504 results on '"Aitken, Ian"'
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2. The root of the matter
3. ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968)
4. ‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960)
5. ‘Photography’ (Kracauer 1927)
6. The Specificity of the Aesthetic (Lukács 1963)
7. Introduction to Kracauer: Abstraction, Redemption and Modernity1
8. ‘On the Phenomenology of the Creative Process’ (Lukács 1914)
9. Cinematic Realism
10. Bergson, the Image and Time
11. Representation, Perception and Cinematic Realism
12. ‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)
13. Husserl, Epochē and Lebenswelt
14. Introduction to Lukács: Essence, Phenomena and Temporality
15. The Use of the Official Film in Malaya/Malaysia, Singapore and Hong Kong, 1957–1973, and the Role of the United Kingdom Information Services, British Information Services, British Council and Hong Kong Government Information Services (with Ka Yee Teresa Ho)
16. Berita Singapura (1963–9) and Hong Kong Today (1967–73)
17. The Rise of Television, Persistence of Authoritarianism, and Decline of the Official Film in Singapore, Malaya/Malaysia and Hong Kong, 1955–75
18. Diverging Jurisdictions: The Influence of ‘Griersonian’ and ‘Civil Service’ Traditions of Official Film-making on the Malayan Film Unit (1946–57) and Hong Kong Film Unit (1959–73)
19. Delusions of Regional Superintendence at the End of Empire and the Case of the Singapore Regional Information Office, 1947–61
20. The Forms of the British Official/Sponsored Documentary Film
21. The Documentary Film Movement
22. European Film Theory and Cinema
23. From the historical cinema of democratic humanism to the film Novelle
24. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition
25. Transcendental illusion and the scope for realism
26. Introduction
27. Acknowledgements
28. Contents
29. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition
30. Bibliography
31. ‘And what about the spiritual life itself ?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer
32. From the ‘true style’ to the ‘art-form of the bourgeoisie’
33. Front matter
34. Dedication
35. Authoritarianism, the struggle for current affairs public service broadcasting and Radio Television Hong Kong
36. Cinematic Realism: Lukács, Kracauer and Theories of the Filmic Real
37. The People’s Action Party Government of Singapore and Berita Singapura
38. Introduction
39. Introduction
40. 1. The People’s Action Party Government of Singapore and Berita Singapura
41. Hong Kong Documentary Film
42. The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)
43. Chapter 9 The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)
44. The British Official Film in South-East Asia
45. The Documentary Film in Hong Kong
46. Hong Kong Documentary Film
47. The Griersonian Influence and Its Challenges: Malaya, Singapore, Hong Kong (1939–73)
48. Film and Reform
49. John Grierson and the Documentary Film Movement
50. Conclusions
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