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This paper presents the results of the first X-ray fluorescence (XRF) investigation conducted on three late medieval chalices associated with Ireland: the Ó Learghusa chalice, auctioned as medieval Irish in 2021, does not have a confirmed provenance; the de Burgo-O'Malley chalice, dated 1494, and the TP-IEP chalice, dated 1589, both of Irish provenance. This study effectively addressed the knowledge gap concerning Irish medieval silver chalices composition. The analysis revealed that both the Ó Learghusa and de Burgo-O'Malley chalices were crafted from a silver-copper alloy and adorned using a fire-gilding technique. The blue and green enamels on the de Burgo-O'Malley chalice were found to be constituted by cobalt and iron/copper glasses, respectively. In contrast, the TP-IEP chalice exhibited a more intricate structure, being a composite object with partial silver gilt and with the bowl and base possibly made of a ternary silver-copper-gold alloy. The TP-IEP chalice's knop displayed glass, simulating gems with transparent, blue, and purple colorations. XRF analysis allowed identification of lead-potash glass, while the red glass displayed a rich iron content and was identified as soda-lime glass. The analysis allowed concluding that the de Burgo-O'Malley chalice had retained its original condition, including its original gilding and enamels, while the Ó Learghusa and TP-IEP chalices appeared to have undergone refurbishment. These significant discoveries contribute to a deeper understanding of the historical context and artistic craftsmanship behind these late medieval chalices, shedding light on their unique stories within Irish art and history. [ABSTRACT FROM AUTHOR]

This work presents the results of a transdisciplinary analysis performed on Harward's Almanac (Dublin, 1666), an extremely rare volume currently housed in the National Library of Ireland. The uniqueness and historical value of the Almanac is related to the presence of nineteen handwritten poems, entered by an anonymous scribe. These record textually important English clandestine satire circulating anonymously in Dublin in the late seventeenth and early eighteenth century. Following a comprehensive historical assessment, it appeared evident that the current order of leaves was incorrect. To reconstruct the correct order of the leaves, and hence the likely sequence in which the manuscript poems were inscribed, this study employed a codicological/paleographic analysis complemented by analytical (X-ray fluorescence, XRF) and statistical (Self Organizing Map, SOM) investigation. Specifically, point XRF analysis was carried out for each handwritten page of the Almanac, allowing identification of ink elemental compositions (iron-based ink) and successfully supporting the validity of historical hypotheses on the poems' order of inscription. The statistical organization of XRF data by SOMs allowed easy bi-dimensional visualization of the data set (54 points) and identification of ink similarities, once more validating the historical assessment. [ABSTRACT FROM AUTHOR]

This paper presents the findings of the first multi-analytical investigation of the Book of Uí Mhaine, one of the largest Gaelic Books surviving from the medieval vernacular period. A combination of protein analysis, point X-ray fluorescence spectroscopy (XRF), multispectral imaging (MSI), point Fiber-Optic Reflectance Spectroscopy (FORS) and point Raman spectroscopy was used to perform a systematic investigation of the Book of Uí Mhaine's constituent materials, including parchment, inks and pigments. The analysis revealed that the parchment was made of calfskin, both blunt tools and Pb-containing materials were used for ruling the pages throughout the manuscript, and iron-based inks were used to write the content of the book. The decoration was restricted to the initial letters and rubrication across the body text. The decoration color palette was limited to yellow and red, comprising arsenic-, mercury- and lead-based pigments. A copper-based green pigment was found only on one folio. The scientific knowledge acquired through this multi-analytical approach complemented a substantial corpus of knowledge already built by Gaelic scholars, paleographers, codicologists and conservators. This work not only allowed for the consolidation of existing information on methods and materials used for the production of medieval Gaelic manuscripts but also laid the basis for future comparative work with other contemporary traditions in Ireland and Europe. [ABSTRACT FROM AUTHOR]