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This book looks at Dalits in the city and examines the nature of Dalit aspirations as well as the making of an urban sensibility through an analysis of hitherto unexamined short stories of some of the first- and second-generation as well as contemporary Dalit writers in Hindi.Tracing the origins of the emergence of Dalit critical consciousness to the arrival of the Dalits into the print medium, after their migration to the city, this book examines their transactions with modernity and the emancipatory promises it held out to them. It highlights the literary tropes that mark their fiction, specifically those short stories which take up urban themes, and shows how even in seemingly caste-neutral spaces caste discrimination is present. The book also undertakes an examination of the stories by contemporary Dalit women writers in Hindi – Rajat Rani Meenu and Anita Bharti – who have posed a radical challenge to both the mainstream feminist movement and the Dalit movement.The volume will be of great interest to scholars and researchers of South Asian literature, especially Hindi literature, Dalit studies, subaltern history, postcolonial studies, political science, and sociology as well as the informed general reader.

Exploring a variety of perspectives on London during the long eighteenth century, this study considers how walking made possible the various surveys and tours that characterized accounts of the capital. O'Byrne examines how walking in the city's streets and promenades provided subject matter for writers and artists. Engaging with a wide range of material, the book ranges across and investigates the various early eighteenth-century works that provided influential models for representing the city, descriptions of the promenade in St. James's Park, accounts of London that imagine the needs and interests of tourists, popular surveys of the cheats and frauds of the city uncovered on a ramble through London, and comic explorations of the pleasures and pitfalls of urban living produced in the late eighteenth and early nineteenth century. Convincing and engaging, O'Byrne demonstrates the fundamental role played by walking in shaping representations of the eighteenth- and early nineteenth-century city.

Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.

2024 Choice Outstanding Academic Title Finalist for 2024 Oklahoma Book Award Oklahoma is bound to both the South and the Southwest and their legacies of conquest and Indigenous survivance. At the same time, mobility, ingenuity, cultural exchange, and creative expression—all part of the experience of urbanization—have been fundamental to people of the tribes that call this place home. Tulsa, New Orleans, and Santa Fe, with their importance in histories of geopolitical upheaval and mobility that shaped the establishment of the United States, are key to uncovering the history of urbanization experienced by Native Americans from Oklahoma.Urban Homelands, while examining the overlooked histories of Oklahoma Indigenous urbanization relative to these regions, engages literature and film as not just mirrors of experience but as producers of it. Lindsey Claire Smith brings the work of three-time poet laureate Joy Harjo into conversation with the great Cherokee playwright Lynn Riggs and breakout filmmaker Sterlin Harjo. Flying in the face of civic landmarks and settler histories that at once obscure Native origins and appropriate Native culture for tourism, this creative reclaiming of Indigenous cities points toward the productive possibilities of recognizing untold urban histories and the creative relationships with urban space itself.

Die Lyrik der Archaik war weitaus mehr als eine lediglich der Unterhaltung dienende Poetik. Sie stand in enger Beziehung zum sozialen und politischen Leben der Poleis. Dieser pragmatische, kontextabhängige Charakter der archaischen Lyrik führt zu der Frage, welche konkrete Rolle Dichtung und Dichter in ihren jeweiligen Poleis spielten und welchen Einfluss Dichtung tatsächlich auf ihre Zuhörer gehabt haben kann. Agnes von der Decken stellt die These auf, dass mittels Lyrik immer auch sprachlich gehandelt wurde: Sie untersucht, inwiefern archaische Lyriker an Aushandlungsprozessen in Bezug auf kriegerische wie politische Geschicke ihrer Polis teilnahmen. Hierzu wendet sie auf neuartige Weise die linguistische Sprechakttheorie auf polisbezogene Lyrik an. Durch die Sichtbarmachung des Handlungscharakters der Sprache können dadurch Rückschlüsse auf den soziokulturellen Kontext der Aufführungssituation gezogen werden, da Sprechakte stets einen solchen voraussetzen, um zu funktionieren. Durch diesen interdisziplinär ausgerichteten Forschungsansatz leistet von der Decken einen neuartigen Beitrag zur Erschließung des außerliterarischen Kontextes der archaischen Lyrik.

Focusing on the poetry and cultural practice of Frank O'Hara, the great urban poet of the New York School during the 1950s and 1960s, this books explores the interwoven relationship between his urban poetics and the urban culture of New York, seeking to shed light on poetic concept and its cultural relevance.The poetry of Frank O'Hara is deeply rooted in and nourished by his urban experience as a metropolitan and an active participant in the vibrant cultural scene of New York. Therefore, an investigation into the interactive dynamics between his poetry and the urban culture he helped shape serves as a starting point for further study on the literary representation of European and American urban culture. Across eight chapters, the authors look into the genesis, theoretical constitution, the interface with culture and aesthetics of O'Hara's urban poetics and also their philosophical foundations, literary ethics, special expression and representation as well as his reception of modernity and postmodernity.The title will appeal to scholars, students and general readers interested in American literature, poetry and urban culture, especially Frank O'Hara and the New York School.

Dans l'optique de la phénoménologie, l'habiter est une caractéristique fondamentale de l'être car, selon Heidegger, « [ê]tre homme veut dire : être sur terre comme mortel, c'est-à-dire : habiter ». Or, selon Mathis Stock, l'habiter contemporain serait plutôt marqué par la mobilité d'individus vus comme des habitants temporaires. On passerait de l'« être dans l'espace » au « faire dans l'espace ». Les pratiques varient d'un individu à l'autre et les lieux prennent un sens différent en fonction des intentionnalités. En ces lieux se créent une forme nouvelle de socialité, une manière collective d'habiter l'espace,. Le présent collectif se demande comment la fiction enregistre et retravaille les transformations contemporaines de la ville. Ses collaborateur.ices envisagent l'expérience urbaine en adoptant une perspective interdisciplinaire, ouverte aux œuvres littéraires cinématographiques, vidéoludiques et télévisuelles ainsi qu'aux performances « d'artistes-marcheurs ».

This book distinguishes itself from previous scholarship by offering an inclusive and comprehensive treatment of urban walking from 1800 to the present. Divided into three sections—geography, genius, and gender—the introduction establishes the origins of the flâneur and flâneuse in early foundational texts and explores later works that reimagine flânerie in terms of these same three themes. The volume's contributors provide new and global perspectives on urban walking practices through their treatment of a variety of genres (literature, film, journalism, autobiography, epistolary correspondence, photography, fashion, music, digital media) and regions (Europe, Asia, the Americas, Africa, the Middle East). This volume theorizes well-known urban characters like the idler, lounger, dandy, badaud, promeneuse, shopper, collector, and detective and also proposes new iterations of the flâneur/flâneuse as fashion model, gaucho, cruiser, musician, vampire, postcolonial activist, video game avatar and gamer.

In today's world, it is crucial to understand how cities and urban spaces operate in order for them to continue to develop and improve. To ensure cities thrive, further study on past and current policies and practices is required to provide a thorough understanding. Urban Poetics and Politics in Contemporary South Asia and the Middle East examines the poetics and politics of city and urban spaces in contemporary South Asia and the Middle East and seeks to shed light on how individuals constitute, experience, and navigate urban spaces in everyday life. This book aims to initiate a multidisciplinary approach to the study of city life by engaging disciplines such as urban geography, gender studies, feminism, literary criticism, and human geography. Covering key topics such as racism, urban spaces, social inequality, and gender roles, this reference work is ideal for government officials, policymakers, researchers, scholars, practitioners, academicians, instructors, and students.

Barcelona, City of Margins studies the creation of a space of dissent in the 1950s and 1960s that became the pillar of the protest movements during the final years of the Franco dictatorship and the transition to democracy. This space of dissent took shape in the margins of what is considered the official space of the city of Barcelona, revealing the interconnection of urbanism, literature, and photography in the formation of the political, social, and cultural movements to come in the 1970s. Olga Sendra Ferrer draws from theoretical readings on built environments, neighbourhoods, housing projects and developments, and everyday life within Spanish urban spaces. Literature and photography demonstrate the political value of cultural production and forms of cultural representation that occur from peripheral zones – those pushed aside by exclusionary politics, fascist forms of control, surveillance, and homogenization. In search of the origins of the protest movements and counter culture that would come in the final years of the Franco regime, Barcelona, City of Margins asserts the value of urban movement and cultural practice as a challenge to the spatial and urbanistic regime of Francoism.

This volume explores the novel from various deliberately diverse perspectives, setting it in historical, critical, and aesthetic contexts and examining how its impact has been kept alive to the present day.

While seventeenth-century London may immediately evoke images of Shakespeare and thatched roof-tops and nineteenth-century London may call forth images of Dickens and cobblestones, a popular conception of eighteenth-century London has been more difficult to imagine. In fact, the immense variety of textual traditions, metaphors, classical allusions, and contemporary contexts that eighteenth-century writers use to illustrate eighteenth-century London may make eighteenth-century London seem more strange and foreign to twenty-first-century readers than any of its other historical reincarnations. Indeed, “imagining” a familiar, unified London was precisely the task that occupied so many writers in London after the 1666 Fire decimated the City and the 1688 Glorious Revolution destabilized the English monarchy's absolute power. In the authoritative void created by these two events, writers in London faced not only the problem of how to guide readers'imaginations to a unified conception of London, but also the problem of how to govern readers whom they would never meet. Erik Bond argues that Restoration London's rapidly changing administrative geography as well as mid-eighteenth-century London's proliferation of print helped writers generate several strategies to imagine that they could control not only other Londoners but also their interior selves. As a result, Reading London encourages readers to respect the historical alterity or “otherness” of eighteenth-century literature while recognizing that these historical alternatives prove that our present problems with urban societies do not have to be this way. In fact, the chapters illustrate how eighteenth-century writers gesture towards solutions to problems that urban citizens now face in terms of urban terror, crime, policing, and communal conduct.

Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how literature, theatre, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic's aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Throughout, attention to underrepresented voices and texts calls attention to the possibilities for women, immigrants, and Black Americans in developing urban spaces, while showing how those possibilities would be foreclosed as the nation developed. Balancing attention to canonical texts of the early Republic, including The Power of Sympathy, Charlotte Temple, and Benjamin Franklin's Autobiography, with novels whose depiction of early cities deserves greater attention, such as Ormond, The Boarding-School, Monima, and Kelroy, this volume shows how US cities developed on the pages and stages of the early Republic, building urban imaginations that would construct the nation's early cities.

From Main Street to Stranger Things, how poetry changed our idea of small town life A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River Anthology won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.

There are novels that portray cities as magical places, others as stifling, imposing environments, and others still as a gritty but beautiful, living landscape. Cities can be the center of culture, business, the arts, and are the meeting places for diversities of all kinds. Examining Images of Urban Life gathers contributions from scholars, educators, and young adult authors, like Benjamin Alire Saenz and e.E. Charlton-Trujillo, who consider how living in a city affects character identity and growth, and the ways authors world-build the urban setting. The collection discusses what the urban landscape means, and dispels the media-driven, anecdotally propagated preconceptions about city living.Urban life is varied and rich, just as its literature is. The collection revolves around a reconsideration of what the city represents, to its readers and to its inhabitants, and serves as a resource in urban settings, wherein teachers can select books that mirror and advocate for the students sitting in their classes.Perfect for courses such as: Young Adult Literature | Children's Literature | Elementary Literacy | Reading and Literacy | Methods of Teaching | Public Purposes of Education | Educational or Historical Foundations of Education | Urban Studies | Media and Library Sciences

Can you get lost in a crowd? It is polite to stare at people walking past on the street? What differentiates the city of daylight and the nocturnal metropolis? What connects walking, philosophy and the big toe? Can we save the city - or ourselves - by taking the pavement?There is no such thing as the wrong step; every time we walk we are going somewhere. In a series of riveting intellectual rambles, Matthew Beaumont retraces a history of the walker from Charles Dicken's insomniac night rambles to wandering through the faceless, windswept monuments of the neoliberal city including Edgar Allen Poe, Andrew Breton, H G Wells, Virginia Woolf, Jean Rhys and Ray Bradbury. As the author shows, the act of walking is one of escape, self-discovery, disappearances and potential revolution, and explores the relationship between the metropolis and its pedestrian life.

Sowohl in der medialen als auch wissenschaftlichen Aufmerksamkeit fristete die Kleinstadt lange Zeit ein Schattendasein abseits der modernen Metropole. Tatsächlich aber reflektieren gerade die Erfahrungen und Imaginationen kleinstädtischer Lebenswelten auch das widersprüchliche Verhältnis der Menschen zur Moderne. Die Beiträge des Bandes untersuchen dies anhand der vielfältigen Formen und Funktionen literarischer Kleinstadtimaginationen, die dem Kleinstädtischen als Topos und Gestaltungsraum eines sozial Imaginären eine eigene Zeit und einen eigenen Raum bieten - und dabei doch immer wieder auch auf konkrete Zeitumstände reagieren und diese mitgestalten.

Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective. Within the framework of the “spatial turn,” contributors from disciplines ranging from geography and history to literary and media studies theorize narrative constructions of the city and cities, and analyze relevant examples from a variety of discourses, media, and cities. Subdivided into six sections, the book explores the interactions of city and text—as well as other media—and the conflicting narratives that arise in these interactions. Offering case studies that discuss specific aspects of the narrative construction of Berlin and London, the text also considers narratives of urban discontinuity and their theoretical implications. Ultimately, this volume captures the narratological, artistic, material, social, and performative possibilities inherent in spatial representations of the city.

Throughout its history, the city of Rome has inspired writers to describe its majesty, to situate themselves within its sweeping landscape, and to comment upon its contribution to their own identity. The Roman elegiac poet Propertius was one such author. This final published collection, issued in 16 BCE, has been traditionally read as an abandonment by Propertius of his earlier flippant love poems for a more mature engagement with Roman public life or else a comical send-up of imperial policies as embodied in Rome's public buildings. The relationship between poet and city is complicated at every turn with the presence in the background of the emperor Augustus, whose sustained artistic patronage of Roman monuments brought about the most pervasive transformation that the cityscape had yet seen. The Elegiac Cityscape explores Propertius'Rome and the various ways his poetry about the city illuminates the dynamic relationship between one individual and his environment. Combining the approaches of archaeology and literary criticism, Tara S. Welch examines how Propertius'poems on Roman places scrutinize the monumentalization of various ideological positions in Rome, as they poke and prod Rome's monuments to see what further meanings they might admit. The result is a poetic book rife with different perspectives on the eternal city, perspectives that often call into question any sleepy or complacent adherence to Rome's traditional values.

The Latinx Urban Condition brings interdisciplinary cultural theory and U.S. Latinx urban literature into conversation, focusing on the realities and urban experiences of Latinx living in major cities in the United States from the 1960's to the present. As a cultural studies analyst of U.S. Latinx urban literature and culture, the book focuses on analyzing the works of Latinx authors who write about the cities in which they were raised and how growing up in these environments shaped their lives, their communities, and their future. Their fictional work helps us understand how the human and cultural tapestry of the Latinx community is inextricably connected to the spatial transformations taking place in many cities across the country, most notably within the cities in which the narratives take place. The main purpose is to analyze the symbolic realities lived by the characters in order to understand how Latino families and communities are experiencing displacement under instituted neoliberal policies, a process known as development and progress or gentrification. These processes are experienced through aspects of privatization, deregulation, homelessness, residential segregation, inequality, unemployment, and poverty.

Explores the crucial role played by the city in the construction of modernism This innovative book examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna. Focusing on how literary outsiders represented various spaces in these cities, it draws upon contemporary theories of affect and literary geography. Particular attention is given to the transnational qualities of modernist writing by examining writers whose view of the cities considered is that of migrants, exiles or strangers, including Mulk Raj Anand, Blaise Cendrars, Bryher, Joseph Conrad, T. S. Eliot, Christopher Isherwood, Hope Mirrlees, Noami Mitchison, Jean Rhys, Sam Selvon and Stephen Spender. Key Features The first book in modernist studies to bring detailed discussion of these four cities togetherBreaks new ground in being the first book to bring affect theory and literary geography together in order to analyse modernismAn extensive range of authors is analysed, from the canonical to the previously marginalSituates the literary and filmic texts within the context of urban spaces and cultural institutions

In literature and popular culture, small town America is often idealized as distilling the national spirit. Does the myth of the small town conceal deep-seated reactionary tendencies or does it contain the basis of a national re-imagining? During the period between 1940 and 1960, America underwent a great shift in self-mythologizing that can be charted through representations of small towns. Authors like Henry Bellamann and Grace Metalious continued the tradition of Sherwood Anderson in showing the small town--by extension, America itself--profoundly warping the souls of its citizens. Meanwhile, Ray Bradbury, Toshio Mori and Ross Lockridge, Jr., sought to identify the small town's potential for growth, away from the shadows cast by World War II toward a more inclusive, democratic future. Examined together, these works are key to understanding how mid-20th century America refashioned itself in light of a new postwar order, and how the literary small town both obscures and reveals contradictions at the heart of the American experience.

Only one out of ten early modern Europeans lived in cities. Yet cities were crucial nodes, joining together producers and consumers, rulers and ruled, and believers in diverse faiths and futures. They also generated an enormous amount of writing, much of which focused on civic life itself. But despite its obvious importance, historians have paid surprisingly little attention to urban discourse; its forms, themes, emphases and silences all invite further study. This book explores three dimensions of early modern citizens'writing about their cities: the diverse social backgrounds of the men and women who contributed to urban discourse; their notions of what made for a beautiful city; and their use of dialogue as a literary vehicle particularly apt for expressing city life and culture. Amelang concludes that early modern urban discourse increasingly moves from oral discussion to take the form of writing. And while the dominant tone of those who wrote about cities continued to be one of celebration and glorification, over time a more detached and less judgmental mode developed. More and more they came to see their fundamental task as presenting a description that was objective.

La ciudad está en nosotros tanto como nosotros en ella. Las visiones que ofrece este volumen se construyen sobre la materia literaria y lingüística de esa realidad, con aspectos sustanciales de lo que se ha considerado conceptualmente su paisaje, de ahí el título general: Visiones literarias y lingüísticas del paisaje urbano. Su contenido consta de dos partes, relativas al imaginario, los espacios de ficción y los ámbitos lingüísticos y, posteriormente, a la poética, los géneros y la constructividad literaria. Si el espacio es un universal que transita nuestra cultura desde los vestigios homéricos y sus'Prados asfódelos', como se subraya desde el comienzo del libro, asimismo, nuestra tradición se nutre del onirismo que acompaña lo espacial, generando una persistente tópica literaria a propósito del locus amoenus. La reverberación de lo clásico y antiguo sugiere siempre, como se desvela a lo largo del libro, el encuentro con nosotros mismos y nuestra contemporaneidad. Y, así, la ciudad se irá manifestando en el tiempo con la estética y la crudeza de su estirpe, con selvas y lugares petrarquistas, y con la belleza de lo oculto, el espíritu de la calle, su habla, y el horror vacui frente a la muchedumbre. Y ya desde la poética moderna, racionalismo e imaginación pura compondrán, como tándem, las percepciones y las visiones creativas en torno al desarrollo de las ciudades, consolidándose en ello la mirada de la modernidad contemporánea que, siendo memoria y a la vez herida trágica y crisis, también es empatía y evocación, identidad y experiencias afectivas, o correlato para la interlocución, además de marco existencial en todas sus variantes, con identificaciones y extrañamientos, utopías y distopías, afirmaciones y negaciones.

This book explores urban life and realities in the cities of the Global South and North. Through literature, film and other forms of media that constitute shared social imaginaries, the essays in the volume interrogate the modes of production that make up the fabric of urban spaces and the lives of their inhabitants. They also rethink practices that engender ‘cityness'in diverse but increasingly interlinked conglomerations.Probing ‘orientations'of and within major urban spaces of the South –Jakarta, Rio de Janeiro, Tijuana, Delhi, Kolkata, Luanda and Johannesburg –the book reveals the shared dynamics of urbanity built on and through the ruins of imperialism, Cold War geopolitics, global neoliberalism and the recent resurgence of nationalism. Completing a kind of arc, the volume then turns to cities located in the North such as Paris, Munich, Dresden, London and New York to map their coordinates in relation to the South.The volume will be of great interest to scholars and researchers of media and culture studies, city studies, development studies, Global South studies, urban geography, built environment and literature.

The contributions collected in the second volume of Resistance and the City are devoted to the three markers of identity that cultural studies has recognised as paramount for our understanding of difference, inequality, and solidarity in modern societies: race, class, and gender. These categories, tightly linked to the mechanics of power, domination and subordination, have often played an eminent role in contemporary struggles and clashes in urban space. The confluence of people from diverse ethnic, social, and sexual backgrounds in the city has not only raised their awareness of a variety of life concepts and motivated them to negotiate their own positions, but has also encouraged them to develop strategies of resistance against patterns of social and spatial exclusion.Contributors: Oliver von Knebel Doeberitz, Barbara Korte, Anna Lienen, Gill Plain, Frank Erik Pointner, Katrin Röder, Ingrid von Rosenberg, Mark Schmitt, Ralf Schneider, Christoph Singer, Sabine Smith, Merle Tönnies, Ger Zielinski

What is the relationship between the spaces we inhabit and the spaces we create? Does living in a messy downtown New York City apartment automatically translate to writing a messy New York School poem? This volume addresses the'environment'of the urban apartment, illuminating the relationship between the structures of New York City apartments and that of New York School poems. It utilizes the lens of urban and spatial theory to widen the possibilities afforded by New Critical and reader-response readings of this postmodern American poetry. In drawing this connection between consciousness and form, it draws on various senses of the environment as informing influence, inviting avant-garde American poetry to be reconsidered as uniquely organic in its responsiveness to its surroundings. Focusing exclusively and comprehensively on Second Generation New York School poetry, this is the first book-length study to attend to the poetry of this postmodern American movement, encouraging American poetry scholars to resituate New York School poetry within larger critical narratives of postmodern innovation.

A travers le thème de la « théâtralisation de l'espace urbain » cet ouvrage collectif explore le fonctionnement stylistique et linguistique de différentes visions urbaines. Le croisement des aires culturelles et linguistiques qui constituent l'espace roman, des disciplines ainsi que des différentes époques (Moyen-Âge, Renaissance, Baroque, XIXe, XXe et XXIe siècles), permettent de mesurer l'évolution dans le temps du regard avec lequel le récit, la poésie, le cinéma, le théâtre et les arts plastiques organisent la « traduction » de l'espace urbain.

The first decade of the Jacobean age witnessed a sudden profusion of comedies satirizing city life; among these were comedies by Ben Jonson, John Marston and Thomas Middleton, as well as the bulk of the repertory of the newly-established children's companies at Blackfriars and Paul's. The playwrights self-consciously forged a new genre which attracted London audiences with its images of folly and vice in Court and City, and hack-writing dramatists were prompt to cash in on a new theatrical fashion. This study, first published in 1980, examines ways in which the Jacobean city comedy reflect on the self-consciousness of audiences and the concern of the dramatists with Jacobean society. This title will be of interest of students of Renaissance Drama, English Literature and Performance.

In Indigenous Cities Laura M. Furlan demonstrates that stories of the urban experience are essential to an understanding of modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the postrelocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences, one that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.

Sherwood Anderson's most famous work, “Winesburg, Ohio” is a cycle of short stories set in the fictional town of Winesburg, loosely based on the author's own home town of Clyde, Ohio. A picture of small town America during the first part of the 20th century, the series of short stories revolves around the life George Willard, from youth, through his yearning for independence, to his eventually departure from the town. Each story tells the tale of a distinct member of the town as related to George, a young reporter for the “Winesburg Eagle”. Through this device the author establishes a frame in which George acts as a recorder of the other town members'narratives and which also acts as a foil for his own coming-of-age story. Central to all the stories are the themes of loneliness and isolation which permeate the existence of small-town life. Belonging to both the modernist and realist literary traditions, “Winesburg, Ohio” is a work which in a way defies classification, being at once both a novel and a series of short stories. Generally well received upon its first publication in 1919, the work over time has come to be regarded as a classic of modern American literature. This edition includes an introduction by Ernest Boyd and a biographical afterword.

George Gissing's work reflects his observations of fin-de-siècle London life. Influenced by the French naturalist school, his realist representations of urban culture testify to the significance of the city for the development of new class and gender identities, particularly for women. Liggins's study, which considers standard texts such as The Odd Women, New Grub Street, and The Nether World as well as lesser known short works, examines Gissing's fiction in relation to the formation of these new identities, focusing specifically on debates about the working woman. From the 1880s onward, a new genre of urban fiction increasingly focused on work as a key aspect of the modern woman's identity, elements of which were developed in the New Woman fiction of the 1890s. Showing his fascination with the working woman and her narrative potential, Gissing portrays women from a wide variety of occupations, ranging from factory girls, actresses, prostitutes, and shop girls to writers, teachers, clerks, and musicians. Liggins argues that by placing the working woman at the center of his narratives, rather than at the margins, Gissing made an important contribution to the development of urban fiction, which increasingly reflected current debates about women's presence in the city.

The essays in this collection discuss how the city is ‘textualized', and address many aspects of how texts and images are written and produced in, and about, cities. They demonstrate how urban texts and images provoke reactions, in city-dwellers, visitors, civic and political actors, that, in turn, impact upon the shape of the city itself. Many kinds of urban texts – both manuscript and print – are discussed, including chapbooks, periodicals, poetry, graffiti and street-signs. The essays derive from a range of disciplines including book history, urban history, cultural history, literary studies, art history and urban planning, and explore some key questions in urban cultural history, including the relationship between text, image and the city; the function of the text or image within an urban environment; how urban texts and images have been used by those in positions of power and by those with little or no power; the ways in which urban identity and values have been reflected in ‘street literature', graffiti and subversive texts and images; and whether theories of urban space can help us to understand the relationship between text, image and the city. As such, this volume will serve to enhance the reader's understanding of the nature of urbanism from a historical perspective, the creation and representation of urban space, and the processes of urbanization. It investigates how the creation, distribution and consumption of urban texts and images actively affect the shaping of the city itself – a mutually constitutive process whereby text, image and city create and sustain each other.

Explora el papel fundamental de la calle en la configuración de una serie de subjetividades marginales que cobran recurrente expresión literaria en la España del siglo XIX. Si, siguiendo las famosas exclamaciones líricas machadianas, el camino se hace al andar, un acercamiento a la calle como espacio de ficciones nos emplaza a seguir la trayectoria ambulante de una serie de sujetos andantes que piden ser leídos en el contexto cultural determinante en el que afloran: en la misma calle. Figuras como la prostituta, el mendigo, el cesante, la consumista compulsiva, el ocioso, el trapero, el inmigrante, el adúltero, la mujer insatisfecha o el delincuente, entre otros, se abren camino en el espacio textual para, a través de sus caminares físicos, establecerse como seres pensantes y modernos y afirmar su subjetividad desde los márgenes de la sociedad.

This book is about the impact of literature upon cities world-wide, and cities upon literature. It examines why the city matters so much to contemporary critical theory, and why it has inspired so many forms of writing which have attempted to deal with its challenges to think about it and to represent it. Gathering together 40 contributors who look at different modes of writing and film-making in throughout the world, this handbook asks how the modern city has engendered so much theoretical consideration, and looks at cities and their literature from China to Peru, from New York to Paris, from London to Kinshasa. It looks at some of the ways in which modern cities – whether capitals, shanty-towns, industrial or ‘rust-belt'– have forced themselves on people's ways of thinking and writing.

Parsing the City updates our understanding of Jacobean city comedy's discursive role in its London society. Working with three major plays by Ben Jonson and Thomas Middleton and Thomas Dekker, this book develops an updated reading of Jacobean city comedy as a dramatic subgenre whose engagement with early modern London was centrally linguistic and semiotic-- its plays staging and interrogating the city as a series of languages and language problems.

Displaying Women explores the role of women in the representation of leisure in turn-of-the-century New York. To see and be seen--on Fifth Avenue and Broadway, in Central Park, and in the fashionable uptown hotels and restaurants--was one of the fundamental principles in the display aesthetic of New York's fashionable society. Maureen E. Montgomery argues for a reconsideration of the role of women in the bourgeois elite in turn-of-the-century America. By contrasting multiple images of women drawn from newspapers, magazines, private correspondence, etiquette manuals and the New York fiction of Edith Wharton, Henry James and others, she offers a convincing antidote to the long-standing tendency in women's history to overlook women whose class affiliations have put them in a position of power.

Hillary M. Nunn here traces the connections between the London public's interest in medical dissection and the changing cultural significance of bloodshed on the early Stuart playhouse stage. Considering the playhouses'role within the social world of early modern London, Nunn explores the influence of public dissection upon the presentation of human bodies in well-known plays such as King Lear, as well as in a wide range of often neglected early Stuart tragedies like The Second Maiden's Tragedy and Revenge for Honour. In addition to dramatic texts, the study draws heavily on anatomy treatises and popular pamphlets of the time. Incorporating views of anatomy's significance from a wide range of sources, this study shows the ways in which early Stuart dramatists called upon Londoners'increasing fascination with anatomical dissection to shape the staging of their tragedies.

With the publication of Brian Gibbons's Jacobean City Comedy thirty-five years ago, the urban satires by Ben Jonson, John Marston and Thomas Middleton attained their'official status as a Renaissance subgenre'that was distinct, by its farcical humour and ironic tone, from'citizen comedy'or'London drama'more generally. This retrospective genre-building has proved immensely fruitful in the study of early modern English drama; and although city comedies may not yet rival Shakespeare's plays in the amount of editorial work and critical acclaim they receive, both the theatrical contexts and the dramatic complexity of the genre itself, and its interrelations with Shakespearean drama justly command an increasing level of attention. Looking at a broad range of plays written between the 1590s and the 1630s - master-pieces of the genre like Eastward Ho, A Trick to Catch the Old One, The Dutch Courtesan and The Devil is an Ass, blends of romance and satire like The Shoemaker's Holiday and The Knight of the Burning Pestle, and bourgeois oddities in the Shakespearean manner like The London Prodigal - the twelve essays in this volume re-examine city comedy in the light of recently foregrounded historical contexts such as early modern capitalism, urban culture, the Protestant Reformation, and playhouse politics. Further, they explore the interrelations between city comedy and Shakespearean comedy both from the perspective of author rivalry and in terms of modern adaptations: the twenty-first-century concept of'popular Shakespeare'(above all in the movie sector) seems to realign the comparatively time- and placeless Shakespearean drama with the gritty, noisy and bustling urban scene that has been city comedy's traditional preserve.

In late-sixteenth-century London, the commercial theaters undertook a novel experiment, fueling a fashion for plays that trafficked in the contemporary urban scene. But beyond the stage's representing the everyday activities of the expanding metropolis, its unprecedented urban turn introduced a new dimension into theatrical experience, opening up a reflexive space within which an increasingly diverse population might begin to “practice” the city. In this, the London stage began to operate as a medium as well as a model for urban understanding.Practicing the City traces a range of local engagements, onstage and off, in which the city's population came to practice new forms of urban sociability and belonging. With this practice, Levine suggests, city residents became more self-conscious about their place within the expanding metropolis and, in the process, began to experiment in new forms of collective association. Reading an array of materials, from Shakespeare and Middleton to plague bills and French-language manuals, Levine explores urban practices that push against the exclusions of civic tradition and look instead to the more fluid relations playing out in the disruptive encounters of urban plurality.

In our current era of helicopter parenting and stranger danger, an unaccompanied child wandering through the city might commonly be viewed as a victim of abuse and neglect. However, from the early twentieth century to the present day, countless books and films have portrayed the solitary exploration of urban spaces as a source of empowerment and delight for children. Fantasies of Neglect explains how this trope of the self-sufficient, mobile urban child originated and considers why it persists, even as it goes against the grain of social reality. Drawing from a wide range of films, children's books, adult novels, and sociological texts, Pamela Robertson Wojcik investigates how cities have simultaneously been demonized as dangerous spaces unfit for children and romanticized as wondrous playgrounds that foster a kid's independence and imagination. Charting the development of free-range urban child characters from Little Orphan Annie to Harriet the Spy to Hugo Cabret, and from Shirley Temple to the Dead End Kids, she considers the ongoing dialogue between these fictional representations and shifting discourses on the freedom and neglect of children. While tracking the general concerns Americans have expressed regarding the abstract figure of the child, the book also examines the varied attitudes toward specific types of urban children—girls and boys, blacks and whites, rich kids and poor ones, loners and neighborhood gangs. Through this diverse selection of sources, Fantasies of Neglect presents a nuanced chronicle of how notions of American urbanism and American childhood have grown up together.

THE NEW YORK OBSERVER: ONE OF THE TOP 10 BOOKS FOR FALLIt's no wonder that New York has always been a magnet city for writers. Manhattan is one of the most walkable cities in the world. While many novelists, poets, and essayists have enjoyed long walks in New York, not all of them have had favorable impressions. Addressing an endlessly appealing subject, Walking New York is a study of twelve American writers and several British writers who walked the streets of New York and wrote about their impressions of the city in fiction, nonfiction, and poetry.Seen through the eyes of Walt Whitman, Herman Melville, William Dean Howells, Jacob Riis, Henry James, Stephen Crane, Theodore Dreiser, James Weldon Johnson, Alfred Kazin, Elizabeth Hardwick, Colson Whitehead, and Teju Cole, almost all the works in Walking New York are about Manhattan, with only Whitman and Kazin writing about Brooklyn. Though the writers were often irritated, disturbed, and occasionally shocked by what they saw on their walks, they were still fascinated by the city William Dean Howells called “splendidly and sordidly commercial” and Cynthia Ozick called “faithfully inconstant, magnetic, man-made, unnatural—the synthetic sublime.”In this idiosyncratic guidebook to New York, celebrated writers ruminate on questions that are still hotly debated to this day: the pros and cons of capitalism and the impact of immigration. Many imply that New York is a bewildering text that is hard to make sense of. Returning to New York after an absence of two decades, Henry James loathed many things about “bristling” New York, while native New Yorker Walt Whitman both celebrated and criticized “Mannahatta” in his writings.Combining literary scholarship with urban studies, Walking New York reveals how this crowded, dirty, noisy, and sometimes ugly city gave these “restless analysts” plenty of fodder for their craft.

Domus estudia la representación de la casa nobiliaria urbana en la narrativa corta y el teatro del siglo XVII en España. Analiza aspectos materiales y simbólicos del terreno premoderno de lo habitable como arquitectura y decoración del hogar, la división del género, la economía doméstica y la idea de lo privado y lo público. Domus< studies the representation of the urban noble house in 17th-century Spanish short novels and plays. Ityses material and symbolic aspects of early moderDomus aborda ejemplos de la dramaturgia y la narrativa corta del siglo XVII español en tanto formas estéticas que respondieron al desarrollo del mundo doméstico nobiliario y urbano de la Península Ibérica. Propone un recorrido por el terreno de lo habitable, incluyendo la arquitectura y decoración interior de la casa, las dinámicas de género, la economía doméstica y la utilización de los objetos, la luz y el espacio, deteniéndose en aspectcos que transformaron el hogar de la temprana modernidad así como también la imaginación creativa de los autores barrocos. Este estudio señala que la comedia urbana, el teatro breve y la novela cortesana ilustran tanto la importancia de temas domésticos en la ficción, como la percepción barroca de que la casa fue un escenario único para teatralizar la domesticidad. Domus delves into examples of the drama and short fiction of seventeenth-century Spanish as aesthetic forms that responded to the development of the nobility and urban domestic world of the Iberian Peninsula. The book offers a journey through the realm of the habitable, including architecture and the interior decoration of the house; gender dynamics; domestic economy and the use of objects; and light and space, stopping along the way to consider the historical aspects that transformed the early modern home as well as the creative imagination of the authors of the Baroque. This study shows that urban comedy, theater and the courtly novel illustrate both the importance of domestic issues in fiction and the Baroque perception that the house was a unique stage for dramatizing domesticity. Noelia S. Cirnigliaro es Profesora Asociada en el Departamento de español y portugués en Dartmouth College.. Noelia S. Cirnigliaro is Associate Professor in the Department of Spanish and Portuguese at Dartmouth College.

What happens to poetic beauty when history turns the poet from one who contemplates natural beauty and the sublime to one who attempts to reconcile the practice of art with the hustle and noise of the city?An Atmospherics of the City traces Charles Baudelaire's evolution from a writer who practices a form of fetishizing aesthetics in which poetry works to beautify the ordinary to one who perceives background noise and disorder—the city's version of a transcendent atmosphere—as evidence of the malign work of a transcendent god of time, history, and ultimate destruction.Analyzing this shift, particularly as evidenced in Tableaux parisiens and Le Spleen de Paris, Ross Chambers shows how Baudelaire's disenchantment with the politics of his day and the coincident rise of overpopulation, poverty, and Haussmann's modernization of Paris influenced the poet's work to conceive a poetry of allegory, one with the power to alert and disalienate its otherwise inattentive reader whose senses have long been dulled by the din of his environment.Providing a completely new and original understanding of both Baudelaire's ethics and his aesthetics, Chambers reveals how the shift from themes of the supernatural in Baudelaire to ones of alienation allowed a new way for him to articulate and for his fellow Parisians to comprehend the rapidly changing conditions of the city and, in the process, to invent a “modern beauty” from the realm of suffering and the abject as they embodied forms of urban experience.