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6. The role and purpose of film narration

Author

Carmona, Carlos Ruiz and Veritati - Repositório Institucional da Universidade Católica Portuguesa

Subjects
Literature, Visual Arts and Performing Arts, lcsh:Fine Arts, business.industry, lcsh:NX1-820, Philosophy, Film narration, Communication, Conservation, lcsh:Arts in general, Narrative comprehension, Human experience, Computer Science Applications, Aesthetics, Narrative network, Narratology, Structuralism, Film director, Process information, Narrative, Meaning (existential), lcsh:N, business, Music
Abstract

Throughout history we can identify a great number of authors discussing the nature of narrative. From Plato's and Aristotle's original mimetic and diegetic influential theories to Gérard Genette's or Roland Barthes' essential contribution to structuralism, narrative has been studied and discussed as a fundamental process for the human mind in terms of producing and communicating meaning and expressing experience. Over the past few decades major scholars such as Bordwell, Metz, Genette, Carroll, Chatman, Eisenstein, Bal, Abbot, Tan, Smith or Branigan have produced some of the most significant contributions to the study of film narratology. Some scholars envisage narration as a means to process information. Others argue that narration can be better understood as a strategy to cue narrative comprehension. Others envisage narration as a means for emotion. This paper intends to establish that film narrative can be better understood as an act of communication through and from experience from filmmaker to an audience and vice-versa., Journal of Science and Technology of the Arts, v. 9 n. 2 (2017): Narrative and Audiovisual Creation

Published
2017
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7. The Ethical Tension Between Artistic Expression and Historical Representation in Documentary Making: The Filmmaker’s Mediation with Reality

Author

Carmona, Carlos Ruiz and Veritati - Repositório Institucional da Universidade Católica Portuguesa

Subjects
Visual Arts and Performing Arts, lcsh:Fine Arts, Process (engineering), Subject (philosophy), representing reality, Conservation, Representation (arts), artistic expression, ethics in representing reality, Set (psychology), Control (linguistics), filmmakers’ mediation, lcsh:NX1-820, informed consent, lcsh:Arts in general, Narrative comprehension, narrative comprehension, Computer Science Applications, Epistemology, Expression (architecture), Mediation, Film director, Documentary, lcsh:N, Psychology, Social psychology, Music
Abstract

This article emerges from the assumption that representing reality in documentary raises specific complex ethical issues. This is due to the fact that documenting an event partly results from the filmmaker’s mediation with the historical world. The choices involved in this process are subjective, biased and creative. In fact, representing reality results from a particular tension established between that which I represent and how I represent it. From this tension several ethical issues with regard to the filmmaker’s mediation with reality may emerge. This paper aims to revise and confront key literature on this subject to discuss and deconstruct the process of mediation and the ethical issues involved in this process. The key questions to answer are: What role does mediation plays in representing reality? What ethical issues may emerge from this process? Do filmmakers explore “others” to satisfy their own personal needs as artists? Is it possible to control or regulate filmmakers’ mediation with reality? Can we develop a set of parameters or strategies that can be considered ethically more appropriate for representing the world?, Journal of Science and Technology of the Arts, v. 8 n. 2 (2016)

Published
2016
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8. Cinema and its ability to represent a staged reality

Author

Carmona, Carlos Ruiz and Veritati - Repositório Institucional da Universidade Católica Portuguesa

Subjects
Technical appearance, business.industry, media_common.quotation_subject, Art history, Representar la realidad, Art, Documentaire, Aparência técnica, Movie theater, Narrative, Representing reality, Documentário, Documental, Représentent la réalité, Le récit, L’aspect technique, Documentary, Representar a realidade, business, Humanities, media_common
Abstract

This article is a reflection on the relationship between cinematographic discourse and reality: discussing cinema’s technical restrictions and creative possibilities to represent an impression of reality. This article emerges from the assumption that cinema’s technical qualities can only represent a technical appearance of reality which must satisfy certain cultural expectations., O artigo é uma reflexão sobre a relação entre o discurso cinematográfico e a realidade discutindo as restrições técnicas e as potencialidades criativas para representar uma impresão de realidade. O artigo emerge do pressuposto que as qualidades técnicas do cinema apenas representam, Este artículo es una reflexión sobre la relación entre el discurso y la realidad cinematográfica, y discute las limitaciones técnicas y el potencial creativo para representar una impresión de realidad. El artículo surge del presupuesto de que las cualidades técnicas del cine representan tan sólo una apariencia técnica de la realidad que debe satisfacer ciertas expectativas culturales, Cet article est une réflexion sur la relation entre le discours et la réalité cinématographique : il s’agit de discuter des contraintes techniques et du potentiel créatif pour produire une impression de réalité. Cet article dérive de l’hypothèse selon laquelle les qualités techniques du film ne représentent qu’une apparence technique de la réalité qui doit satisfaire certaines attentes culturelles.

Published
2016

9. The Fiction in Non-Fiction Film.

Author

Carmona, Carlos Ruiz

Subjects
*FILMMAKERS, *FILM theory, *NONFICTION, *MOTION picture studios, *FICTION
Abstract

Over the past few decades of film theory, significant scholars and acclaimed filmmakers have established that documentary, just like fiction, must resort to ambiguous and subjective rhetorical figures to represent the world. This claim has led some scholars to conclude that documentary as a term referring to itself as being non-fictional might be disregarding its inevitable fictional elements. This argument may suggest that documentary, just like fiction, when representing the historical world fictionalizes reality. If we accept this claim as true, we need to ask whether terms such as fiction and non-fiction or documentary make sense when discussing the process of representing reality. Does this claim mean that cinema can only fictionalize reality and therefore we should eradicate from this discussion terms such as non-fiction or documentary?. The questions that this paper intends to answer are: Can the term fiction exist without referring to the term non-fiction or documentary? What roles do documentary and fiction play in representing the historical world? Are these terms necessary to communicate and understand the process of representing reality?. This paper has established that fiction and documentary are necessary terms that emerge in cinema narration as a means to mirror human experience's needs to organize, communicate and understand reality. [ABSTRACT FROM AUTHOR]

Published
2019
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10. O processo de omissão na construção da narrativa no filme documentário : análise de um caso de estudo

Author

Carmona, Carlos Ruiz, Espiña, Yolanda, and Campos, Jorge

Subjects
Narrativa cinematográfica, Omissão, Film analysis, Documentário, Film narrative, Documentary, Análise cinematográfica, Omission, Cinema
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2012-08-07T13:08:54Z No. of bitstreams: 1 TESE_THESIS CARLOS RUIZ 2011.pdf: 8395460 bytes, checksum: e94bc86b57169e9ea29afc4378b35345 (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2012-08-07T13:09:08Z (GMT) No. of bitstreams: 1 TESE_THESIS CARLOS RUIZ 2011.pdf: 8395460 bytes, checksum: e94bc86b57169e9ea29afc4378b35345 (MD5) Made available in DSpace on 2012-08-07T13:09:08Z (GMT). No. of bitstreams: 1 TESE_THESIS CARLOS RUIZ 2011.pdf: 8395460 bytes, checksum: e94bc86b57169e9ea29afc4378b35345 (MD5) Previous issue date: 2012-02-22

Published
2011

11. O processo de omissão na construção da narrativa no filme documentário: análise de um estudo de caso

Author

Campos, Jorge, Espiña, Yolanda, Carmona, Carlos Ruiz, Campos, Jorge, Espiña, Yolanda, and Carmona, Carlos Ruiz

Abstract

Esta tese apresenta uma pesquisa original no que respeita à representação do evento e a construção narrativa no filme documentário. A tese incorpora pesquisa bibliográfica selecionada e um estudo de caso de um documentário filmado e editado por mim. O objetivo principal tem sido a investigação do processo de construção da narrativa do ponto de vista de quem representa o evento, o cineasta: o único indivíduo que tem acesso a todas as decisões e justificações envolvidas na construção da narrativa. O foco da pesquisa encontra-se no conceito de "omissão" como um aspecto fundamental para representar o mundo histórico no filme documentário. Omissão refere-se ao processo de remoção de informação visual ou sonora durante o ato de filmar e durante a construção narrativa com o objectivo de representar um evento. O estudo de caso apresenta uma análise aprofundada sobre a construção de duas hipóteses narrativas de um filme-documentário, expressamente criadas para realizar uma análise comparativa entre as duas versões, sob o ponto de vista do cineasta, utilizando uma metodologia emergente da própria investigação. Esta investigação unicamente foi possível de realizar a partir do ponto de vista do realizador. Isto implica ter acesso completo à matéria-prima e a todas as decisões que envolvem a construção de uma narrativa para representar o evento em acordo com as intenções do cineasta. A investigação tem demonstrado que as narrativas documentais, independentemente do modo ou estratégia usada pelo cineasta, quando representam o mundo histórico, ao contrário da ficção, emergem do processo de omissão. Este processo consiste em organizar a experiência do evento do cineasta na forma de uma narrativa. Durante o ato de filmar, o documentarista implementa omissão total e parcial, simultaneamente, do evento histórico. Isso incorpora a aquisição de imagens e sons que oferecem uma relação indexical com existência passada do evento. Durante o ato de construção narrativa, os cineastas implemen

Published
2012

12. As condições da edição no documentário português contemporâneo de observação

Author

Aires, Carlos Sena, Carmona, Carlos Ruiz, Pinto, Maria Helena Peixoto Neves, Aires, Carlos Sena, Carmona, Carlos Ruiz, and Pinto, Maria Helena Peixoto Neves

Abstract

A presente dissertação teve como objectivo central o estudo e a análise das condições da edição no documentário português contemporâneo de observação. Tal, implicou um levantamento histórico e analítico, focalizado sobre o género documental que possibilitou uma compreensão objectiva contemporânea. Esta teorização envolveu, igualmente, a realização de uma generalização mais abrangente que se evidencia não só ao nível da produção nacional, mas também de algumas produções estrangeiras mais relevantes para a evolução e compreensão da temática em questão. O carácter ficcional inerente ao conceito de montagem cinematográfica sugere uma imposição clara em relação à documentação do real associada ao género documental. Sem um guião ou um story-board definidos, a edição no documentário implica uma estruturação e uma teorização dos conteúdos de uma forma mais complexa do que na ficção. A montagem prática da obra documental de observação ―Um estudo de possibilidades, sobre o acompanhamento e registo do processo criativo da peça teatral ‗Bichos do Bosque‘‖, da nossa autoria, contribui para a compreensão de algumas problemáticas. Tanto a dissertação como o projecto prático que a complementa representam um ano de estudo focalizado sobre a montagem no documentário de observação.

Published
2011

14. Ética, estética e esquizoanálise em documentários LGBTQ+

Author

Lima, Márcia Augusta Bellotti, Carmona, Carlos Ruiz, and Crespo, Nuno Alexandre Coimbra

Subjects
Ethics, Experience, esquizoanálise, Ética, Aesthetics, Audiovisual, Schizoanalysis, Narrative, Humanidades::Artes [Domínio/Área Científica], Estética, Experiência, Cinema, Narrativa, Queer, LGBTQ+
Abstract

Submitted by Margarida Vilhena Carvalho (mvc@ucp.pt) on 2021-08-10T15:40:53Z No. of bitstreams: 2 202731871_Errata.pdf: 1051555 bytes, checksum: 7457e57e42fd048f578c335c29f5b6aa (MD5) 202731871.pdf: 958319 bytes, checksum: 8084802429b5f407ef172d045aa76794 (MD5) Made available in DSpace on 2021-08-10T15:40:53Z (GMT). No. of bitstreams: 2 202731871_Errata.pdf: 1051555 bytes, checksum: 7457e57e42fd048f578c335c29f5b6aa (MD5) 202731871.pdf: 958319 bytes, checksum: 8084802429b5f407ef172d045aa76794 (MD5) Previous issue date: 2021-05-17

Published
2020

15. Margem : direção de fotografia

Author

Costa, Rafael Sampaio Pereira da and Carmona, Carlos Ruiz

Subjects
Light, Câmara, Pós-produção, Tratamento de imagem, Color, Post production, Composição, Cinematografia, Luz, Imagem, Enquadramento, Cinematography, Illumination, Narrative, Humanidades::Artes [Domínio/Área Científica], Plano, Image, Cor, Framing, Shot, Camera, Image treatment, Iluminação, Narrativa, Composition
Abstract

Submitted by Ana Costa (apcosta@porto.ucp.pt) on 2019-01-03T15:07:42Z No. of bitstreams: 1 RelatórioProjetoFinalPDFa.pdf: 7177574 bytes, checksum: 7add51ac94122a086746d674000aceca (MD5) Approved for entry into archive by Agostinho Macau (arm@lisboa.ucp.pt) on 2019-01-07T15:04:14Z (GMT) No. of bitstreams: 1 RelatórioProjetoFinalPDFa.pdf: 7177574 bytes, checksum: 7add51ac94122a086746d674000aceca (MD5) Made available in DSpace on 2019-01-07T15:04:14Z (GMT). No. of bitstreams: 1 RelatórioProjetoFinalPDFa.pdf: 7177574 bytes, checksum: 7add51ac94122a086746d674000aceca (MD5) Previous issue date: 2018-07-31

Published
2018

16. DENTRO

Author

Pereira, João Nuno Melo Silva and Carmona, Carlos Ruiz

Subjects
Humanidades::Artes [Domínio/Área Científica], Pós-produção, Edição, Colorização, Operador de câmara
Abstract

Submitted by Rita Monteiro (armonteiro@porto.ucp.pt) on 2019-11-27T14:21:04Z No. of bitstreams: 1 JoaoNunoPereira_RelatorioProjetoFinal.pdf: 7231744 bytes, checksum: c134c4935eb372693bba4348d922d8dc (MD5) Approved for entry into archive by Maria Helena Ribeiro (helena.ribeiro@lisboa.ucp.pt) on 2019-12-02T12:32:11Z (GMT) No. of bitstreams: 1 JoaoNunoPereira_RelatorioProjetoFinal.pdf: 7231744 bytes, checksum: c134c4935eb372693bba4348d922d8dc (MD5) Made available in DSpace on 2019-12-02T12:32:11Z (GMT). No. of bitstreams: 1 JoaoNunoPereira_RelatorioProjetoFinal.pdf: 7231744 bytes, checksum: c134c4935eb372693bba4348d922d8dc (MD5) Previous issue date: 2018-10-15

Published
2018

17. DENTRO

Author

Faria, João Nuno Moura and Carmona, Carlos Ruiz

Subjects
Filme, Realização, Humanidades::Artes [Domínio/Área Científica], Produção, Edição, Argumento, Curta-metragem, Ficção, Drama
Abstract

Submitted by Rita Monteiro (armonteiro@porto.ucp.pt) on 2019-11-26T17:34:12Z No. of bitstreams: 1 JoãoFaria_RelatórioProjetoFinal.pdf: 9591167 bytes, checksum: 837e18987814a94c2f7e83888182fb52 (MD5) Approved for entry into archive by Maria Helena Ribeiro (helena.ribeiro@lisboa.ucp.pt) on 2019-12-02T12:28:21Z (GMT) No. of bitstreams: 1 JoãoFaria_RelatórioProjetoFinal.pdf: 9591167 bytes, checksum: 837e18987814a94c2f7e83888182fb52 (MD5) Made available in DSpace on 2019-12-02T12:28:21Z (GMT). No. of bitstreams: 1 JoãoFaria_RelatórioProjetoFinal.pdf: 9591167 bytes, checksum: 837e18987814a94c2f7e83888182fb52 (MD5) Previous issue date: 2018-12-13

Published
2018

18. Depressão e pessimismo no cinema de Lars Von Trier

Author

Campos, Marco André Pereira, Carmona, Carlos Ruiz, and Almeida, Daniel Ribas de

Subjects
Estética do pessimismo, Humanidades::Artes [Domínio/Área Científica], Depression, Narrativa do pessimismo, Depressão, Narrative of pessimism, Aesthetics of pessimism, Lars von Trier, Cinema
Abstract

Submitted by Rita Monteiro (armonteiro@porto.ucp.pt) on 2019-11-27T14:40:59Z No. of bitstreams: 1 MarcoCampos_Dissertação.pdf: 5392414 bytes, checksum: 07fe69a9de5cd3871217f8511d0b41e2 (MD5) Approved for entry into archive by Maria Helena Ribeiro (helena.ribeiro@lisboa.ucp.pt) on 2019-12-02T12:40:44Z (GMT) No. of bitstreams: 1 MarcoCampos_Dissertação.pdf: 5392414 bytes, checksum: 07fe69a9de5cd3871217f8511d0b41e2 (MD5) Made available in DSpace on 2019-12-02T12:40:44Z (GMT). No. of bitstreams: 1 MarcoCampos_Dissertação.pdf: 5392414 bytes, checksum: 07fe69a9de5cd3871217f8511d0b41e2 (MD5) Previous issue date: 2019-04-08

Published
2018

19. Relatório de projeto final : produção na curta-metragem Dentro : cinema e audiovisual : 2017-2018

Author

Rocha, Catarina Vieira Braga Gama and Carmona, Carlos Ruiz

Subjects
Humanidades::Artes [Domínio/Área Científica], Cinema académico, Produções noturnas, Produção cinematográfica, Apoios financeiros, Curta-metragem, Ficção
Abstract

Submitted by Rita Monteiro (armonteiro@porto.ucp.pt) on 2019-11-26T13:50:57Z No. of bitstreams: 1 CatarinaRocha_RelatorioProjetoFinal.pdf: 9217965 bytes, checksum: fc33327cc732f6571c3875e6f0939766 (MD5) Approved for entry into archive by Maria Helena Ribeiro (helena.ribeiro@lisboa.ucp.pt) on 2019-12-02T11:14:51Z (GMT) No. of bitstreams: 1 CatarinaRocha_RelatorioProjetoFinal.pdf: 9217965 bytes, checksum: fc33327cc732f6571c3875e6f0939766 (MD5) Made available in DSpace on 2019-12-02T11:14:51Z (GMT). No. of bitstreams: 1 CatarinaRocha_RelatorioProjetoFinal.pdf: 9217965 bytes, checksum: fc33327cc732f6571c3875e6f0939766 (MD5) Previous issue date: 2019-04-11

Published
2018

20. Curta-metragem 'Margem'

Author

Silva, Joel Filipe Brandão da and Carmona, Carlos Ruiz

Subjects
Sabrosa, Humanidades::Artes [Domínio/Área Científica], Crianças, Respirar, Once
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2018-12-14T16:05:02Z No. of bitstreams: 3 Capa + folha branca.pdf: 150673 bytes, checksum: 6c9b7261a3e333f670178e44e989c4fa (MD5) Dedicatória + Agradecimentos + Resumo .pdf: 79022 bytes, checksum: 1830de3447df108336a6bb5c675fea44 (MD5) Final.pdf: 19169152 bytes, checksum: d493e2afa1371528e8427e660fc377d7 (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2018-12-14T16:05:32Z (GMT) No. of bitstreams: 3 Capa + folha branca.pdf: 150673 bytes, checksum: 6c9b7261a3e333f670178e44e989c4fa (MD5) Dedicatória + Agradecimentos + Resumo .pdf: 79022 bytes, checksum: 1830de3447df108336a6bb5c675fea44 (MD5) Final.pdf: 19169152 bytes, checksum: d493e2afa1371528e8427e660fc377d7 (MD5) Made available in DSpace on 2018-12-14T16:05:32Z (GMT). No. of bitstreams: 3 Capa + folha branca.pdf: 150673 bytes, checksum: 6c9b7261a3e333f670178e44e989c4fa (MD5) Dedicatória + Agradecimentos + Resumo .pdf: 79022 bytes, checksum: 1830de3447df108336a6bb5c675fea44 (MD5) Final.pdf: 19169152 bytes, checksum: d493e2afa1371528e8427e660fc377d7 (MD5) Previous issue date: 2017-12-18

Published
2017

21. Produção de suspense nos thrillers do cinema americano : 1940-1980 : formas e métodos de montagem

Author

Almeida, Francisca Alves Moreira Gomes de and Carmona, Carlos Ruiz

Subjects
Suspense, Cinema americano, Humanidades::Artes [Domínio/Área Científica], Montagem, Thriller
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2018-12-14T15:54:57Z No. of bitstreams: 1 TESE_FranciscaAlmeida.pdf: 63103693 bytes, checksum: eae3875b45c849603400c71104ad183e (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2018-12-14T15:55:11Z (GMT) No. of bitstreams: 1 TESE_FranciscaAlmeida.pdf: 63103693 bytes, checksum: eae3875b45c849603400c71104ad183e (MD5) Made available in DSpace on 2018-12-14T15:55:12Z (GMT). No. of bitstreams: 1 TESE_FranciscaAlmeida.pdf: 63103693 bytes, checksum: eae3875b45c849603400c71104ad183e (MD5) Previous issue date: 2017-01-30

Published
2017

22. Eu confesso : relatório de projeto final

Author

Rodrigues, João Marcos Sousa and Carmona, Carlos Ruiz

Subjects
Pessoa, Álcool, Comunidade, Humanidades::Artes [Domínio/Área Científica], Problemas, Documentário, Reabilitação, Fé, Comunidades terapêuticas carismáticas, Drogas, Deus, Self
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2017-10-24T15:45:45Z No. of bitstreams: 1 RELATÓRIO VERSÃO FINAL_EU CONFESSO.pdf: 3367464 bytes, checksum: e95bf8f03e6bb4834e50ac05b8040754 (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2017-10-24T15:46:00Z (GMT) No. of bitstreams: 1 RELATÓRIO VERSÃO FINAL_EU CONFESSO.pdf: 3367464 bytes, checksum: e95bf8f03e6bb4834e50ac05b8040754 (MD5) Made available in DSpace on 2017-10-24T15:46:00Z (GMT). No. of bitstreams: 1 RELATÓRIO VERSÃO FINAL_EU CONFESSO.pdf: 3367464 bytes, checksum: e95bf8f03e6bb4834e50ac05b8040754 (MD5) Previous issue date: 2017-07-12

Published
2017

23. Margem : direcção de produção e montagem

Author

Oliveira, Natacha Cardoso and Carmona, Carlos Ruiz

Subjects
Direcção de produção, Humanidades::Artes [Domínio/Área Científica], Montagem, Corte, Curta-metragem, Ficção, Narrativa
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2019-01-14T10:21:09Z No. of bitstreams: 1 00_RelatórioFinalPDFa.pdf: 142611100 bytes, checksum: 2aa64c60ad0cbff8680f78bad2333fc8 (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2019-01-14T10:21:44Z (GMT) No. of bitstreams: 1 00_RelatórioFinalPDFa.pdf: 142611100 bytes, checksum: 2aa64c60ad0cbff8680f78bad2333fc8 (MD5) Made available in DSpace on 2019-01-14T10:21:44Z (GMT). No. of bitstreams: 1 00_RelatórioFinalPDFa.pdf: 142611100 bytes, checksum: 2aa64c60ad0cbff8680f78bad2333fc8 (MD5) Previous issue date: 2017-10-17

Published
2017

24. Womens´s role in action films : a study of female stereotype and representation

Author

Espírito Santo, Manuela Leong do and Carmona, Carlos Ruiz

Subjects
Female representation, Contemporary, Humanidades::Artes [Domínio/Área Científica], Hollywood, Gender and identity, Female stereotypes, Female hero characters, Action films
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2019-01-14T10:46:52Z No. of bitstreams: 1 [PDF]Manuela - A Case Study of Female Stereotype and Representation.pdf: 4110800 bytes, checksum: f7da118e7535046413109b75e184448d (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2019-01-14T10:47:04Z (GMT) No. of bitstreams: 1 [PDF]Manuela - A Case Study of Female Stereotype and Representation.pdf: 4110800 bytes, checksum: f7da118e7535046413109b75e184448d (MD5) Made available in DSpace on 2019-01-14T10:47:04Z (GMT). No. of bitstreams: 1 [PDF]Manuela - A Case Study of Female Stereotype and Representation.pdf: 4110800 bytes, checksum: f7da118e7535046413109b75e184448d (MD5) Previous issue date: 2017-12-18

Published
2017

25. A direção fotográfica e artística No Dual Role

Author

Ferreira, Ana Rita Pinto Torres Machado, Barbosa, Álvaro, and Carmona, Carlos Ruiz

Subjects
Humanidades::Artes [Domínio/Área Científica], Feminino, Cenografia, Estereótipos, Caracterização, Dual Role, Iluminação
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2013-10-11T08:48:30Z No. of bitstreams: 1 Dissertação.pdf: 33603694 bytes, checksum: c880a7d4b852941f9065b927503e2a04 (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2013-10-11T08:48:50Z (GMT) No. of bitstreams: 1 Dissertação.pdf: 33603694 bytes, checksum: c880a7d4b852941f9065b927503e2a04 (MD5) Made available in DSpace on 2013-10-11T08:48:50Z (GMT). No. of bitstreams: 1 Dissertação.pdf: 33603694 bytes, checksum: c880a7d4b852941f9065b927503e2a04 (MD5) Previous issue date: 2012-11-16

Published
2012

26. Falso documentário : montar entre ficção e facto

Author

Castilho, Nuno Teixeira de, Caires, Carlos Sena, and Carmona, Carlos Ruiz

Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2012-03-09T10:47:17Z No. of bitstreams: 1 Temporario.pdf: 9512 bytes, checksum: 71767ca7886bf32eb705a27583eca52b (MD5) Approved for entry into archive by Isabel Gomes(itg@lisboa.ucp.pt) on 2012-03-09T10:47:28Z (GMT) No. of bitstreams: 1 Temporario.pdf: 9512 bytes, checksum: 71767ca7886bf32eb705a27583eca52b (MD5) Made available in DSpace on 2012-03-09T10:47:28Z (GMT). No. of bitstreams: 1 Temporario.pdf: 9512 bytes, checksum: 71767ca7886bf32eb705a27583eca52b (MD5) Previous issue date: 2011

Published
2011

27. O produtor no contexto audiovisual nacional e internacional : desafios e soluções

Author

Sousa, Mafalda Morais Alçada Castelo-Branco, Caires, Carlos Sena, and Carmona, Carlos Ruiz

Subjects
Artur, Cinema português, Divulgação, Desafios, Terceiro cinema, Cinema europeu, Estratégias, Produção cinematográfica, Audiências, Segundo cinema, Cinema de Hollywood, Primeiro cinema
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2012-03-08T12:32:34Z No. of bitstreams: 1 Temporario.pdf: 9512 bytes, checksum: 71767ca7886bf32eb705a27583eca52b (MD5) Approved for entry into archive by Isabel Gomes(itg@lisboa.ucp.pt) on 2012-03-08T12:32:46Z (GMT) No. of bitstreams: 1 Temporario.pdf: 9512 bytes, checksum: 71767ca7886bf32eb705a27583eca52b (MD5) Made available in DSpace on 2012-03-08T12:32:46Z (GMT). No. of bitstreams: 1 Temporario.pdf: 9512 bytes, checksum: 71767ca7886bf32eb705a27583eca52b (MD5) Previous issue date: 2011

Published
2011

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