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Networked Selves is an original analysis of one of the most defining cultural features of our time: how people turn to the Web to construct a public self. It examines the trajectory of a practice that embodies this sociocultural shift in fundamental ways: blogging. The book traces the evolution of the Web as a means to publicly perform a self through an analysis of the emergence, development, and transformation of blogging from the mid-1990s to the early years of the 2010s. It discusses processes that have shaped practices of subjectivity on the Web over two decades in two countries: the United States and France. Through this comparative analysis, the book shows that the cultural identity of blogging as a practice of subjectivity in these countries is neither inevitable nor neutral. Instead, it demonstrates that the development of the Web required the forging of various articulations between specific conceptions of self, publicness, and technology. These articulations were responses to both transformations in the daily life of actors and larger economic, political, and cultural processes—notably neoliberalization. The book also explains how the cultural imaginary around blogs came into being in the United States and how it has also functioned as a model for actors in other countries, such as France. Networked Selves discusses how and why actors in the technology field in France have gradually abandoned traditional makers of exceptionalism that were key in the development of the country's national identity and favored notions that characterize the United States instead.

A young Englishwoman in Paris, juggling a dying romance and the demands of motherhood, discovers escape, excitement, and—possibly—true love when she reinvents herself with a click of the mouse as … Petite Anglaise.She has a job in Paris, the city of her dreams, a handsome Frenchman, a beautiful bilingual toddler, and a charming apartment with breathtaking views. So why does Catherine Sanderson feel that her life is coming apart? Stuck in a relationship quickly losing its heat, overwhelmed by the burdens of motherhood, and restless in a dead-end administrative job, Catherine reads an article about starting an online diary and on a slow day at work—voilà—Petite Anglaise is born. But what begins as a lighthearted diversion, a place to muse on the fish-out-of-water challenges of ex-pat life, soon gives way to a raw forum where Catherine shares intimate details about her relationship, discontents, and most impulsive desires—a daily soap opera starring herself, her lover (Mr. Frog), and their daughter (Tadpole). When a faithful reader (who happens to be an attractive, charismatic Englishman) tries to get close to the girl behind the blog, the lines between Catherine's real and virtual personas blur, tempting her to leave Mr. Frog and the life she has worked so hard to construct, in pursuit of l'amour fou. Propelled by her intoxicating alter ego and cheered on by thousands of readers, Catherine's life spirals to exhilarating highs and dizzying lows as her life and her creation collide head-on and she must somehow make peace with both. Fizzing with the vitality and allure of Paris itself, Petite Anglaise offers a fresh twist on the classic story of reinvention abroad: how a young woman transforms herself, wielding the power of a mouse.

La Galaxie Internet voit émerger une multitude de nouvelles étoiles: les blogs. Ces carnets de bord en ligne sont autant de tentatives d'exister sur la toile et s'influencer toutes les zones de pouvoir (sphère médiatique, politique, scientifique, économique, etc.) Cet ouvrage explore la blogosphère actuelle à travers une pluralité de discipline telles que la communication, l'anthropologie, la sociologie, la psychologie, le droit, les sciences de gestion et de l'éducation.