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3. Theatre in the Digital Age.

Author

Almási, Zsolt and Földváry, Kinga

Subjects
RUSSIAN invasion of Ukraine, 2022-, DIGITAL technology, POSTAL service, PERFORMING arts education, SENSE of direction
Published
2024
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9. The Theatrical Fate of Shakespeare’s Great Tragedies in Hungary: Metadata and Their Value.

Author

Almási, Zsolt

Subjects
METADATA, HISTORIANS, SOCIALISM, GENDER, ACTORS
Abstract

The article explores the theatrical fate of Shakespeare’s Great Tragedies on Hungarian stages by comparing two periods: the final 32 years of the socialist regime (1958–1989) and the first 32 years of the period that followed (1990–2021). The approach is innovative in that it investigates what production metadata of the plays in question disclose. First, I briefly review the analysis’s methodological concerns. I then examine the differences in terms of the number of productions, the ages of the actors, the gender, and the translations. I intend to demonstrate the value of metadata analysis for theatre historians in identifying cultural trends. [ABSTRACT FROM AUTHOR]

Published
2024
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10. AI? PREDICTIVE MEDIA. ART.

Author

Almási, Zsolt

Subjects
DISCURSIVE practices, DISCOURSE analysis, POSTHUMANISM, VISUAL culture, ARTIFICIAL intelligence
Abstract

In this paper, I shall explore the relationship between predictive text2image technology and art. To do this, I shall navigate the discursive landscape that facilitates the consideration of this cultural phenomenon within a rational framework. This is necessary because public discourse is mostly dominated by unrealistic expectations resulting from identifying this technology as "Artificial Intelligence." The theoretical frame is posthumanism, which affords us the necessary intellectual tools to scrutinise the genesis of what Manovich calls "predictive media." Equipped with the appropriate terminology, I will explore the process of the creation of images with a special focus on prompt engineering and curation to showcase the collaborative effort of the artist and the application. Furthermore, I shall refer to the competitions (Sony, Főfotó) wherein this technology plays a consequential role, to traditional art forms that share some crucial features with this technology, and some concerns related to predictive media will be raised. Through this analysis, I argue that contrary to early responses, predictive media applications bear the hallmark of art, and their creators rightfully merit the designation of artists. [ABSTRACT FROM AUTHOR]

Published
2023
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11. DH_BUDAPEST_2019 Abstracts

Author

Houghton, Chris, Almási, Zsolt, Cinková, Silvie, Rybicki, Jan, Erjavec, Tomaž, Freitas, Cláudia, Galleron, Ioana, Horváth, Péter, Ore, Christian-Emil, Smrž, Pavel, Indig, Balázs, Debnár, Marek, Dorn, Amelie, Piringer, Barbara, Abgaz, Yalemisew, Diaz, Jose Luis Preza, Wandl-Vogt, Eveline, Faraj, Ghazal, Micsik, András, Foradi, Maryam, Pien, Johannes, Kabel, Jan, Ghosh, Arjun, Gilles, Gregory H., Gogora, Andrej, Gogova, Andrea, Ilyefalvi, Emese, Kiss, Margit, Kiss, Tamás, Kocián, Jiří, Mlynář, Jakub, Obdržálek, Pavel, Koentges, Thomas, Konle, Leonard, Krstev, Cvetana, Jaćimović, Jelena, Šandrih, Branislava, Stanković, Ranka, Luac, Davor, Vitek, Darko, Moskvina, Anna, Nakamura, Minako, Shibano, Kohji, Olaru, Ovio, Péter, Róbert, Putz, Orsolya, Varjú, Zoltán, Ravina, Mark, Reeder, Jake, Civiliene, Gabriele Salciute, Santos, Diana, Simöes, Alberto, Schmidt, Thomas, Schütze, Alexander, Simon, Gábor, Bajzát, Tímea Borbála, Ballagó, Júlia, Hauber, Kitti, Havasi, Zsuzsanna, Kovács, Emese, Szlávich, Eszter, Stankovic, Ranka, Frontini, Francesca, Brando, Carmen, Stergiopoulos, Charalampos, Markopoulos, Georgios, Malisovas, Aggelos, Benetos, Dionysios, Tiktopoulou, Katerina, Theodoridis, Konstantinos, Vasilidas, Vasilis, Petridou, Eleni, Saggou, Anna, Vidal-Gorène Chahan, Decours, Aliénor, Riccioli, Thomas, Queuche, Baptiste, Ádám, Anikó, Biro, Tamas, Götz, Andrea, Guariento, Luca, Hartl, Philipp, Ramsauer, Dominik, Fischer, Thomas, Hilzenthaler, Andreas, and Wolff, Christian

Abstract

Eötvös Loránd University

Published
2021
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12. DH_BUDAPEST_2018 Abstracts

Author

Adamik, Béla, Almási, Zsolt, Bárth M., János, Bartus, Dávid, Czajlik, Zoltán, Rupnik, László, Bernád, Ágoston Zénó, Kaiser, Maximilian, Lejtovicz, Katalin, Rumpolt, Peter A., Schlögl, Matthias, Csurgó, Bernadett, Gárdos, Judit, Kerényi, Szabina, Kovács, Éva, Micsik, Andras, Daugavietis, Janis, Kristsone, Eva Eglaja, Debnár, Marek, Dietz, Laura, Warwick, Claire, Rayner, Samantha, Dömölki, Bálint, Egan, Patrick, Fabos, Bettina, Waters, Leslie, Poznan, Kristina, Fantone, Federica, Manguinhas, Hugo, Charles, Valentine, Isaac, Antoine, Ferger, Anne, Jettka, Daniel, Lehmberg, Timm, Golden, Daniel L., Hrcková, Andrea, Illiev, Dimitar, Dobrev, Dobromir, Boykov, Grigor, Ilyefalvi, Emese, Kiss, Tamás, Koltay, Tibor, König, Alexander, Lyding, Verena, Gorgaini, Elisa, Labov, Jessie, Mudrak, Anton, Isaac, Davor, Vitok, Darko, McDonald, Daniel, Wandl-Vogt, Eveline, Vafaie, Mahsa, Van der Molen, Berrie, Muka, Majlinda, Xheraj-Subashi, Dorina, Noevesky, Anna, Von Vlahovits, Frederic, Palfinger, Thomas, Schatek, Alexander, Dorn, Amelie, Pentazou, Ioulia, Laliotou, Ioanna, Péter, Róbert, Smeets, Roel, Weenink, Maartje, Sousa, Filomena, Szemes, Botond, Tamási, Miklós, Török, András, Timar, Bogata, Asztalos, Erika, Szabó, Ditta, Gulyás, Nikolett F., Tsai, Yun-Cheng, Yu, Pu, Wu, Chia-Ching, Huang, Ji-Yu, Vannini, Lucia, Vargha, Fruzsina S., Vasari, Melinda, Vertan, Cristina, and Wagner, Sara

Abstract

Eötvös Loránd University&nbsp

Published
2021
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20. The French Accents of Seneca on the Tudor Stage

Author

Hillman, Richard, Centre d'études supérieures de la Renaissance UMR 7323 (CESR), Ministère de la Culture et de la Communication (MCC)-Université de Tours (UT)-Centre National de la Recherche Scientifique (CNRS), Pincombe, Mike, Almási, Zsolt, Hillman, Richard, Pincombe, Mike, and Almási, Zsolt

Subjects
[SHS.LITT] Humanities and Social Sciences/Literature, Sénèque, Tudor drama, théâtre Tudor, [SHS.LITT]Humanities and Social Sciences/Literature, tragédie, tragedy, France, politics, Seneca, politique
Abstract

Argues for an influence on Renaissance English "Senecan" drama by way of French models, especially with regard to the voicing and staging of political issues., Maintient que le théâtre de la Renaissance anglaise subissait l'influence de Sénèque en partie par l'intermédiaire de modèles français, surtout en ce qui concerne l'expression et la mise en scène de questions politiques.

Published
2012

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