75 results on '"BOCZKOWSKA, KORNELIA"'
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2. Embodied Travels
3. Americana, Canadiana, Native Americans, and Eco-road Movies
4. Filmography
5. Through the Windshield
6. Lost Highways
7. Preliminary Material
8. Inside Cars
9. Introduction
10. The Road Movie and the Corporeal Turn in Experimental Film
11. Conclusion
12. Windshield Tourism Goes Viral
13. Horses, gender, and (queer) masculine desire, or how experimental found footage film recycles three Hollywood films
14. Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film
15. Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video
16. Slow Ecocinema, the Forest, and the Eerie in Experimental Film and VR (360-degree) Nature Videos
17. Avant-Doc 2 Challenges Cinema Studies to Be Useful (Again)
18. Landscape, Travel, and the Gaze in Experimental Film and Video
19. Transients, punks and hobos: rethinking the history of train hopping through experimental film.
20. Between Preservation and Disintegration in Decayed Cinema
21. Relics of the Unseen Presence? Evocations of Native American Indian Heritage and Western-Hero Road Poems in Bruce Baillie’s Mass for the Dakota Sioux and Quixote
22. Spaceflight as the (Trans)National Spectacle: Transforming Technological Sublime and Panoramic Realism in Early IMAX Space Films
23. From naked bike rides to spectacles of motion: cycling and the rider-bicycle in experimental documentary film.
24. Lost Highways, Embodied Travels: The Road Movie in American Experimental Film and Video
25. Smooth, Bumpy and Ghostly Rides: (Re)Viewing the American Landscape and Travel Imagery in Bill Morrison’s Night Highway (1990), The Death Train (1993), City Walk (1999) and Ghost Trip (2000)
26. Do gender, genre and the gaze still matter? Toward a feminine road movie in women's experimental film.
27. From naked bike rides to spectacles of motion: cycling and the rider-bicycle in experimental documentary film
28. Inside cars: changing automobilities and backseat passengering in experimental film and 360 video.
29. Inside cars: changing automobilities and backseat passengering in experimental film and 360 video
30. Do gender, genre and the gaze still matter? Toward a feminine road movie in women’s experimental film
31. Easy RiderandThelma & Louiserevisited, or on experimental film remakes of the road movie
32. From car frenzy to car troubles: automobilites, highway driving and the road movie in experimental film
33. The crime scene that never is, or how Echo plays with the forensic gaze
34. Boredom revisited, or how Andy Warhol predated slow cinema
35. Dwellers that do not Belong, Dwellings that no Longer Exist: Staging Hotel Interiors and (Unhomely) Domesticity in Experimental Documentary Film
36. Performing CPR on celluloid in Blow-Up
37. From master narratives to DIY stories: on the post-digital sublime and database documentary in two city symphony films
38. The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s Scorpio Rising and Steven Spielberg’s Duel
39. Easy Rider and Thelma & Louise revisited, or on experimental film remakes of the road movie.
40. From master narratives to DIY stories: on the post-digital sublime and database documentary in two city symphony films.
41. The Homely Sublime in Space Science Documentary Films: Domesticating the Feeling of Homelessness in Carl Sagan’s Cosmos and its Sequel
42. “Bringing the Unseen out of the Shadows”: in Pursuit of Ciné-Trance and Film-Performance in Ben Russell’s the quarry (2002) and TRYPPS #7 (BADLANDS) (2010)
43. Suspended Moments of the Mundane Routine: Testing the Possibilities of Slow Cinema in Sharon Lockhart’s "Lunch Break" (2008) and "Podwórka" (2009)
44. Seeing with a Filmmaker’s Eyes: Glimpses of Mobilized Landscapes in Stan Brakhage’s The Wonder Ring (1955) and Visions in Meditation #2: Mesa Verde (1989)
45. Space exploration in 20th century American and Soviet literature and art
46. Relics of the Unseen Presence? Evocations of Native American Indian Heritage and Western-Hero Road Poems in Bruce Baillie’s Mass for the Dakota Siouxand Quixote
47. The American Space and the Russian Cosmos as 20th and 21st century percepts of the universe in the light of selected aspects of their national and the global culture
48. Where Words and Images Speak for Themselves: Landscape (Re)presentation and Word-Image Dichotomy in James Benning's Deseret (1995).
49. Suspended Moments of the Mundane Routine: Testing the Possibilities of Slow Cinema in Sharon Lockhart's Lunch Break (2008) and Podwórka (2009).
50. American and Russian Voices from Outer Space: Constructing the Unknown in Popular Space Art
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