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Scholarship in recent decades has characterized fortification, beginning in the fourteenth century, as declining in defensibility and erected largely for comfort and status. Most literature on the subject, however, leaves out the border counties of England or dismisses them as not fitting into their narrative, without further investigation. In Northumberland, as with the other border counties, the Anglo-Scottish Wars of Independence and subsequent period of border conflict created a culture of fortification in the north which was largely different from that in the rest of the country both in scale and style. Frequent Scottish raiding into Northumberland created a reactive pattern of building, with fortification cropping up along invasion routes shortly after incursions took place. By analysing the patterns of raiding during the fourteenth century, this thesis argues for a concrete link between the Anglo-Scottish border conflict and the high level of fortification within Northumberland. While other typical uses for these sites, including the judicial and administrative, do apply, none of these can explain the high number of fortifications built in Northumberland between 1296 and 1415 relative to other counties in England. Nor can Northumberland's density of castles be attributed to the county's reputation for supposed lawlessness: there is little evidence that crime rates in the fourteenth century were any higher in the county, nor was the judicial system any weaker there, than anywhere else in the country for the period. Of the sites themselves, the vast majority were free-standing tower houses, a new form of fortification within England, and one that only became prevalent in the English borders from the early fourteenth century. These towers offered a more affordable alternative for lesser members of the gentry to protect their lands against the threat of raiding, and they proved successful enough that they were used prevalently in Ireland in the fifteenth century, and similar towers were erected widely in Scotland in the sixteenth century. Both in-person investigations of the sites, and archaeological research showed that these tower houses were typically built with at least two external defences, thick walls, narrow windows, and seldom with windows on the ground floor, generally placing the need for defence above a comfortable interior space in their construction. Both the historical and archaeological examination of these sites reveal strong links between their construction and border conflict. Significantly, nearly no obvious defensive weaknesses are present in any of the sites surveyed, portraying the image of a county still very much in need of practical fortification, and not one whose defensibility is in decline.

The former slave owning class in The Bahamas fought a rearguard action to defend its political, economic and social hegemony. It shaped the local Abolition Act of 1834 to meet its own requirements, particularly to ensure apprentices would remain in a position of subservience and obedience. The initial period of concern for the welfare and rights of the freedmen on the part of the Imperial Government soon waned and the white oligarchy was left to govern the newly emancipated without much interference from London. Imperial Government policy also aided the elite in preventing the formation of a class of independent, peasant freeholders. On the Out Islands labour or sharecropping tenancies, squatting and the working of commonage were the norm. Coercive labour systems procured a stable and dependent workforce in a number of industries. The cash economy was limited outside of Nassau and the merchant/landowners were in possession of the little available capital. Tough laws, designed to keep the lower classes in awe and fear of authorities, were passed by a Legislature dominated by the white elite. Much more was spent on law and order than education or social reforms. The Bahamas continued to be governed under the seventeenth century Old Representative system and the ruling class stubbornly protected its rights and privileges. But the constitutional system was not a responsible one and hardly representative. Open voting, inequitable constituencies, a franchise weighted in favour of the propertied classes, non-payment of representatives and plural voting ensured the return of the white Nassau merchants. The agro-commercial elite had a limited vision beyond its own interests, particularly in regard to financial policy. There were many struggles between the Legislature and the Governors over control of finance and expenditure, reaching its climax in the 1930s when the Governor insisted on Reserve Powers. The Colonial Office investigated the possibilities but realised that, barring a crisis, the initiative had to come from the Assembly, which would never have arisen in The Bahamas. The ruling whites experienced little challenge from the coloured and black middle classes. They sought to assimilate themselves into white society and distanced themselves from the black lower classes. They were generally conservative in their views. The non-whites did not attempt to form a political party, despite the fact Bahamian society became more polarised in the 1920s and 1930s. No leaders emerged to take advantage of the discontent. After the 1942 Riot, the ruling whites made a few limited concessions that safeguarded their dominance.

The study of Neanderthal behaviour and ecology has been shaped by the overarching question of Neanderthal cognitive modernity. The debates concerning Neanderthal cultural complexity and subsistence strategies cross paths in the study of birds. Recent research has shed light on the contribution of bird remains as a proxy in interpretations of Middle Palaeolithic diet and behaviour. Additionally, birds function as excellent indicators of past climate and environmental conditions because some species have highly restricted niche requirements. This thesis contributes new information to our understanding of Neanderthal behaviour and ecology across their geographical and temporal range by employing ecological and taphonomic methods to bird remains recovered from five Neanderthal sites: Gorham's Cave and Devil's Tower Rockshelter in Gibraltar, Cova Negra, Spain, Scladina Cave, Belgium, and Tabun Cave, Israel. Intra- and inter-site analyses establish that Neanderthals exploited gamebirds and wetland species for subsistence purposes in all five locations. Ecological results indicate that the Neanderthal bioclimatic and habitat niche did not vary by geographic position. Within their niche, Neanderthals efficiently exploited birds as a regular addition to their diet, focussing their efforts on specific taxa. This conflicts with earlier research, which proposed that Neanderthals were incapable of conceptualising the complex strategies necessary for hunting birds and small, fast game.

The Celts are a collection of tribes and/or populations that inhabited much of Central Europe during the Iron Age and are still something of an enigma. The relationship among the spread of their material culture, the application of Celtic ethnicity, movements among the diverse populations possessing Iron Age Hallstatt and La Tène artefacts throughout Central Europe believed to have been spread by Celtic people, and/or spoken languages identified as Celtic have long been questioned by researchers. However, previous research has primarily focused only on chronological and typological descriptions and documentation of diachronic change. Diverse populations throughout Europe have been intrinsically linked based on perceived similarities in burial practice, art styles and material culture. Subsequently, these associations have resulted in the creation of the so-called La Tène=Celtic paradigm. Under this paradigm, the presence of La Tène artefacts designate a population as Celtic, which is still prevalent in the field of Celtic studies regardless of documented regional differences. The underlying biological diversity among presumed Celtic populations and processes driving the observed variation in artefacts, art styles and burial practices throughout the core and expansion regions (i.e., where the Hallstatt and La Tène material cultures initially developed versus those into which they subsequently spread during the 4th and 3rd centuries BC) are not well understood. The present study helps fill the void in the current understanding of underlying biological diversity among these populations in several ways. First, 36 morphological traits in 586 dentitions from 11 regional samples, from Britain and Europe, were collected using the Arizona State University Dental Anthropological System (ASUDAS). The above samples represent the core and expansion regions, along with a comparative European Iron Age sample outside the known range of Celtic expansion. Frequencies of occurrence for each dental and osseous nonmetric trait were recorded by sample. Second, the suite of traits was compared among samples using principal components analysis, (PCA) and the mean measure of divergence (MMD) distance statistic. Multidimensional scaling was subsequently employed on the symmetric MMD matrix to illustrate graphically inter-sample relationships. Phenetic patterns of overall biological similarity and dissimilarity among individuals and populations based on morphological traits were determined. MMD distances were then compared with geographic distances among samples, under the assumption that genetic affinity is inverse to spatial distance. The biological distance estimates suggest the following. First, populations in the expansion regions exhibit less biological diversity than those within the core. Specifically, two samples within these regions are biologically indistinguishable, the remaining two are biologically distinct, and all samples within the core are phenetically diverse. Thus, populations in the expansion regions are genetically distinct from those in the core and were likely acculturated, not genetically influenced by these groups. Limited intra-and-extra regional gene flow and genetic isolation explain the population structure within the above regions. Second, overall phenetic heterogeneity, biological diversity, and population discontinuity are indicated, as the majority of the samples within both regions are biologically distinct from one another. This diversity may also reflect genetic and linguistic boundaries among the samples. Third, waves of migration from the core during the 4th and 3rd centuries BC were not likely responsible for diachronic changes in material culture within the expansion regions. Fourth, the separation of populations and material culture into the core and expansion regions, and the application of Celtic ethnicity to diverse populations possessing artefacts and a spoken language(s) identified as Celtic may be a nominal association, i.e., in name only. Simply put, the comparative results suggest that these groups represent biologically distinct populations. These findings were compared with published archaeological, linguistic, genetic and bioarchaeological information to test for concordance between dental and other evidence. The present study does not support findings of previous studies and suggests there is more genetic diversity than previously assumed under the La Tène=Celtic paradigm. Thus, a combination of genetic isolation by distance, limited intra-and-extra-regional gene flow, trade, cultural diffusion and/or assimilation is likely responsible for the observed art style, burial practice, archaeological, genetic and linguistic diversity among populations possessing Hallstatt and La Tène artefacts and/or language(s). These diverse populations may have lost their cultural autonomy after being subsumed into a greater Celtic identity. Thus, the contemporary concept of Celts is likely a modern construct that has hindered understanding of the extent of regional diversity and cultural autonomy among diverse populations throughout Iron Age Europe.

This thesis identifies a very strong correlation between the placement and alignment of Neolithic Cursus Monuments with previous cattle movement and therefore makes an original contribution to the Cursus Monument debate. The thesis explores the proposal that a correlation exists between the placement of Cursus Monuments within the landscape and the movement of domestic cattle throughout that landscape. Any possible correlation between these monuments and the movement of Neolithic pastoralist communities within the area has not been well explored in extant research. Previous Cursus Monument studies have tended to focus on the construction or post-construction phases of the monument, rather than on the reasons behind a Neolithic community's decision to locate and align these monuments where they did. The research in this study uses quantifiable data gathered by George et al (2007), who fitted GPS collars to American range cattle to determine the terrain over which cattle move, combined with GIS elevation and slope data from a GIS software programme supplied by Environmental Systems Research Institute. This has enabled a quantifiable examination of the landscape next to 50 Cursus Monument sites on or adjacent to the English chalkland belt to determine the movement of cattle, across the landscape at each individual monument site. Investigation into areas of natural restriction to the landscape and areas affected by winter flooding of pasture has enabled the identification of areas that could have aided cattle movement and husbandry at prime points during the early spring. The inclusion of boots-on-the-ground field observations across each of the 50 monument sites have helped overcome issues associated with previous studies where answers from a few ideal examples appear to have then been extrapolated to the rest. The linking of data on cattle movement (George et al 2007) to mainstream archaeological research has identified that the natural topography of the study group landscape has a very strongly correlation with the alignment of each Cursus Monument, where Cursus Monument sites appear to align with the potential route of cattle across the valley profile. It does not, however, appear to determine the precise location upon which the monument was constructed. Further investigation into areas affected by winter flooding of pasture, resulting in earlier nutritional grass growth upon which the cattle could feed, has identified that the precise location of Cursus Monument sites appears to have a strong correlation with these areas. The thesis identifies a strong correlation with cattle husbandry and determines individual factors such as association with spring meadows and an association with leading cattle to water which appear to have been significant factors in establishing the exact location for Cursus Monument sites. The thesis potentially suggests that Cursus Monuments commenced life as droveways, thereby perhaps identifying an initial practical function to the landscape prior to their probable ritual importance as Cursus Monument sites. A case study is undertaken to re-evaluate these ideas using research undertaken in the Milfield Basin in Northumberland, an area that appears to have had a droveway which did not develop into a Cursus Monument. Establishing a correlation between Cursus Monuments and earlier cattle movement opens the way for future study, through expanding the use of the methodology to upland Cursus Monument sites and Scottish Timber Cursus Monument sites.

The artistic career of Bartolomeo Cincani, better known as Bartolomeo Montagna (1447?-1523), the caposcuola of the Vicentine school of painting, has been widely investigated by scholars, who have taken pains to pin down the strengths and weaknesses of his pictorial language. They have also focused on problems of attribution and on the chronology of his works. However, scholars have neglected a crucial aspect of Montagna’s career as an artist and a businessman: his business mindset both in his artistic and real estate activities. An analysis and comparison of the painter’s revenue from painting and landownership, as well as of its impact on his socioeconomic status, has not yet been made. This thesis is divided into three chapters. Chapter One is concerned with the shortcomings of the Venice-oriented approach to terraferma artists taken by modern scholars, and with the genesis of this approach in Venetian art theory of the Cinquecento and Seicento. I also stress the artistic centrality of Renaissance Vicenza in the Venetian mainland, Montagna’s mobility and original handling of artistic otherness, and his Vicentine commissioners’ aesthetic needs and taste.1 Chapter Two is a study of Montagna’s private devotional paintings, among which I attempt to identify those likely made on commission or for speculative sale. I shall also focus on the religious and social context in which these works were painted, and on the market-determined artistic output of Montagna’s workshop. Chapter Three is an analysis of Montagna’s socioeconomic status in light of his revenue from landownership, which I place in its historical and economic context, of his social ties and deep connection with Vicenza and the Vicentino. By availing myself of published archival documents, I shall also reconstruct his investment trends and money-lending practice, which I compare with contemporary lending policies, such as those of the Jews and the Monti di Pietà. 1 My choice of the word “commissioner” instead of “patron” stems from the fact that, as noted by Francis Haskell, “[...] the modern meaning of the term patronage [...] implies by necessity a concept of art as autonomous field, with intrinsic values and processes, usually associated with a peculiar and affectionate attitude of munificence. The true, authentic patronage should imply a personal relationship between the patron and the artist and the development of a sense of respect and protection, which is not related to the interest in obtaining this or that single artwork.” On this, see Francis Haskell, ‘Mecenatismo e patronato,’ in Enciclopedia Universale dell’arte, 16 vols (Novara: Istituto Geografico De Agostini, 1958), vol. 8, pp. 939-956, especially 940. As regards the distinction between “commissioner” and “patron”, see also Salvatore Settis, ‘Giorgione e i suoi committenti,’ in Giorgione e l'umanesimo veneziano, ed. Rodolfo Pallucchini (Florence: Olschki, 1981), p. 373.

What is the line between the “ancient” world and the “medieval” world? Is it 476? 330? 632? 800? Most historians acknowledge there is no crisp line and that these are arbitrary distinctions, but they are made anyway, taking on lives of their own. I believe they are much the same world, except for the pervading influence of one flavor of monotheism or another. This thesis endeavors to study top-down, monotheistic conversions in Pontic-Caspian Eurasia and their respective mythologizations, preserved both textually and archaeologically, which serve as a primary factor for what we might call “state formation.” These narratives also function, in many cases, as the bases of many modern nationalisms, however haphazard they may be. I have attempted to apply this idea to Christian Rome (Byzantium)’s diachronic missionary policy around the Black Sea to reveal how what we today call the “Age of Migrations” (the so-called “Germanic” invasions of the Roman Empire), was actually in perpetual continuity all the way up to the Mongolian invasions and perhaps even later. In this way, I hope to enhance the context by which we understand the entirety of not only Western history, but to effectively bind it to a broader context of global monotheization.

This dissertation demonstrates that the presence of Latin basilissai, Catholic wives of the Byzantine despots of Morea, in Mystras between 1349, when the city became the seat of the Despotate, and 1460, when it was surrendered to the Turks, had an impact on the artistic and cultural production at court. These foreign women were agents of the ruling political and economic elites of Italian and Frankish courts, and expressed their agency by mediating their specific cultural and artistic traditions into the production of their adopted city. Art and cultural historical approaches, in which attention is focused on painted and sculpted details, inscriptions, archaeological remains, architectural design, and urban planning, are used to show that the Latin women were historical agents, whose presence can be detected in Mystras. A multidisciplinary analysis of case studies reveals cross-cultural motifs in the artistic production, demonstrating the relationship between pieces of evidence. The production of the workshops of Mystras expressed features that were, in some cases, responses to Constantinopolitan and Byzantine models, while, in others, autonomous and innovative, revealing complex cross-cultural references. Ultimately, this study shows that the particular cultural and artistic landscape of Mystras is indebted to exogenous cultures linked to these women.

This thesis surveys the ninth-century metallic threads decorating silks discovered at Famen temple in Shaanxi province, China. In this research, metallic threads decorating Famen silks have been studied and documented in detail in order to understand how they were produced and how they were applied. Samples of metallic threads were selected and optical microscope and SEM/EDS were used to determine their morphology and composition. Problems regarding the current terminology used to describe metallic threads are briefly considered, and a systematic renaming of different types of metallic threads is suggested. Analysis results show that most Famen metallic threads were made of gold strips without substrate wound around a fibrous core, and that very few are silver strips without substrate wound around a fibrous core. Silver strips with paper substrate wound around a fibrous core are found among Famen silks, providing very early examples of this type of metallic thread in the world. Technical evidence demonstrates that the Famen metallic strips were cut from hammered metallic foil. It was found that metallic threads of different metal composition with different physical characteristics were selected according to the decoration techniques used and the function of the silks. The use of metallic threads with different grades of evenness in dimension and morphology for different decoration techniques was also found. The gold contents of these gold threads are all very high, and the thicknesses of the gold strips are large. All these characteristics are probably related to the function of Famen silks as objects of Buddhist worship that had been donated to the temple by members of the Tang imperial family and other high-ranking people. Technical investigation into the manufacture of modern traditional Chinese metallic threads was carried out in this research. Combined with analysis of the morphological, structural, and material nature of Famen metallic threads, the key technical characteristics of modern traditional metallic threads were found, which provided important evidence for deducing the manufacturing techniques of Famen metallic threads. Successful reconstructive experiments that produced metallic threads similar to Famen metallic threads were carried out in the laboratory by the author. The use of other known related techniques to produce Famen metallic threads was eliminated on technical grounds. With the above evidence, the manufacturing of Famen metallic threads, especially how the metallic strips were wound around the fibrous core, are reasonably deduced here. By investigating a number of currently accessible Chinese historical metallic threads from other periods, the evolutionary principles of Chinese metallic threads are concluded. The special characteristics of Famen metallic threads, the reasons determining these characteristics are better understood, and their role in the development of Chinese metallic threads is assessed.

Since the first General Agreement on Tariffs and Trade in 1947, France has insisted that cultural products are different from other traded goods and should be exempted from ongoing liberalisation of international trade – a principle known as the ‘cultural exception’. This exclusion allows France to implement policies in favour of its cultural industries, particularly a highly complex system of quotas and subsidies for the film industry which it maintains is essential to counter US market dominance and maintain cultural diversity. Over the past decade, the launch of video-on-demand services has revolutionised how films are delivered and consumed. Policy-makers have attempted to keep pace with these developments, expanding the scope of French support schemes accordingly. Adopting a mixed methods approach, this thesis analyses cultural diversity in the French film industry in detail, incorporating for the first time both the cinema and video-on-demand sectors and combining qualitative and quantitative data to understand the impact of French policies on diversity. Quantitative analysis reveals strong evidence of diversity in both sectors but that, while digital channels offer greater variety of choice, cinema is more balanced between films of different geographic origins. Employing a consistent approach to policy development in both channels, policy-makers have failed to take into account these and other differences, or to target measures at the emerging threats to diversity in the digital environment – potentially undermining the French defence of the cultural exception on diversity grounds. There is a surprisingly superficial use of the term cultural diversity in trade circles, leading to the conclusion that a more sophisticated approach is needed. Refining French policy in line with empirical data and actively using that evidence to demonstrate policy success will be a necessary part of this more sophisticated approach if France is to successfully defend the cultural exception in future trade negotiations.

This thesis provides an overview of the cult of Mithras from the late third to early fifth centuries across the entire Roman world. It seeks to illustrate what developments occurred in the cult during this period and how it subsequently came to an end. In doing so, it elucidates alterations in the environment and architecture of mithraea, the patrons and adherents of the cult, and Mithraic ritual practices. It demonstrates that by the fourth century the cult of Mithras had become increasingly localised, with a significant degree of variation evident among different Mithraic communities. Furthermore, it will be shown that, contrary to the traditional narrative, the end of the Mithras cult was not the product of an Empire-wide persecution by Christian iconoclasts, but a more gradual process that occurred over a long period of time. Additionally, it explores whether adopting a sociological approach, as has been suggested by other scholars in the past, can be used to explain how the transformations evident in the cult may have contributed to a decline in the commitment of Mithraic adherents in the fourth century. This study contributes to the wider field of research on the late antique period in three ways. Firstly, it is to my knowledge the only analysis of a non-Christian cult in Late Antiquity to cover the entire Roman Empire and thus hopes to contribute to a greater understanding of the sacred landscape in this period. In particular, it sheds some light on areas which are generally understudied in this regard, such as the Rhine and Danube frontiers. Secondly, it seeks to place the end of a cult in this period in its sociocultural context, rather than focusing only on the evidence from cult sites alone as previous studies have often done, thus providing a more nuanced explanation for why this occurred. Finally, through comparing the Mithras cult to other cults in this period it also shows that there is little to support any notion of a uniform 'decline of paganism' in late antiquity, with various cults experiencing divergent rates of decline which began at different times.

This work discusses change and continuities taking place in the transition from the Late Bronze to the Early Iron Ages in Greece. The geographical range will cover the eastern mainland (including Euboea), Naxos and Knossos, in a period starting from the final palatial culture of LH IIIB2/13th century and ending with the Proto-Geometric/10th century burial evidence. In order to collect and observe the archaeological evidence several tombs assemblages have been researched from both original reports and visits to relevant Greek museums. Finds have been tabulated, and continuities, innovations and losses have been identified. The major categories of material evidence analysed included pottery, metalwork and jewellery but also the form of the tombs and the manner of the burials were considered. The final analysis of these categories of evidence refutes theories of major and or abrupt change, whether caused by invasion or natural phenomena. It rather indicates social modifications following the loss of the palatial centres and their administration and culminating in their gradual replacement by new forms of social structure. Although not directly demonstrable from the existing evidence, a possible scenario is proposed to explain the frequent indications of influence from SE and Central Europe during this transition.

Several previously overlooked questions related to ancient Greek dedicatory practices are investigated in this thesis. The main questions addressed are: how do the contexts of Archaic, Classical and Hellenistic votive miniature vessels inform us about the Greek cults in which they are used, and the transmission of such cults? What role did miniaturisation play in the sanctuaries and the rituals in ancient Greek society, and why miniaturisation? A number of supplementary questions accompany the main questions, for example, what did miniaturisation mean in the context of votive dedications in sanctuaries? This thesis aims to demonstrate that earlier explanations arguing that miniatures are simply and profoundly cheap substitutes for more expensive objects do not work well, since many of these small objects are carefully made and some are elaborately decorated, and would thus not have been cheaper, or less time consuming to produce compared to full sized objects. The chronological time frame of the thesis is limited to the Archaic to the Hellenistic period, and its core is three case studies with different themes and different geographical locations in focus (Kalydon, Olympia, Kombothekra, various sites in South Italy, and other sites for comparison). The thesis addresses also issues relating to, for instance, miniaturisation, imitation and models, the functionality, and non- functionality of small votive objects, agency, trade, and colonization. The study of ancient Greek dedicatory practices within the scholarship of Classical Studies tends to concentrate on votive statues, religious architecture, inscribed metal dedications, and stelai. Little attention has been paid to less extravagant dedications even though these groups of material have been found in abundant amounts in sanctuaries throughout Greece. Moreover, in those cases where this material has been published interpretation and thoroughly analyses are often lacking. As a result, this study makes important contributions to two large questions within Classical studies: how did the Greeks view their gods and how did the Greeks interact with the gods. Miniature pottery contributes to our understanding of ancient Greek ritual practice as well of specific rituals. The work presented in this thesis accentuates that miniature pottery’s material meaning and symbolic importance can no longer be dismissed.

This thesis investigates evidence for the cultural lives of domestic objects in Late Antiquity. As such, it focuses on objects as meaningful possessions, rather than their practical, utilitarian functions. In particular, this research seeks to reveal the personal meaning for domestic possessions and their sentimental, as opposed to economic, value. This is something that has either been ignored or mentioned only in passing and without further qualification in existing studies of late antique material culture. This research is underpinned by specific theoretical approaches from the disciplines of archaeology, art history and anthropology. Object biography, or the understanding that events in the lives of objects can affect their meaning and value, is key to this investigation and provides the opportunity to approach the material evidence in a novel way. It allows the direct comparison of previously disparate textual and archaeological sources to better understand the relationships between people and their possessions across a broad social spectrum. It also governs the structure of the thesis, which has chapters on heirlooms, gifts, and souvenirs – all of which are defined by an element of their biography, namely the context of their acquisition. The case study chapter also examines a generally ignored artefact type – the basket – bringing this undervalued example of domestic material culture to the fore. This thesis reveals that personal domestic possessions had the capacity to function as material vehicles for intangible thoughts, memories, and relationships. This function was known and exploited by the people of Late Antiquity in order to create and possess meaningful domestic objects of various types. It provides a new interpretation of domestic material culture that is different to more traditional studies of economic and social status. As such, it allows an understanding of how material culture transformed dwellings into homes during this period.

It has been a while now since his untimely passing on the 25th September,2003. Edward Said was one of the most prolific public intellectuals of the 20th century and his model of the intellectual is still a source of inspiration and respect. The present thesis engages in the debate around the intellectual and his/her relationship to the public sphere. It argues that Said’s thoughts in ‘Traveling Theory’ provide not only a theory of critical consciousness but also a politically empowering tool by use of which intellectuals are able penetrate spheres. Political public spheres have always been the defining spheres of intellectual figures throughout history. This triggers the starting point of connection; it suggests that Said’s model of the public intellectual represents a residual figure of the man of letters. It argues that both the man of letters and public intellectuals, in different epochs, were made to suffer the consequences of the transformations of the public spheres. Yet, Said’s model strikes a balance between the professional and the amateur. The political tool in the traveling theory acts here as a defining element of the intellectuals’ practice in achieving some form of balance between those spheres. Said’s theatre of thought has shown an indefatigable commitment to a connection between spheres; academic, public and political. It is through his politics of humanism that he beautifully conflates ideas and ideals. His politics in the struggle for Palestine is in fact a politics of truth, coexistence and reconciliation. This also manifested itself in his political writings, beginning from Question of Palestine and continuing until Freud and the non-European. Finally, it is his intellectual legacy and his legacy as a public intellectual that makes him so relevant to the recent Arab Spring. Having looked back at two years of his life (1967-1993) and recalled his spirit when looking at Arab intellectuals’ interventions in the Arab Spring, one can clearly glimpse Said’s underlying alternatives, which reverberated in some of the Arab intellectuals as a model of the intellectual who can act beyond ideology.

This Creative Writing PhD consists of a novel, The Encyclopaedia of Istanbul, and accompanying critical essays, Ottoman Crossroads: Coffeehouses, Politics, Theatres and Storytelling. The Encyclopaedia of Istanbul is historical in nature, and magically real in temperament. It is an account of fin de siècle Constantinopolis, and contains forgotten fairy tales, remnants of an ancient manuscript culture, Armenian playwrights, Turkish feminists, Greek fortune-tellers and Sephardim cantors. It tells the tale of six intersecting lives in 1876, a time known as “the year of the three Sultans” in Ottoman history. This period was filled with tensions between traditionalism and Westernization, but also new political possibilities forwarded by the Young Ottomans. While the characters in The Encyclopaedia of Istanbul are fictitious, they are inspired by historical events and figures. The second element of my PhD, Ottoman Crossroads, is made up of four individual essays that focus on selected themes from the novel. They scrutinize, in order of presentation, the history of coffeehouse culture, the secretive society of the Young Ottomans and their political thought, the formation of Armenian-Turkish theatre, and the rediscovery of Ottoman fairy tales. Whilst the novel and essays are coherent independently, they also link to each other in ways that are sometimes direct, and at other times subtle.

This thesis examines the neglected architectural decoration from the late antique Mediterranean city (ca. 300-650 A.D.). It aims to address the omission in scholarly literature of any discussion about the decoration of non-monumental secular buildings, namely porticoes flanking streets, agorai, macella and ornamental plazas, small public baths, shops/workshops and ‘middle class’ houses. The decoration of non-monumental secular buildings has been overlooked at the expense of more lofty buildings and remains thus far one of the least known aspects of the late antique city. Considering that public porticoes and their associated structures (shops and workshops), along with small public baths and ‘middle class’ houses were crucial elements and accounted for the large part of any urban built environment starting from the Hellenistic period, the examination of their architectural decoration in this thesis represents the first attempt to redress this imbalance. Drawing upon an array of archaeological evidence, written sources, and depictions this thesis attempts to reconstruct how public porticoes, small public baths, shops/workshops, and ‘middle class’ houses might have looked on a daily basis. The geographical area entailed in this study presents more challenges than when focusing on a single site or province. Such a cross-regional approach of the topic allows to consider the decoration of public these structures as both as part of the history of individual cities and as part of Mediterranean-wide trends, guiding as such toward a more reliable visualisation of the late antique built environment. The picture conveyed in the Mediterranean cities is inevitably not the same. It is argued that as much as they shared similarities on the decoration of these structures, so did they also vary. The topic of this thesis is broad and definite answers cannot be given, nevertheless, it is hoped that a preliminary synthesis can be offered as a basis for future work.

This thesis offers three case studies of religious representations of the natural world in Strasbourg from 1510 to 1541 from the perspective of the interactive model of socioeconomic metabolism. This model proposes that long-term environmental instability will exert a negative effect on human/social biophysical structures and may provoke changes in the manner in which the natural world is represented within that culture. Although direct causation is impossible to prove due to the autonomous nature of the cultural sphere, this thesis suggests that the two case studies of early sixteenth-century religious reforms in Strasbourg indicate the presence of theological innovations that changed the conceptual relationship between faithful Christians and Creation, thereby offering an enhanced capacity for adherents to exploit the metabolic opportunities in their natural environment. Further, it suggests that these cultural developments were supported and strengthened in part by the stresses society experienced from the natural world. The thesis begins with a description of the natural environment in Alsace during the late fifteenth and early sixteenth centuries, with particular attention given to the weather from 1473 to 1541. These decades spanned the coldest years of the Spörer Minimum, itself the second coldest trough of the Little Ice Age. Although weather was the most dynamic and influential element of the natural environment during this period, the model suggests that long term stress from the environment may provoke re-conceptualization of the entire natural sphere of causation. Three religious perspectives are taken as case studies in the thesis to test the model: Roman Catholic, Radical, and Evangelical Christianity. They were created temporally and geographically in proximity, but offer different theological representations of nature. Tentative conclusions arising from their juxtaposition with each other and the climatic conditions suggest that the model is helpful to better understand the complex social and cultural changes during the Reformation. The first case study focuses on Die Emeis, forty-one sermons delivered by Johann Geiler von Kaysersberg in the Liebfrauenmünster zu Strasbourg for Lent 1509. By reading against the grain of these sermons delivered by a well-known and highly respected Doctor of Theology, an orthodox Catholic representation of the natural world and the appropriate human relationship with it is revealed. This chapter also includes information about pre-Reform society in Strasbourg and Alsace, in order to provide a basis of comparison for later developments. The second case study explores three sources known to be popular with Alsatian peasants from 1515 to 1525: astrologist Leonhard Reynmann's Wetter Büchlin, Ein Fast schon büchlin by Clemens Zyegler, a lay theologian from Strasbourg, and Article IV of the Twelve Articles which formed the foundation of peasant demands during the German Peasants' War. The third case study focuses on Hexemeron Dei opus, written by Strasbourg Reformer Wolfgang Capito. An exegesis of Genesis 1-11, Capito writes explicitly of God's creation of the world for human salvation. The aftermath of the Peasants' War in Strasbourg and Alsace are described here, as well as social initiatives in Strasbourg favoured by Reformers such as welfare reform and education. The model of socioeconomic metabolism suggests that following an extended period of material insecurity and social instability caused by environmental uncertainty, cultural agents will modify the representation of nature in order to render human colonization of the natural world more effective. While it is impossible to firmly attribute causality for developments in the religious view of nature to environmental stress, it can be shown that the weather during the decades at the eve of the Protestant Reformation repeatedly limited or removed adequate metabolic intake from those disadvantaged by an increasingly unequal society, contributing to social instability which culminated in the 1525 German Peasants' War. Representations of nature in the examples studied from the new religious movements removed layers of spiritual mediation between humanity and nature which had been and continued to be accepted by the Roman Catholic Church, specifically articulating views which encouraged greater exploitation of the natural environment. Those who rebelled are known to have strongly favoured the new theologies, indicating the possibility that part of the widespread support in Alsace for reformed and radical theology may have been due to the enhanced conceptual opportunities they provided for exploiting the natural environment.

This thesis discussed the morphological patterns of Ottomanization performed in the southern Balkans through the comparative study of four mainland cities, Dimetoka, Gümülcine, Siroz, Yenice-i Vardar spread along the multicultural Via Egnatia. Through the cross-disciplinary application of morphological and defterological concepts, we were able to trace existing and reconstructed forms back to their formative processes (as evident in a series of reconstructive maps) and to interpret them within the theoretical framework of structural rationalism. The advanced argument disproves the orientalistic reading of the Ottoman (Islamic) city as an irrational and chaotic morpheme and reconfirms Veinstein’s theory on the existence of a normative type for the Ottoman town that lays in the morphology of the Balkan cities. This thesis’ main contribution lies in defining that the identifier of ‘originality’ or ‘purity’ for this type derives from its particular geographical divisions. Accordingly, the coining of the type that we extended was reflective of these particular geographical divisions, as an obvious functional and formal analogy amongst the towns of this group. We thus concluded that the typological identification of the ‘original’ Ottoman town can be encapsulated in the Balkan-Anatolian type with a Byzantine kernel and an Ottoman fringe belt. This consists of a highly rationalized system of axes, with pivotal being that of the çarşıya, which functioned as the vehicle of infrastructural development.

This thesis demonstrates the significance of Food Vessel pottery and burial in Northern England during the Early Bronze Age (c.2200 to 1800 cal BC). It represents the first original and sustained study of this burial tradition for several decades. It is argued that the interwoven relationships between Food Vessels, other ceramic types, and trade and exchange networks are both a reason why the tradition has posed interpretative problems for prehistorians, and a central component of its significance during the Early Bronze Age. The chronological relationships between British Food Vessels and other ceramic and funerary traditions are reviewed using the first comprehensive and critically assessed dataset of radiocarbon determinations. Previous approaches to Food Vessel typology are critically reviewed and a new approach based on the ‘potter’s perspective’ and contextual studies is proposed. A contextual approach is applied to Food Vessels from three regions of Northern England: the Northern Counties; North-East Yorkshire, the central lowlands and North-West England; and South-East Yorkshire. Each study reveals significant inter- and intra-regional similarities and differences in how Food Vessels were used and understood. The significance of Food Vessel pottery and burial is then discussed at a national scale.

In the past twenty years there has been a sustained theoretical challenge to issues of Roman identity in the western provinces. However, despite this body of work, the towns of Roman Britain are still primarily defined by the extent to which they embraced a set of supposedly Mediterranean urban features. This research uses the medium of water to thoroughly explore the reasons behind this approach and the disparity it has created in respect to studies of prehistory. While water is undoubtedly a thread of continuity in human settlement, scholars of the Roman period have been particularly concerned with outlining its urban utilisation as a sign of familiarity, or shared civilisation, between the Roman period and modernity. Subsequently, Roman era structures related to water (such as aqueducts, wells, bridges and bathhouses) have been portrayed as examples of a cultural advancement that was distinct from previous activity within the immediate landscape. This approach has therefore discounted the rich and powerful associations pertaining to water throughout the temperate European prehistory. Through analysis of twenty one of the most influential Roman towns of Britain, this thesis shows how local beliefs would have been an integral part of how one perceived and experienced urban water features. It will be emphasised that the entanglement between these associations and complex, but receptive, incoming cultural influences would have played a key role in creating hybrid waterscapes within these settlements. Fully acknowledging this complex cultural presence of water underlines how the experience of towns in Roman Britain was a product of a number of different perspectives; meaning these places cannot be fully understood without a careful consideration of local context.

This thesis examines the dress and personal appearance of members of the middle and lower classes during Late Antiquity. Although members of this social stratum are often represented in Late Antique written sources, their clothing is rarely described in any detail, nor can artistic depictions be relied upon to illustrate their garments realistically. Information has therefore been assembled on garments and garment fragments from over 52 museum and archaeological collections, in order to assess the ways that cloth and clothing was made, embellished, cared for and recycled during this period. Together with knowledge gained by making and modelling exact replicas based on extant garments, this has enabled both the accurate depiction of the dress of ordinary people during this period, and the more precise interpretation of Late Antique descriptions and depictions of the clothed figure. By further assessing this information using different theoretical approaches including that of ‘object biography’, this thesis goes on to explore the ways in which cultural meaning is invested in clothing, and what this tells us both about the people who made, wore and used it, and about the society of which they were a part.

The Roman period is well represented in Kent’s long history of excavation and discovery and it has some prominent sites. Nevertheless, there has been relatively little in the way of up-to-date synthesis or the application of current theoretical approaches. In common with many other areas of the country, rural settlement, especially ‘non-villa’ settlement, has received scant attention, whilst even its villas are mostly poorly understood. Since the advent of PPG 16 many more such rural sites have been excavated and there has been a corresponding rise, both qualitative and quantitative, in associated data, much of which remains unpublished. This thesis aims to reassess the Roman period of Kent from a rural standpoint, using a wide range of materials to construct a more nuanced and theoretically informed narrative. The basis of the study is the Kent HER. The archaeological data are combined with a number of landscape resources in order to reveal the influence of Kent’s highly varied terrain and the ways in which it was understood and exploited. Aspects of building and settlement morphology are examined and the potential of artefactual and ecofactual data for adding refinement to our understanding is explored. In its use of unpublished (‘grey’) literature, it is in line with current research priorities at national level. Results indicate that strongly patterned distributions of evidence were influenced both by Kent’s physical landscape and by human landscapes of tradition and culture. The county’s archaeological record has features that distinguish it from other southern counties and from the received trajectory of Roman Britain as a whole. This thesis places Romano-British Kent within its wider chronological and geographical context, noting its particular characteristics and finding that it is an eastern, rather than a southern county, following a trajectory very similar to that of northern Gaul.

In my doctoral dissertation I explore the key role played by the eighteenth-century enlightened narrative of civilisation in the shaping of a Eurocentric/racist construction of the world. I do this by analysing how, in sources from the realms of moral philosophy and natural history, the intertwining discourses of luxury, sensibility, taste and climate that fuelled the narrative of civilisation created an understanding of human nature that made eighteenth-century scientific racism possible. The entire non-European world (the East, Africa and America) was presented as a space inhabited by unnatural bodies. Although Europe itself was not characterised as monolithic, (these writers saw a clear boundary between Northern and Southern Europe), the joint efforts of both moral philosophers and natural historians clearly distinguished Europe and the European body from the rest of the world. The Eurocentric/racist eighteenth-century construction of the world was so powerful in naturalising the European human and national prototype as a universal normative standard that it even found agents in other continents who were willing to argue that they too belonged to the European civilisation. Even those whom Europeans explicitly cast as inhabiting spaces unfit for the unfolding of civilisation, and thus as spaces where the European human prototype inevitably degenerated, might insist that they too conformed to the European human and national prototype. The idea of Europe as the centre of the world would not have triumphed had agents outside Europe not participated in its making. This was the case of the New Granadan Creoles, the founding fathers of the Colombian nation, who far from questioning the Eurocentric racist/lens of civilisation whereby European savants had dismissed the non-European world as inferior, instead reinforced it.

Scholarly interest in travel literature has increased substantially in recent years. However, there has been a lack of sustained, cohesive commentary on the journey motif in German Romantic culture, particularly its origins and manifestations in literature and philosophy. My doctoral research fills this gap through a philosophically- and historically-informed reading of German Romanticism. The thesis examines 1) the paradigmatic template of the literary journey established by Goethe in Wilhelm Meisters Lehrjahre, 2) metaphors of movement and mobility within the Idealist philosophy of Kant and Fichte and their role, 3) the manner in which these metaphors migrate into the theoretical and prose writings of Novalis, 4) Tieck’s notion of the sublime and its relevance for the Romantic journey, and 5) the late Romantic satirization of the journey motif within Eichendorff’s prose. Additionally, the thesis serves to show how philosophical discourse of the Enlightenment had reached something of an impasse in its use of the journey motif, with the subject unable to evolve and renew itself beyond the strictures of particular models of subjective cognition. The Romantics thought literary practice was to supersede philosophy and it was mobility in the form of the journey as both metaphor and process, which helped bring about this transition and created a flexible self-authoring and self- renewing model of the subject. The study also recounts a particular history of Romanticism which charts, via the history of the journey, the movement’s youthful idealism, the fear of the pitfalls of human subjectivity, and its eventual self-distanciation through parody.

This thesis explores the composition and arrangement of Martial’s twelve-book series, the Epigrams. I investigate the way in which key themes combine to create a pseudo-narrative for the reader to follow which connects not only individual books but the series as a whole. This twelve-book series creates an ’anti-epic’, something which is meant to be considered as a whole and read, and reread, as such. In the course of investigating the inter- and intratextual links within the Epigrams, we see how Martial’s corpus instructs its reader on how (and even where) to read the text. In doing so Martial is engaging with a literary discourse at the end of the first century on different patterns of reading. The key themes explored, oral sex and os impurum, food and dining, and a literary theme comprised of reading and writing, all form part of this programmatic literary instruction to the reader. I have identified the importance of ’orality’ within the Epigrams as part of the defined method of reading. Applying concepts from Reader-Response theory,and thinking about the way readers read, we can see that Martial’s books of epigrams are more than the sum of their parts.

The thesis explores themes of settlement location, settlement form and settlement mobility from the Late Neolithic to the Late Bronze Age in north-east Powys and Shropshire. The study utilises existing finds and monument data, and incorporates new data from targeted field survey and excavation. It incorporates comparative evidence from other regions of Britain and detailed comparative data from studies in neighbouring regions. The study examines the evidence for settlement sites, the distribution of lithics in the landscape and the potential relationship between round barrows and settlement. The relationship between metalwork and settlement is examined as is the evidence for the presence of land division. A potential greater frequency of activity in the vicinity of lowland ring ditches is suggested through lithic distributions within a transitory pattern of occupation. This is supported with new excavation evidence for ephemeral settlement activity. At a broader level a greater intensity of activity is apparent in lowland gravel terraces than in neighbouring wetland areas of Shropshire and that the study area is part of a wider region characterised by low lithic densities in contrast to neighbouring regions to the south. Subtle spatial separations may have existed between settlement activity and monuments and the siting of monuments may have reflected existing axes of movement through the landscape. The distribution of upland monuments suggests that activities may have been relatively focussed and localised, whilst close conceptual links may have been maintained with lowland and distant landscapes. The distribution of metalwork emphasises rivers, floodplains and wetland contexts which may have been at the margins of settlement space. At a broader level the presence of metalwork in lowland landscapes serves to complement limited evidence for Middle Bronze Age occupation and places Late Bronze Age hilltop enclosures into a wider context. Targeted excavation has provided new dating evidence from pit alignment features in the study area which may indicate localised areas of land division closely post-dated ring ditch monuments in the Early Bronze Age. This may have implications for the interpretation of similar land divisions in other regions.

Interpretations of osteological remains from mainland Greece during the 1960-1980s led to the suggestion that the most virulent form of malaria, Plasmodium falciparum, was prevalent between the Mesolithic and Late Bronze Age (c. 8700 cal. BC-1100 cal. BC). Although disregarded over the past decade, the theory has regained support in recent years from osteological, epidemiological, environmental and DNA studies. However, the presence of this strain of malaria in prehistoric Greece remains controversial. This thesis evaluates 1) the palaeoclimatic conditions of the Aegean between the Mesolithic and Late Bronze Age and 2) the palaeoenvironmental conditions of three archaeological settlements, with the aim of ascertaining whether the climatic and environmental conditions were as conducive for P. falciparum and the mosquito vectors as the osteological evidence suggested. Equal consideration is given to the so-called ‘lesser strains’ of malaria, P. vivax and P. malariae, the significance of which is considered to have been underestimated in previous studies.

When an ancient Near Eastern city was besieged and looted the statues and cultic appurtenances of the gods were often confiscated by the conquerors. Their loss was more than a heavy blow to the defeated people: the statue was the god‘s representation on earth and watched over and protected the city so his abandonment of his city was thought to have a lasting devastating effect. From the point of view of the conqueror the statue could be used not only as a tool of intimidation but for bribery and a crude form of diplomacy and as propaganda for his might and glory. In this thesis the history of the phenomenon of godnap is explored for the first time and there is also an investigation of related problems in religion and cultural history. At the outset a detailed investigation of the numinous character of an ancient Mesopotamian statue is given including an account of the ritual that imbued it with this divine quality. Special attention is given to Marduk of Babylon and the episodes in which even he found himself the victim of theft. The thesis includes an excursus on evocatio and parallels between Hittite and ancient Roman practices are drawn.

The purpose of my thesis is to study the lament in ancient Greek culture, and to show how its ritual meaning is interpreted by literature. The terms goos, oimoge, threnos and linos not only indicate the presence of different ritual attitudes to death but also the existence of different interpretations for each of them. The goos and the oimoge mirror an archaic religiosity and consist of sinister utterances aimed at summoning ghosts, requesting for divine revenge, etc. Aeschylus introduces them as aischrologic acts as he implies the presence of a god or a daimon. Sophocles and Euripides use them as dysphemic elements and censure an approach to death which implies that gods are vindictive, deceitful and unjust. However, they also introduce an euphemic goos consisting in an expression of feelings. The threnos only appears in funerary contexts in Homer while is often introduced as dysphemic in drama. The linos-song is mentioned as a vintage-song in Homer, it appears as a lament and then as a song for some hero’s apotheosis or return to life in drama. The poetic use of these terms serves to understand how the social and political meaning of the ritual was understood and codified by literature.

This thesis is about organizations working in the field of British civil liberties between 1934 and 1989. It examines the relationship between the concepts of civil liberties and human rights within a British context, and discusses the forms of political activism that have accompanied this subject. At the centre of this work is an examination of the politics of the National Council for Civil Liberties (NCCL), an organization that has played a key role in the protection and promotion of civil liberties from its formation in 1934. It also examines the activities of a range of other organizations that considered themselves to be active on such a subject. The thesis argues that thinking about civil liberties has been extended throughout the twentieth century to incorporate a more positive and broader conceptualization of rights. However, for all the increased importance of the politics of human rights, a tradition of civil liberties has remained crucial to organizations working within such a field. The thesis also seeks to demonstrate that concerns about civil liberties have often reflected the political ideologies of those acting on such issues. Whilst a large amount of conceptual agreement has existed over the importance of the subject within Britain, this has consistently been met with disagreement over what this means. NGOs have played crucial roles as mediators of such a conflict. In performing such a role, the civil liberties lobby has been characterised by a set of professional, expert activists that have, at times, been able and will to engage with radical political ideas.

This thesis argues that henges, stone circles and ring cairns form a 'spectrum' of monuments with origins in the earlier Neolithic. In that context it is suggested that some of the structures located beneath long cairns were originally free standing foci. How the monuments might reflect contemporary society is discussed and it is shown that some standing stones might have been the focus for gatherings of people as large as those suggested for henges and stone circles. Evidence is presented showing that there appears to have been a continuity of traditions and world view from the Early Neolithic into the Late Neolithic and beyond. Similarly the distribution of later monuments appears to relate to Early Neolithic core areas which continued to be important and linked to 'status'. The relationship of the monuments to particular aspects of the environment is explored and it is shown that wetland environments, including floodplains, are a major feature in the location of the early foci. It is concluded that these would have been important resource areas in the Mesolithic as well as Early Neolithic with implications for our understanding of the Mesolithic -Neolithic transition.

This thesis examines the recent development of the policy discourses of creativity in England and Korea. It aims to analyse the values that the word „creativity‟ represents in policy terms, challenge their underlying assumptions, and explore how the idea of creativity has been implicated in each country‟s cultural policy formations. It also provides a critical examination of the similarities and differences between the two countries. In so doing, this thesis attempts to challenge the absence of cultural policy research on creativity and provide a meaningful scholarly contribution to the existing field of cultural policy studies. In order to provide a comprehensive and critical analysis of the emergence and development of the creativity discourses in England and Korea, the study employs a social scientific method of relational thinking that draws on Pierre Bourdieu‟s field theory. By challenging the existing tradition of cultural policy discussion that is either implicitly or explicitly informed by a dichotomous thinking between intrinsic and instrumental values of culture, the study proposes a new critical approach to understanding and examining the complex dynamics of cultural policy issues surrounding the idea of creativity in policy terms. Based on the Bourdieusian heuristic tool of relational thinking, the thesis explores how the idea of creativity has become politically reconstructed so as to serve specific interests, values and dispositions that correspond to a particular political position, rather than a recognised field of cultural or creative practices. By closely examining the policy contexts of the government‟s creative education initiatives Creative Partnerships in England and Korea Arts and Culture Education Service in Korea, the thesis suggests that there are distinctive parallels between the English and Korean cases; not simply in the developmental trajectory of creativity discourses, but also in the broader aspect that relates to the shaping of cultural policy formations and recent paradigm shifts in cultural policy thinking. The study examines the extent to which these commonalities can be interpreted as an instance of „policy convergence‟ between the two countries.

This thesis takes Assmann’s theory of cultural memory and applies it to an exploration of conceptualisations of dreams and dreaming in the early Roman Empire (31 BC – AD 200). Background information on dreams in different cultures, especially those closest to Rome (the ancient Near East, Egypt and Greece) is provided, and dream reports in Greco-Roman historical and imaginative literature are analysed. The thesis concludes that dreams were considered to offer a possible connection with the divine within the cultural imagination in the early Empire, but that the people of the second century AD, which has sometimes been called an ‘age of anxiety’, were no more interested in dreams or dream revelation than Greeks and Romans of other periods. This thesis outlines, defines and applies the newly developed concept of cultural imagination, developed from cultural memory, to its examination of dreams and dream reports in Greco-Roman literature. Using the concept of cultural imagination in preference to discussing ‘belief’ is shown to have advantages for the study of ancient religion, as it allows the historian to discuss religious ideas that may or may not have been widely ‘believed’ but which were present within the imagination of the members of a particular society.

The purpose of this thesis is to provide a thematic analysis of the historical, political, and economic context of Seleucid portraiture, namely that on coins, but with reference to gemstones, seals, and sculpture where evidence exists. No attention has been given to the aesthetic value of such items, as has been the habit of art historians, as a great deal of the evidence analysed here consists of bronze coins. Nor is this work intended to be a catalogue, as technical information on coins has been well documented in the many catalogues in this field. The first chapter provides a general survey of the issue of autonomy and its relationship to the Seleucids, whether among the Greek poleis of Asia Minor or other autonomous areas of the Seleucid empire. This is followed by an obligatory discussion of the influence of Alexander on the Seleucids, which has been kept deliberately short due to the amount of scholarship already completed in this field. The issue of warfare and its effect on Seleucid iconography follows this. The first three chapters cover issues affecting Seleucid iconography, whether for legitimate kings or otherwise, which leads on to a chapter covering the Seleucid usurpers. The function of this chapter within the thesis is twofold; firstly, it introduces the concept of usurpation and its effect on the iconography of legitimate kings; secondly, it contains extensive discussion of the coinages of the individual usurpers. The next four chapters serve to analyse the variation of the royal image for legitimate kings, assessing the effect of autonomy, warfare, Alexander, and usurpation on the changing royal image. The kings discussed in the respective chapters were chosen on similarities of iconography and factors affecting this. The final chapter is a discussion on Seleucid female iconography, affected by many of the same factors as male portraiture.

This thesis presents a comparative study of cultural policy in Britain and Italy. It provides a historical reconstruction of the cultural, legal and administrative contexts for cultural policy-making in the two countries, with a view of highlighting how cultural policy priorities have changed over time. The discussion of the growing popularity, in Italy, of notions of the cultural heritage as an engine for local economic development and as a resource that can allow the government to find the resources it needs to finance infrastructural works is given particular emphasis. Indeed, this probably represents the most original contribution made to the field of cultural policy research, in that Italy is a much under-researched country, and extant literature in English is almost non-existent. The main argument that the discussion aims to substantiate is that, despite being rooted in very different cultural and administrative traditions, both the British and Italian cultural policy debates seem to display a growing popularity of an instrumentalist rhetoric, which justifies public subsidy of the cultural sector on the grounds of the alleged beneficial impacts of the sector in the social and economic spheres. The main contribution of the thesis to the current understanding of instrumental cultural policy is therefore to offer plausible explanations for this recent trend. The thesis argues that the current situation, both in Italy and the UK, can be best understood in the light of the global phenomenon of neo-liberal globalisation, and the tendency for policy-transfer between countries that it tends to promote.

This thesis investigates the role of arts practitioners in cultural policy activity, both as a general concern for cultural policy studies and in the specific arena of post-war cultural policy in Britain. In so doing it challenges a common perception that arts practitioners have no such involvement, and seeks to discover the extent and form of their activity. it explores the history of practitioners’ participation in cultural policy formation and implementation; what obstacles they have faced and how their involvement could be better facilitated; and, importantly, why it matters whether they are involved. These issues have remained largely unrecognised among cultural policy researchers. Part II of the thesis examines the subject through a case study of new playwriting policy in England. Drawing on unpublished primary documents, interviews, and observation, it pays particular attention to playwrights’ organisations and their history of self-directed activity. These organisations and other agencies concerned with theatre writing are embedded in networks which cross the boundaries of policy and creative practice. The thesis argues that arts practitioners can enhance their place in the policy process through their own actions, and that participation in these networks increases their opportunity for policy input and influence. Of key importance is the question as to why the involvement of practitioners in cultural policy activity is of any significance. The thesis puts forward the view that arts practitioners and their organisations can be seen as part of the fabric of civil society, and their participation in policy activity as contributing to the maintenance and enlargement of democratic life. It is, then, not a marginal issue, nor of concern to the arts alone, but integral to a wider debate about sustaining democratic engagement and the civic arena in the twenty-first century.

This thesis addresses the twin questions of technology and the human, ultimately questioning the validity of either category and pointing toward their dissolution in transhumanism. Starting with a discussion of the question of technology in organization studies, the thesis takes issue with the way in which discussion has focused on the technology- object pole of a dualism at the neglect of the human subject that occupies the opposing pole. Following a methodological call for symmetry the thesis reconsiders the question of technology in light of its human other and visa versa. Working with the ideas of Friedrich Nietzsche and Deleuze and Guattari, the thesis suggests that there is a problem with maintaining a distinct conception of the human, separated a priori from questions of technology and language. In seeking to avoid an essentialism either of the (technological) object, or the (human) subject, the thesis reconsiders the question of the human, language and technics through an examination of the work of William S. Burroughs. Combining Burroughs' ideas with those of Deleuze and Guattari, a conception of the 'transhuman' is developed which, in opposition to a transcendental humanism, articulates the immanent implication of technology and language in the production of subjectivity, and points to the more radical potentials of new technology in figuring alternative modes of subjectivization and social organization.

For more than a thousand years, Islam has been the hostile `other' of the West. Not only does the West feel threatened by Islam, but also many Muslims feel threatened by the West. The dialectical relationship between Islam and the West has gained a new impetus since the destruction of the twin towers of the World Trade Centre in Manhattan on September I Ith, 2001. A central issue in this dialectic is what is perceived and understood by `Islam' by both Muslims themselves and by non-Muslims. Whilst conflict may suggest support for Samuel Huntington's `Clash of Civilisations' thesis, with Islam as the prime candidate for this clash, this thesis will aim to show that such a clash is a consequence of only one of many understandings of Islamic identity. Islam and the West, it will be argued, are not as incompatible in a civilisational or ideological context as history might suggest. Compatibility can be better appreciated by examining what are regarded by Muslims as key paradigms that make up Islamic identity: that of the Qur'an, Muhammad, Medina as the first `Islamic state', and the four `rightly-guided' (rashidun) caliphs. To be Muslim is to accept certain archetypes as central to belief. This is not what is in contention. However, what is a matter of contention is how one approaches these paradigms, particularly amongst such renowned Islamic revivalist scholars as Mawlana Mawdudi, Muhammad Iqbal, Sayyid Qutb, and Jamal alDin Afghani. This thesis argues that the approach has been dominated by what is termed the `Transhistorical': mythologizing the paradigms to the extent that they have become `idols' which its adherents are unwilling to question or even, if necessary, to shatter. The Muslim philosopher Mawlana Mawdudi will be represented as symbolising this Transhistorical approach. However, another approach can be usefully adopted, that of the Historical, that perceives the paradigms within the context of time and place, thus allowing for flexibility of constant renewal and reassessment. The German philosopher Friedrich Nietzsche can be helpfully employed in examining the Historical approach. Whilst Nietzsche rarely spoke specifically about Islam, his admiration for it as a religion is in sharp contrast to his criticism of Christianity. Whilst Nietzsche was addressing an audience of a different culture and age, this thesis aims to show that his philosophy can make an important contribution to the dialectical understanding between Islam and the West. `Returning' to Islam in what is perceived as its Golden Age is nothing original nor would be seen by Islamists as unorthodox. However, Nietzsche's own originality, creativity, and psychological, philological and historical insights allow for a fresh and enlightening approach to key Islamic paradigms that show that Islam and the West are quite capable of ideological and civilisational reconciliation.