celebrates the lively engagement with rurality on English stages since 2000, constituting the first full study of theatrical representations of rural life. Interdisciplinary in its approach, this book draws on political philosophy and cultural geography in its definitions of rurality and Englishness, and works with key theoretical concepts such as nostalgia and ethnonationalism. Covering a range of perspectives from the country garden in Mike Bartlett's Albion to agricultural labour in Nell Leyshon's The Farm, the enclosure acts in D.C. Moore's Common to Black rural history in Testament's Black Men Walking, the book shows how theatre and performance can open up different ways of reading rural geographies, histories, and lives. While Representing the Rural is aimed at students and researchers of theatre and performance, its interdisciplinary scope means that it has wider appeal to other disciplines in the arts and humanities, including geography, politics, and history.

Ecocriticism explores the ways in which we imagine and portray the relationship between humans and the environment across many areas of cultural production, including Romantic poetry, wildlife documentaries, climate models, the Hollywood blockbuster The Day After Tomorrow, and novels by Margaret Atwood, Kim Scott, Barbara Kingsolver and Octavia Butler. Greg Garrard's animated and accessible volume responds to the diversity of the field today and explores its key concepts, including: pollution pastoral wilderness apocalypse animals Indigeneity the Earth. Thoroughly revised to reflect the breadth and diversity of twenty-first-century environmental writing and criticism, this edition addresses climate change and justice throughout, and features a new chapter on Indigeneity. It also presents a glossary of terms and suggestions for further reading.Concise, clear and authoritative, Ecocriticism offers the ideal introduction to this crucial subject for students of literary and cultural studies.

'What is the most wonderful thing about teaching this play in our classrooms?'Using this question as a starting point, Shakespeare's Guide to Hope, Life, and Learning presents a conversation between four of Shakespeare's most popular plays and our modern experience, and between teachers and learners. The book analyzes King Lear, As You Like It, Henry V, and Hamlet, revealing how they help us to appreciate and responsibly interrogate the perspectives of others. Award-winning teachers Lisa Dickson, Shannon Murray, and Jessica Riddell explore a diversity of genres – tragedy, history, and comedy – with distinct perspectives from their own lived experiences. They carry on lively conversations in the margins of each essay, mirroring the kind of open, ongoing, and collaborative thinking that Shakespeare inspires. The book is informed by ideas of social justice and transformation, articulated by such thinkers as Paulo Freire, Parker J. Palmer, Ira Shor, John D. Caputo, and bell hooks. Shakespeare's Guide to Hope, Life, and Learning advocates for a critical hope that arises from classroom experiences and moves into the world at large.

Considers the interrelated careers of three highly significant women writers of the nineteenth centuryTraces a chain of influence among three highly significant women writers of the nineteenth century: Mary Russell Mitford, Elizabeth Gaskell, and George EliotReconsiders the literary category of provincialism and the genre of the village story with due consideration of a range of publication formats and contextsWorks across literary periods to offer innovative rereadings of several important Romantic- and Victorian-era textsCombines nineteenth-century cultural-historical and literary analysis to advance recent revaluations of liberalism by considering its emotive and not just its ratiocinative dimensionsIn this lively and illuminating work, Kevin A. Morrison offers a reassessment of Mary Russell Mitford's and Elizabeth Gaskell's provincial fiction, sometimes deprecated within a genre frequently considered ‘minor literature', and demonstrates the importance of their work to the development of George Eliot's liberalism in the age of high realism. Although Gaskell was influenced by Mitford, and Eliot by Gaskell, only a handful of scholars have considered the affinities and resemblances among them. None have done so in depth. Establishing a chain of influence, this book examines the three authors'interrelated careers: the challenges they encountered in achieving distinction within the literary sphere; the various pressures exerted on them by publishers, reviewers, and editors; and the career-enhancing possibilities afforded, and the limitations imposed, by different modes of publication. Attending to publication history, genre, and narrative voice, Morrison suggests new ways to think about provincialism, liberalism, and women's networked authorship in the nineteenth century.

2024 Choice Outstanding Academic Title Finalist for 2024 Oklahoma Book Award Oklahoma is bound to both the South and the Southwest and their legacies of conquest and Indigenous survivance. At the same time, mobility, ingenuity, cultural exchange, and creative expression—all part of the experience of urbanization—have been fundamental to people of the tribes that call this place home. Tulsa, New Orleans, and Santa Fe, with their importance in histories of geopolitical upheaval and mobility that shaped the establishment of the United States, are key to uncovering the history of urbanization experienced by Native Americans from Oklahoma.Urban Homelands, while examining the overlooked histories of Oklahoma Indigenous urbanization relative to these regions, engages literature and film as not just mirrors of experience but as producers of it. Lindsey Claire Smith brings the work of three-time poet laureate Joy Harjo into conversation with the great Cherokee playwright Lynn Riggs and breakout filmmaker Sterlin Harjo. Flying in the face of civic landmarks and settler histories that at once obscure Native origins and appropriate Native culture for tourism, this creative reclaiming of Indigenous cities points toward the productive possibilities of recognizing untold urban histories and the creative relationships with urban space itself.

Have you ever recognized Mrs. Elton in an office colleague? Or caught a glimpse of Lady Catherine de Bourgh in the neighborhood crank? Have you spotted a young Emma Woodhouse in your teenage daughter's clique? Over two hundred years after their creation, Jane Austen's mean girls are still alive and kicking.Bitches in Bonnets explores parallels between Austen's world and our own, showing how modern social and behavioral scientists are just beginning to document and quantify what the author knew instinctively. Interweaving modern research and sociological experiments, author and Austen scholar Sarah Makowskilooks beyond Austen's texts for the sources of female aggression both during the Regency and today. Despite incredible advances in gender equality, women still face discrimination and bullying from creche to career. The cruelest assaults are those that are least expected – from other women. Hardly a woman alive has not experienced a false friend whose opinions and affection bring both positive and destructive consequences. The very ordinariness of Austen's stories leaves room for us to identify with her flawed heroines and make peace with their enemies. Bitches in Bonnets examines how six novels of quiet English life, penned by a parochial Regency spinster, still provide insight on female relationships after all these years and how Austen's writing – and our reading of it – offers solace to millions of fans worldwide.

Richo has chosen twenty-three components of humanness, each a topic of a chapter. He begins each chapter with a short section about the topic as it is described in psychology or spirituality. Then he presents quotations from Shakespeare on that theme. Every passage walks us into who we are and can be, both psychologically and spiritually. The quotations are wonderfully imaginative kick-offs into it. After each Shakespeare quotation is a short re-phrase in modern English. After each set of quotations, he presents a paragraph or two, based on the points made in them, meant to show how they can be springboards into becoming more sensitive to the topic. The book is divided into three parts. In Part One, the author explores who we are. In Part Two, he looks at what happens to us during a lifetime. In Part Three, he presents specific suggestions found in Shakespeare about how to put these themes into practice.

The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary'elders,'thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.

Au XIXe siècle, la littérature liée à l'immensité de la planète bleue a été englobée dans la littérature de voyage. Pourtant Victor Hugo écrit : « Oh! combien de marins, combien de capitaines / Qui sont partis joyeux pour des courses lointaines / Dans ce morne horizon se sont évanouis! », et traduit l'histoire de ces marins dans cette si poignante poésie. Cette littérature est réellement un genre particulier que nous pouvons déconnecter des voyages pour la nommer : littérature marine! Elle est née depuis l'origine des temps en particulier avec L'Odyssée d'Homère. Puis, elle s'est développée au cours des siècles avec des romans, des nouvelles, des poésies, ou autres écrits maritimes aux auteurs prestigieux tels Pierre Loti, Édouard Peisson, Hermann Melville, Edgar Poe, Joseph Conrad, etc. Les causeries écrites à l'encre salée sont le reflet des activités en tous genres des gens de mer. Cet ouvrage présente un florilège de causeries d'actualités de la mer particulièrement littéraires.

An expansive consideration of how nautical themes influenced literature in early modern Portugal. In this book, Josiah Blackmore considers how the sea and seafaring shaped literary creativity in early modern Portugal during the most active, consequential decades of European overseas expansion. Blackmore understands “literary” in a broad sense, including a diverse archive spanning genres and disciplines—epic and lyric poetry, historical chronicles, nautical documents, ship logs, shipwreck narratives, geographic descriptions, and reference to texts of other seafaring powers and literatures of the period—centering on the great Luís de Camões, arguably the sea poet par excellence of early modern Europe. Blackmore shows that the sea and nautical travel for Camões and his contemporaries were not merely historical realities; they were also principles of cultural creativity that connected to larger debates in the widening field of the maritime humanities. For Blackmore, the sea, ships, and nautical travel unfold into a variety of symbolic dimensions, and the oceans across the globe that were traversed in the fifteenth and sixteenth centuries correspond to vast reaches within the literary self. The sea and seafaring were not merely themes in textual culture but were also principles that created individual and collective subjects according to oceanic modes of perception. Blackmore concludes with a discussion of depth and sinking in shipwreck narratives as metaphoric and discursive dimensions of the maritime subject, foreshadowing empire's decline.

This book distinguishes itself from previous scholarship by offering an inclusive and comprehensive treatment of urban walking from 1800 to the present. Divided into three sections—geography, genius, and gender—the introduction establishes the origins of the flâneur and flâneuse in early foundational texts and explores later works that reimagine flânerie in terms of these same three themes. The volume's contributors provide new and global perspectives on urban walking practices through their treatment of a variety of genres (literature, film, journalism, autobiography, epistolary correspondence, photography, fashion, music, digital media) and regions (Europe, Asia, the Americas, Africa, the Middle East). This volume theorizes well-known urban characters like the idler, lounger, dandy, badaud, promeneuse, shopper, collector, and detective and also proposes new iterations of the flâneur/flâneuse as fashion model, gaucho, cruiser, musician, vampire, postcolonial activist, video game avatar and gamer.

For over 200 years, the American Western novel has chronicled much of the American experience, especially those of James Fenimore Cooper, Bret Harte, Andy Adams, Jack Schaefer and Larry McMurtry. Alongside the roguish figure of the cowboy, Westerns depict the experiences of women and minorities as they face the hardships and deprivations of the frontier. This book is directed at the general reader who is interested in the literature, history and culture of the American West. Exploring novels that have achieved a high level of acclaim, it is a survey and homage to the frontier's lasting works, detailing both the writers'lives and their fictional creations. The author traces the development of the Western novel through biography, anecdote, summary, analysis and informed criticism, revealing the struggles and triumphs of the genre's authors, the changing standards of the frontier story and the lasting effects of the region's magisterial landscape.

The modern-day suburb began, and began booming, in 19th-century Britain. As suburbia spread, the New Woman arose and fin-de-siecle concerns grew, suburban men felt more besieged. Anxieties about hygiene, pollution, purity, the home, class, gender roles, patrilineal power and the state of the Empire rippled through British fiction. The new man of the house was trying, often desperately, to hold onto the old order, changing even more rapidly as the 20th century and modernist fiction arrived. This study traces suburban masculinities in popular genres--speculative fiction, comic fiction and detective fiction--and in literary works from the late-Victorian era to the start of the First World War.

Dans l'optique de la phénoménologie, l'habiter est une caractéristique fondamentale de l'être car, selon Heidegger, « [ê]tre homme veut dire : être sur terre comme mortel, c'est-à-dire : habiter ». Or, selon Mathis Stock, l'habiter contemporain serait plutôt marqué par la mobilité d'individus vus comme des habitants temporaires. On passerait de l'« être dans l'espace » au « faire dans l'espace ». Les pratiques varient d'un individu à l'autre et les lieux prennent un sens différent en fonction des intentionnalités. En ces lieux se créent une forme nouvelle de socialité, une manière collective d'habiter l'espace,. Le présent collectif se demande comment la fiction enregistre et retravaille les transformations contemporaines de la ville. Ses collaborateur.ices envisagent l'expérience urbaine en adoptant une perspective interdisciplinaire, ouverte aux œuvres littéraires cinématographiques, vidéoludiques et télévisuelles ainsi qu'aux performances « d'artistes-marcheurs ».

Contested Terrain explores suburban literature between two moments of domestic crisis: the housing shortage that gave rise to the modern era of suburbanization after World War II, and the mortgage defaults and housing foreclosures that precipitated the Great Recession. Moving away from scholarship that highlights the alienating, placeless quality of suburbia, Wilhite argues that we should reimagine suburban literature as part of a long literary tradition of U.S. regional writing that connects the isolation and exclusivity of the domestic realm to the expansionist ideologies of U.S. nationalism and the environmental imperialism of urban sprawl. Wilhite produces new, unexpected readings of works by Sinclair Lewis, Lorraine Hansberry, Richard Yates, Patricia Highsmith, Don DeLillo, Jonathan Franzen, Jeffrey Eugenides, Chang-rae Lee, Richard Ford, Jung Yun, and Patrick Flanery. Contested Terrain demonstrates how postwar suburban nation-building ushered in an informal geography that recalibrated notions of national identity, democratic citizenship, and domestic security to the scale of the single-family home.

The Oresteia is permeated with depictions of the afterlife, which have never been examined together. In this book, Amit Shilo analyzes their intertwined and conflicting implications. He argues for a'poetics of multiplicity'and a'poetics of the beyond'that inform the ongoing debates over justice, fate, ethics, and politics in the trilogy. The book presents novel, textually grounded readings of Cassandra's fate, Clytemnestra's ghost scene, mourning ritual, hero cult, and punishment by Hades. It offers a fresh perspective on the political thought of the trilogy by contrasting the ethical focus of the Erinyes and Hades with Athena's insistence on divine unity and warfare. Shedding new light on the trilogy as a whole, this book is crucial reading for students and scholars of classical literature and religion.

Modernity, Community, and Place in Brian Friel's Drama shows how the leading Irish playwright explores a series of dynamic physical and intellectual environments, charting the impact of modernity on rural culture and on the imagined communities he strove to create between readers, and script, actors and audience.

A Treatise on Parents and Children is a classic family studies/parenting guide by the great Irish writer George Bernard Shaw that examines the parent/child relationship and contains the following excerpt: Childhood is a stage in the process of that continual remanufacture of the Life Stuff by which the human race is perpetuated. The Life Force either will not or cannot achieve immortality except in very low organisms: indeed it is by no means ascertained that even the amoeba is immortal. Human beings visibly wear out, though they last longer than their friends the dogs. Turtles, parrots, and elephants are believed to be capable of outliving the memory of the oldest human inhabitant. But the fact that new ones are born conclusively proves that they are not immortal. Do away with death and you do away with the need for birth: in fact if you went on breeding, you would finally have to kill old people to make room for young ones. (Amazon)

In today's world, it is crucial to understand how cities and urban spaces operate in order for them to continue to develop and improve. To ensure cities thrive, further study on past and current policies and practices is required to provide a thorough understanding. Urban Poetics and Politics in Contemporary South Asia and the Middle East examines the poetics and politics of city and urban spaces in contemporary South Asia and the Middle East and seeks to shed light on how individuals constitute, experience, and navigate urban spaces in everyday life. This book aims to initiate a multidisciplinary approach to the study of city life by engaging disciplines such as urban geography, gender studies, feminism, literary criticism, and human geography. Covering key topics such as racism, urban spaces, social inequality, and gender roles, this reference work is ideal for government officials, policymakers, researchers, scholars, practitioners, academicians, instructors, and students.

Die Lyrik der Archaik war weitaus mehr als eine lediglich der Unterhaltung dienende Poetik. Sie stand in enger Beziehung zum sozialen und politischen Leben der Poleis. Dieser pragmatische, kontextabhängige Charakter der archaischen Lyrik führt zu der Frage, welche konkrete Rolle Dichtung und Dichter in ihren jeweiligen Poleis spielten und welchen Einfluss Dichtung tatsächlich auf ihre Zuhörer gehabt haben kann. Agnes von der Decken stellt die These auf, dass mittels Lyrik immer auch sprachlich gehandelt wurde: Sie untersucht, inwiefern archaische Lyriker an Aushandlungsprozessen in Bezug auf kriegerische wie politische Geschicke ihrer Polis teilnahmen. Hierzu wendet sie auf neuartige Weise die linguistische Sprechakttheorie auf polisbezogene Lyrik an. Durch die Sichtbarmachung des Handlungscharakters der Sprache können dadurch Rückschlüsse auf den soziokulturellen Kontext der Aufführungssituation gezogen werden, da Sprechakte stets einen solchen voraussetzen, um zu funktionieren. Durch diesen interdisziplinär ausgerichteten Forschungsansatz leistet von der Decken einen neuartigen Beitrag zur Erschließung des außerliterarischen Kontextes der archaischen Lyrik.