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Background: Social transformation in South Africa is a sensitive issue because of the historical realities of segregation and past injustices. Aim: To address transformation, Visual Communication Design students were asked to design an exhibition, event, sculpture or garden to memorialise the forced removals that took place on the site of the current Arts and Social Sciences Building of Stellenbosch University and to thereby contribute with their own 'voices' to an event or exhibition. Setting: The focus of the project was to memorialise the forced removals that occurred on the place known then as Die Vlakte. The aim was to investigate the reactions of students and community members to explore how a visual communication project prepared them or failed to prepare them for dealing with social injustice. Methods: A case study research design was applied, and inductive qualitative content analysis was used in processing and organising data. The theoretical framework included critical citizenship education, social justice, pedagogy of discomfort, shame and white shame. Results: Critical citizenship education may form part of pedagogies of discomfort, and shame may be used positively as we ask students to negotiate emotionally charged subjects through visual communication. Conclusion: As the case studies have shown, students are capable of identifying sources of discomfort and growing from them to perceive a local historic event in a more sensitive and inclusive way.

Christian religious belief systems may influence higher education teaching and learning. We investigated how this manifests in relation to critical citizenship education at the Department of Visual Arts of Stellenbosch University. During the facilitation of a Visual Communication Design course, which included community interaction (CI), students often referred to their Christian religious beliefs even though the design of this critical citizenship course was not based on any specific religion. Within CI, 'helping behaviour' and 'charity' were common. We draw on theoretical perspectives of critical citizenship education, the impact of belief systems, and the psychology behind 'helping behaviour' to examine the comments made by students about their Christian religious beliefs and community interaction. We consider the history of Christianity and the role it played in apartheid and ask how 'helping behaviour' and Christian privilege should be addressed in critical citizenship education in South African higher education institutions.

Some coloured and black learners in South Africa use a light orange or pink crayon to represent themselves in art. Many learners name this colour "human colour" or "skin colour". This is troublesome, because it could reflect exclusionary ways of representing race in images and language. This case study, conducted with two schools in the Western Cape, investigated Grade 3 learners' attitudes and perceptions regarding race and skin colour through art processes and discussion. The aim was to promote critical engagement with race in Foundation Phase educational contexts. Suggestions include changing the language used to describe skin colour, just recognition and representation of races in educational resources and the promotion of critical citizenship education. This research indicates the need to create practical curriculum guidelines to discuss race issues in the South African classroom.

In the political, social, cultural and economic context of South Africa, higher education spaces provide fertile ground for social research. This case study explored "othered" identities in the Department of Visual Arts of Stellenbosch University. Interviews with students and lecturers revealed interesting and controversial aspects in terms of their experiences in the Department of Visual Arts. Theoretical perspectives such as "othering", symbolic racism, the racialised body and visual art theory were used to interpret these experiences. It was found that "othering" because of indirect racism and language or economic circumstances affects students' creative expression. Causes of "othering" experiences should be investigated in order to promote necessary transformation within the visual arts and within higher education institutions.

Christian religious belief systems may influence higher education teaching and learning. We investigated how this manifests in relation to critical citizenship education at the Department of Visual Arts of Stellenbosch University. During the facilitation of a Visual Communication Design course, which included community interaction (CI), students often referred to their Christian religious beliefs even though the design of this critical citizenship course was not based on any specific religion. Within CI, 'helping behaviour' and 'charity' were common. We draw on theoretical perspectives of critical citizenship education, the impact of belief systems, and the psychology behind 'helping behaviour' to examine the comments made by students about their Christian religious beliefs and community interaction. We consider the history of Christianity and the role it played in apartheid and ask how 'helping behaviour' and Christian privilege should be addressed in critical citizenship education in South African higher education institutions. [ABSTRACT FROM AUTHOR]

In the political, social, cultural and economic context of South Africa, higher education spaces provide fertile ground for social research. This case study explored "othered" identities in the Department of Visual Arts of Stellenbosch University. Interviews with students and lecturers revealed interesting and controversial aspects in terms of their experiences in the Department of Visual Arts. Theoretical perspectives such as "othering", symbolic racism, the racialised body and visual art theory were used to interpret these experiences. It was found that "othering" because of indirect racism and language or economic circumstances affects students' creative expression. Causes of "othering" experiences should be investigated in order to promote necessary transformation within the visual arts and within higher education institutions. [ABSTRACT FROM AUTHOR]