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The article explores Leonard Chess's profound impact on the music industry through his founding of Chess Records, which significantly shaped the evolution of blues and rock'n'roll. Topics include Chess's early influences and ambition, the establishment and success of Chess Records, and the lasting legacy of his contributions to music.

This article from Guitar Techniques explores the career and musical style of Jeff Beck, a highly influential electric guitarist. Beck's style is characterized by sonic effects, beautiful phrasing, and dramatic solo statements. Unlike many of his British blues-rock contemporaries, Beck incorporated advanced chords and harmonies into his music, attracting world-class jazz musicians to collaborate with him. The article also discusses Beck's evolution in playing style, from using fixed bridge guitars to utilizing a Fender Stratocaster with a whammy bar. Beck's ability to make his solos serve the broader musical message is highlighted, and the article provides examples of his techniques. [Extracted from the article]

This article from Guitar Techniques magazine explores the techniques and style of blues guitarist Josh Smith. Known for his innovative and impressive playing, Smith blends elements of blues, jazz, country, R&B, and rock to create a unique fusion of styles. He is praised for his impeccable phrasing, dynamic control, and emotional intensity. The article provides lessons and studies to help readers incorporate Smith's techniques into their own playing. It also recommends listening to Smith's albums, such as "Still" and "Bird Of Passage," to fully appreciate his versatility and technical prowess. [Extracted from the article]

The article focuses on the profound connection between blues musicians and their guitars, and it highlights the significance of these instruments as extensions of the players themselves. It reports on legendary blues guitars such as "First Wife" and "Lucille," each with their own unique stories and characteristics, and suggests reasonably priced options for aspiring musicians to continue the tradition.

The article focuses on Joe Bonamassa's journey over the past 20 years, highlighting the pivotal moment when, facing setbacks, he recorded "Blues Deluxe" independently, marking a turning point in his career.

The article focuses on Kirk Fletcher, a prominent modern blues guitarist known for his authentic and tasteful playing style influenced by his associations with musicians such as Robben Ford. Topics include Kirk Fletcher's musical background, his ability to create a personal and distinctive sound within the blues genre, and a breakdown of his soloing techniques with a focus on string bending and rhythmic variations.

Bernie Marsden, a legendary British blues-rock guitarist and founding member of Whitesnake, recently passed away. Marsden's melodic style has had a significant influence on modern blues guitar players, with Joe Bonamassa considering him the best. He was influenced by blues musicians like Howlin' Wolf and Muddy Waters, as well as British blues players such as Peter Green, Eric Clapton, Jeff Beck, and Jimi Hendrix. Marsden's guitar playing and songwriting abilities were showcased during his time with Whitesnake, where he co-wrote many of their hits. He also had a successful solo career, releasing 23 albums. Marsden's style was melodic and emotive, with a strong blues influence. He was known for his mastery of string bends and vibrato techniques. The article provides two examples of Marsden's solos, one demonstrating his rockier side and the other showcasing his blues style. Marsden's most famous guitar was a 1959 Gibson Les Paul nicknamed "The Beast." He used various guitar models throughout his career, often paired with a Marshall amp. The article recommends aiming for an aggressive, distorted tone with clarity, and suggests adding reverb and chorus for an 80s vibe. [Extracted from the article]

The article focuses on Billy F. Gibbons' selection of five key songs from his career, excluding "La Grange," and discusses the challenges of choosing them.

The article offers information on the legacy of Bernie Marsden, a respected blues guitarist known for his work with 'Whitesnake' band and offers guitar playing examples inspired by his style. Topics include Bernie's influence and a detailed breakdown of guitar phrases using the G minor pentatonic scale; his last recorded work, "Working Man," which was released posthumously; and also mentions Whitesnake's songs such as "Lovehunter" and "Ready an' Willing".

The article focuses on Christone 'Kingfish' Ingram, a young blues guitarist whose music is deeply rooted in the genre's history and its socio-political significance. Topics discussed include his influences from blues legends like B.B. King, his commitment to understanding the true meaning of blues, and his approach to live performances, emphasizing improvisation and avoiding an excessive pursuit of perfection.

The article focuses on the blues icon Buddy Guy, highlighting his influential career and eclectic approach to blues guitar playing. Topics include Buddy Guy's early influences, his experiences with record labels, and his diverse playing style that spans from traditional 1950s Major Pentatonic to funkier Rhythm and Blues (R&B) settings.

Nat Myers, a Korean-American blues musician, has gained recognition with his debut album "Yellow Peril." He often performs solo, preferring the old-school sound of blues. Nat discusses his love for accompaniment in blues guitar and his switch from the Mule resonator to acoustic guitars for live performances. He also shares his experiences as a "ramblin' man" and the influence of his parents' odysseys on his music. Nat's album addresses racial unrest and political tensions in the United States, drawing inspiration from blues pioneers like Charley Patton. The album was produced by Dan Auerbach of The Black Keys. [Extracted from the article]

The Southern River Band, an Australian rock band, has recently released their new album, D.I.Y, which has been compared to classic rock bands like Status Quo, Van Halen, Thin Lizzy, and AC/DC. Frontman Cal Kramer grew up in a suburb of Perth and was influenced by bands like AC/DC, GN'R, and Iron Maiden. The band has toured with The Darkness and is gaining support from their heroes in the industry. While financial success is still a work in progress, the band is dedicated to giving their all on stage and hoping for the best. [Extracted from the article]

Note that minor 7th b5 arpeggios are also built using tertian construction, but in contrast to dominant chords, the formula is delivered in the order: Minor 3rd, minor 3rd, major 3rd. EXERCISE TEN Earlier in this lesson, we said that a dominant 7th arpeggio consists of a root note, major 3rd, perfect 5th and b7th intervals. It's always possible to interpret a dominant 7th arpeggio using a diminished triad constructed from the 3rd of the parent chord. [Extracted from the article]

8 Like Raitt a master slide guitarist, Rory Block is another product of the 1960s blues revival, an exceptional singer/ player largely in the Delta blues tradition, still touring and recording today. Apart from the bands that Raitt mentions, and many others, Finnigan plays the B3 on "Rainy Day, Dream Away" and "Still Raining, Still Dreaming" on Jimi Hendrix's 1968 album Electric Ladyland. "Big Road Blues" (from Bonnie Raitt, 1971) TONY SCHERMAN: Why on earth would someone record an album at a summer camp in the Minnesota woods? RAITT: Because Warner Brothers [Raitt's label for her first nine albums] did a terrible job. [Extracted from the article]

EDDIE VEDDER, EARTHLING It was the Eddie Vedder solo album everyone who cares about Eddie Vedder was waiting for. "When he comes into my studio, he puts me on the same level with him", says Watt of the partnership. There is a curious joy in hearing Andrew Watt's work, which is - well, how do you know you're hearing Andrew Watt's work? BLUEPRINT ANDREW WATT CAN'T SAY WHAT HE' S working on. And last fall, Iggy Pop logged his first rock-radio hit in more than 30 years (!) with "Frenzy", which Watt cowrote, produced, and played guitar on. [Extracted from the article]

Marcus King, a versatile musician known for his blues and soul music, has released a new album titled "Mood Swings." Produced by Rick Rubin, the album showcases King's evolution as a singer-songwriter with a focus on his artistry. King's guitar skills are still prominent, but the songs take center stage in this record. The album, which has a southern influence, explores themes of recovery and delight. Overall, "Mood Swings" demonstrates King's growth as an artist and sets a lasting and positive mood. [Extracted from the article]

This article provides a list of six notable new music documentaries. The documentaries cover a range of topics, including the Memphis Blues Festival, Cyndi Lauper's life and career, Danish jazz composer Jakob Bro, breakdancing in the 1980s, Melissa Etheridge's performance in a women's correctional facility, and Stevie Van Zandt's activism and acting career. The documentaries are available on various streaming platforms such as Paramount+, Apple TV+, Hulu, and Max. [Extracted from the article]

Sue Foley, a blues guitarist from Canada, has released a new album called "One Guitar Woman" that pays tribute to pioneering female guitarists. The album features songs performed on a nylon-string flamenco guitar and showcases Foley's deep understanding and appreciation for the styles and techniques of these groundbreaking women. Foley's journey in the blues scene began in the 1990s, and she has since released numerous albums and received awards for her traditional blues music. With "One Guitar Woman," Foley aims to honor her musical heroes and share their stories with her audience. [Extracted from the article]

This article from AudioFile discusses the audiobook version of "CROSSROAD BLUES: Nick Travers, Book 1: 25th Anniversary Edition" by Ace Atkins, narrated by Dion Graham. The novel, originally published in 1998, follows Nick Travers, a former pro football player turned blues historian, as he searches for a missing music professor who was researching the blues musician Robert Johnson. The article praises Dion Graham's narration, highlighting his ability to portray a wide range of voices and dialects, as well as his expressive delivery. The audiobook is available in CD, digital download, and MP3 formats. [Extracted from the article]

Beaux Gris Gris & The Apocalypse, a band comprised of Louisiana-born singer Greta Valenti and guitarist Robin Davey, are embarking on a 19-date tour around Britain. The band's name, although initially seen as obscure, has actually stuck in people's minds and garnered attention. Their third album, "Hot Nostalgia Radio," was carefully selected from over a hundred songs to ensure each track was a standout. The band's live shows are described as epic and unique, with no set order and a focus on entertaining and connecting with the audience. [Extracted from the article]

But if Mayall and Butterfield had set out to make Chicago blues records, Junior Wells must have set out to make something else, because his album didn't sound anything like theirs. Unlike the Butterfield and Mayall albums, Delmark's first foray into modern, electric, Chicago blues was not an immediate success. The Beano album, or more properly Blues Breakers by John Mayall with Eric Clapton (Decca LK 4804), embodied the English blues sensibility. By concentrating on modern Chicago blues and ignoring older, "country blues" styles, Butterfield had "neatly by stepped the problems that have prevented other young blues interpreters from attaining a comparable degree of fluency, ease, conviction and utter authority.". [Extracted from the article]

The article focuses on the career and performance insights of Christone "Kingfish" Ingram, a blues musician, including his musical influences, experiences, and advice for live performances.

An interview with blues singer-guitarist Corey Harris is presented. Harris talks about his upcoming performance at the 2024 Danny Barker Banjo and Guitar Festival in New Orleans, Louisiana and his meetings of jazz musician Danny Barker, who is the inspiration of the festival. He discusses the significance of his four year stay in New Orleans to his musical evolution, as well as his decision to go back to school and pursue a doctorate degree in music at the University of Virginia.