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Bachelor thesis is dealing with a change of the concept of womanhood in the ELLE magazine as a first foreign fashion medium which was issued in the Czech Republic after the political- social transformation in the year 1989. As an opposite medium serves the Žena a móda (=Woman and fashion) magazine. The changes will be observed on issues of the ELLE magazine which were published in the year 1994, that meaning the first year on the Czech market. In the case of the Žena a móda magazine, subjected publications will be from the year 1988. Womanhood will be presented in the theoretical part of the thesis, characterics and history of fashion magazines will be then presented together with a short history of the ELLE magazine and same with Žena a móda. Qualitative content and picture analytics will be explained in methodological part of the thesis which I chose as a tool to capture the expected differences. The analytic part is analyzing single specific differences in beforehand chosen dimensions.

The thesis explores women's experiencing of menstruation and it compares the experiencing in two groups, one consisting of women who have attended women's circles, and the other of women who have not. In addition to experiencing menstruation, the thesis explores the women's circles themselves as a new social phenomenon. Data collected through interviews with ten women was analysed using grounded theory methods. Menstruation is examined on the level of personal experiencing as well as on the level of a social norm. These levels are seen to show mutual influence. To some degree, women adopt the social perception of menstruation, yet at the same time, it is their experiences and actions that form it. Therefore, women have the potential to change the social norms regarding menstruation. Women outside women's circles accept the social norm and experience menstruation passively. They consider not feeling well a natural side-effect and do not attempt to change it. Women who have attended women's circles counter the social norm and experience menstruation actively. They work with their experiences, both physical and psychological, while menstruating, and they actively adjust their surrounding conditions in order to feel better. KEYWORDS: menstruation, experience, women's circles, womanhood, taboo, gender

The master thesis The media construction of feminity according to women's lifestyle magazines in years 2006 and 2016 is concerned with values, that women's lifestyle magazines present to women. These values concern with topics such relationships, sexuality, face, health and succees in career. The thesis will examine, in which roles women appear in these magazines. The aim of the thesis is to present a picture of an ideal woman, as the women's lifestyle magazines construct it. The theoretical part is devided into five chapters. The first chapter is focused on historical development of magazine publishing in Czech Republic since 1989. The second chapter describes development of trends in the media content in the last decade. The third part deals with the media and lifestyle magazines ownership. The fourth part introduces a general content of women's lifestyle magazines. The last chapter is focused on the role of women and women's lifestyle magazines in the current society. It discusses e. g. the term "double burden". The analytical part combines qualitative and quantitative content research and its main objective is to describe, how the term feminity and the women values (relationships, sexuality, face, health and career) change in women's lifestyle magazines between years 2006 and 2016. The chosen...

The subject of this thesis (Images of femininity and masculinity in Ještěd novels by Karolína Světlá) is a gender analysis of selected prose of Karolína Světlá, focused specifically on the works such as Vesnický román, Kříž u potoka, Frantina, Kantůrčice and Nemodlenec. The theoretical part presents basic principles, approaches and methods of the feminist literary theory including concepts focused on analyses of power and domination out of which I mostly use the work by Pierre Bourdieu. The theoretical part also contains positioning the writer's work within the literary-historical context and introducing source texts. The core of the thesis is a gender analysis based on my interpretation of texts and the method of resistant reading that concentrates on specific gender aspects in the entire series of works - the subject of my interest is creating masculinity and femininity (including gender attributes and roles or myths and archetypes), narration of the story from a gender perspective, forms of motherhood and fatherhood, topics of power, violence and sexuality. Attention is also paid to the motives of a victim or romantic love. Not only was this part greatly inspired by the work of foreign authors (Bourdieu, Beauvoir, Pratt), but also by many Czech studies and books applying approaches of the...

Diploma thesis deals with gender analysis of semi-structured interviews depicting the experience of women who have attended women's spirituals workshops. The theoretical part presents an essentialistic and constructivist approach to sexuality, deals with ecofeminism and spirituality that does not correspond to traditional religious systems, and presents concepts of the goddess. The practical part represents how the participiants of the research assume their femininity, embodiment, sexuality and spirituality. It also deals with the aspect of power and meaning of the spirituals workshops for women.

This Bachelor's thesis is examining how is the image of Nature-Woman used in environmental context. When I speak about the image of Nature-Woman, I mean both explicit depiction of nature as a woman and general depiction of nature with emphasis on its feminine features. The image of Nature- Woman is being examined in following contexts: feminism, Gaia theory, deep ecology and wicca. The phenomenon of femininity is then being examined in two layers of meaning: in sociocultural layer and in spiritual layer. Sociocultural aspects of femininity in this thesis are based on social constructivism. Spiritual layer of femininity is based on archetypal femininity as it was described by C. G. Jung in his theory of archetypes. Questions this thesis examines are as follows: How does environmentalism uses the mythical image of a woman? Is it possible to connect sociocultural and spiritual layers of how femininity is being perceived in order to expand environmental awareness? Methods, that are being used to find answers to these questions are: literature comparation, analysis and deduction. Key words: femininity, archetypes, nature, culture, Gaia

The diploma thesis deals with representations of femininity and masculinity in Sluníčko magazine. These representations are examined through analysis of men, women, boys, girls and animal characters. The theoretical part defines gender order of contemporary society and its main characteristic. Then usual gender stereotypes in physical appearance, gender roles, interests and characteristics are defined. The diploma thesis then focuses attention to the gender socialization and concept of representations, which are defined as an instrument of power that helps to maintain androcentric order of society. Also the media are considered as significant and important tool of normalization and socialization. Another dimension of the thesis is mapping the "progress" of representations or comparing the two editions - edition n. 8 (published in 174/75) and edition n. 48 (published in 2015). In research the qualitative media analysis is used. It is focused on texts and picture illustrations of femininity and masculinity, therefore on characters. These characters are analysed through four categories - Physical appearance, Gender roles, Activities and interests, Characteristics, while the central categories are "Vacant" femininity and Counterfactuality, which are present throughout the content of both editions. Key...

The thesis seeks to explain the sexual passages of women related to fertility, such as menstruation, pregnancy and birth, in the ancient Egyptian world. The passages related to fertility have strong connotations with death in the Egyptian mythological context. The aim of the thesis is to understand this relationship, often metaphorically conveyed in iconography or in the netherworld literature. The thesis collects material from various sources, archeological, textual, iconographical, not only Egyptian, but also Greek and Roman. The methods used vary from cognitive linguistics and semiotic analysis to religious anthropology. Menstruation, pregnancy and birth in ancient Egypt are explained not only on the level of the understanding of the body of the Egyptians, but also in terms of what role they play in iconography and mythology. Furthermore, the relationship between birth and death is made with regards to fertility. The basic findings of this thesis consist of illustrating a dichotomy between the feminine nurturing principle of and masculine creative principle which appear in different contexts related to birth and death: in iconography, on the level of bodily fluids, or in mythological creation.

This thesis is focused on examining the phenomenon of feminity in symbolic meaning. The phenomenon of feminity is examined from psychological and socio-biological viewpoint. In this thesis, the phenomenon of feminity is divided into cultural and natural feminity. The cultural part of feminity is then closely examined using the theory of social contructivism, thus as something that is human made and determined by the culture we live in. The natural part of feminity is examined as archetypical feminity. The term archetype used in this thesis was defined by Carl Gustav Jung and his theory is nearly followed. Theoretical part of this thesis is focused on defining basic terms and theory. Analytic part of this thesis si dedicated to the examination of mutual influence between cultural and natural parts of feminity. The last chapter is focusing on finding a way to use obtained outputs in environmental context. Key words: femininity, archetypes, nature, culture

The Bachelor thesis deals, as its name suggests, with the diferent roles of men and women in the society. The theoretical part of this work is thematically focused on the diferences of the individual sex and the problems of the gender roles, along with the disorders of gender. This part also deals with diferent roles of men and women in the labour market. These diferences are described as diferences of average wages, jobs, profesional development and segragation of work. The practical part of the Bachelor thesis includes own research conisting of opinion of the society on the selected questions relating to problems of gender. The technique of an questionnaire was used to obtain the data. The obtained data were analysed later on and aranged into tables and graphs.

The central theme of this diploma thesis are male organizations and although some of them are already long decades old their presence is quite unknown phenomenon among majority of people, so much they stand behind their female counterparts. Therefore I decided to introduce male organizations and areas of their interest, the main goal of this diploma thesis is to create a typology of male organizations in the Czech Republic. The work issues from specification of the terms "masculinity" and "male organizations of civil society", carried out on the basis of publicized theoretical knowledge and my own experience. I begin with organizations of the so-called traditional type to pass on those that are considered to be the so-called new ones and their origin is closely associated with woman's emancipation caused by an expansion of feminism in the last decades of the past century. In connection with the existence of these new organizations it was discussed a concept of the so-called new masculinity for the first time. In the part of my work related to the goal's fulfillment I introduce all male organizations in the Czech Republic and the basis of analyze I create their typology. The analyzed material consists of texts of examined organizations and statements of their representatives. Great attention is also...

This thesis elaborates the results of the research I carried out wtihin the year 2009 in a paid course of female tantric initiation. The theme of the thesis was inspired by my previous interest in the Goddess movement. As this movement is not yet concretized in the Czech republic, I have chosen participating in a closed women's group which is very close to it due to a specific combination of religion, philosophy and psychology. My goal was to find out what form the women's spirituality has in the Czech environment and what kind of women are drawn to it. While the first part of the thesis deals with the universal characteristics of the current eclectic spirituality generally described as the New Age movement, the second part is devoted to the research itself. I come to the conclusion that the symbol of the Goddess, the key idea of the thesis, is not perceived only as a religious concept but also as a medium by means of which women define their needs and problems resulting from their femininity. By this particular case, I advert to the very psychotherapeutic dimension of women's spirituality. Keywords: New Age, tantra, The Goddess, body, spirituality, femininity, self-realization, strength, motherhood

The following study discusses contemporary urban Aboriginal culture. It addresses principles of women’s Indigenous Family Care centre in Australia, where the author volunteered, and maintained an ethnographic research. This organisation, Kummara, is based on family care, strengthening of women’s business, and reconnecting Aboriginal women to their cultural role. In fact, the Aboriginal women practicing family care and women’s spirituality in Kummara contribute to revitalisation of traditional Indigenous culture. This occurs mainly in education of children and young people (implementing rites of passage and parental programs), and in reconnecting to the traditional role of women in family, community and in spiritual life. In the Aboriginal context of health, the women in Kummara engage in a process of cultural, spiritual and emotional healing. They have adapted their ways of doing this to modern society and have been influenced by different Western and other cultural concepts while still trying to preserve elements of their ‘traditional’ past. By drawing from different cultural notions and contemporary cultural concepts, the process of revitalising leads to by o means interesting modern notion of Aboriginal culture.