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This study explores how cultural dynamics shape public policy in Indonesia, focusing on the influence of cultural dimensions on policy-making processes and outcomes. The purpose is to understand the impacts of Indonesian cultural values on various policy sectors, including education, health, environment, and economic development. Employing a qualitative research approach, the study relies exclusively on secondary data from academic literature, government reports, and media sources to examine these cultural influences. Findings reveal that high power distance leads to centralized decision-making, while collectivism shapes policies toward community welfare. High uncertainty avoidance results in rigid regulatory frameworks, and traditional gender roles affect gender-related policies. Sector-specific analyses highlight the integration of traditional knowledge in environmental policies and the challenges of balancing modernization with cultural heritage in economic policies. The implications of these findings suggest that policymakers should incorporate cultural considerations into policy design to enhance effectiveness and inclusivity. This research contributes original insights into the intersection of culture and policy, emphasizing the need for culturally sensitive approaches in diverse governance contexts. By shedding light on how cultural factors impact policy formulation and implementation, the study offers valuable guidance for developing culturally relevant and effective policies addressing societal needs. [ABSTRACT FROM AUTHOR]

Copyright of Al-Banjari is the property of Pascasarjana UIN Antasari and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

From Folklore to Intangible Cultural Heritage This article is a review of the study entitled Ritualising Cultural Heritage and Re-enchanting Rituals in Europe, authored by Alessandro Testa (Durham: Carolina Academic Press, 2023, pp. 253). Od folkloru do niematerialnego dziedzictwa kulturowego Recenzja monografii naukowej Ritualising Cultural Heritage and Re-enchanting Rituals in Europe, autorstwa Alessandra Testy (Durham: Carolina Academic Press, 2023, 253 ss.).

The COVID-19 pandemic has brought about significant changes to the life of most individuals, worldwide. This study explores the cultural factors influencing decision-making during the pandemic, and is part of the CORNER Project, funded by the Research Council of Norway, aimed at understanding institutional response in the early phases of the Covid-19 emergency in Norway, Sweden, and Italy. Semi-structured interviews with key political-administrative leaders in Italy (N = 35) were conducted and content-analyzed, allowing the identification of the underlying cultural dynamics that played a role in these decisions. Thematic analysis was used to assess the influence of cultural factors on the crisis management and early reaction of institutions and citizens to the spread of Covid. In line with previous studies, and as expected, the individualism vs. collectivism dimension can explain differential health outcomes during the outbreak. In this paper we argue that individualism-collectivism cultural values can also play a pivotal role in public compliance with Covid-19 restrictions, and psychological responses during the pandemic. [ABSTRACT FROM AUTHOR]

In recent decades, there has been a growing interest in the study of emotions, demonstrating their importance in understanding diverse human and social dynamics. However, as this field of study develops and diversifies, a structural yet simple question remains virtually undiscussed: Is it really possible to say that societies possess emotions or a certain sensitivity akin to individual experiences? This exploratory study, based on documentary analysis, endeavours to identify and examine emotional patterns across six different periods, spanning from the Middle Ages to the present day. Among the eight secondary findings, three fundamental conclusions stand out: (1) throughout history, societies have experienced different emotional atmospheres, sometimes simultaneously; (2) although societies generally propose an emotional model to follow, the reality does not always conform to it; and (3) it is mainly through the culture that society creates a certain emotional harmony, allowing the social body to remain cohesive and develop, thus postponing or preventing its disintegration. This study aims to offer a modest contribution to the complex and under-explored discussion on the correlation between specific emotional climates and particular social contexts. [ABSTRACT FROM AUTHOR]

The purpose of the article is to consider the concert performance as a cultural phenomenon in its historical genesis and diachrony and to identify its communicative aspects. The research methodology is based on the application of interdisciplinary and systemic approaches, as well as a set of such research methods as cultural, analytical, and synthetic, which will allow a comprehensive consideration of the given problem and obtain reliable and substantiated research results. The scientific novelty of the work lies in the theoretical understanding of concert performance as a cultural phenomenon and its communicative features and main development trends in the context of modern dynamics of culture and technology. Conclusions. Concert performance is a multifaceted phenomenon that has a huge impact on culture and society, while creating new aesthetic experiences, promoting cultural exchange and the development of musical art. In today's world, where music is an important part of everyday life, concert performance remains a source of creative expression and a means of cross-cultural communication. It combines traditions and the latest technologies, global trends and individual cultural features. Concerts continue to be an important part of the cultural life of modern society, offering unique opportunities for communication and creativity. Contemporary concert performance often transcends national boundaries, contributing to global cultural exchange. International tours, participation in festivals and cooperation with musicians from different countries contribute to the mutual enrichment of cultures and the expansion of the musical horizon. [ABSTRACT FROM AUTHOR]

The COVID-19 pandemic has brought about significant changes to the life of most individuals, worldwide. This study explores the cultural factors influencing decision-making during the pandemic, and is part of the CORNER Project, funded by the Research Council of Norway, aimed at understanding institutional response in the early phases of the Covid-19 emergency in Norway, Sweden, and Italy. Semi-structured interviews with key political-administrative leaders in Italy (N = 35) were conducted and content-analyzed, allowing the identification of the underlying cultural dynamics that played a role in these decisions. Thematic analysis was used to assess the influence of cultural factors on the crisis management and early reaction of institutions and citizens to the spread of Covid. In line with previous studies, and as expected, the individualism vs. collectivism dimension can explain differential health outcomes during the outbreak. In this paper we argue that individualism–collectivism cultural values can also play a pivotal role in public compliance with Covid-19 restrictions, and psychological responses during the pandemic.

Copyright of HiSTOReLo: Revista de Historia Regional y Local is the property of Universidad Nacional de Colombia, Centro Editorial Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The beginning of the Bolaños culture was the inheritance of the Teuchitlan tradition disseminated in central Jalisco, Mexico, but once the settlers established themselves in the Bolaños Canyon, they initiated a new sociocultural dynamic with its own characteristics. The trade route allowed them to exchange multiple goods of all kinds with different and distant cultures and, in turn, favored their own development within two recognized periods. [ABSTRACT FROM AUTHOR]

This article explores the intricate relationship between globalization and local adaptations through a cultural anthropological lens. As the world becomes increasingly interconnected, the dynamic interplay between global influences and local cultures has emerged as a focal point of study. The abstract delves into the nuanced examination of how globalization, characterized by the flow of goods, information, and people across borders, intersects with the unique cultural landscapes of local communities. Cultural anthropologists navigate the tension between cultural homogenization and diversity, investigating the ways in which global consumer culture shapes local identities and consumption patterns. The impact of global media on local narratives and cultural representation is analyzed, along with the role of social movements in adapting and responding to global issues at the local level. The article discusses both the challenges and opportunities presented by globalization, offering a comprehensive exploration of the complex processes that shape cultural dynamics in our interconnected world. This cultural anthropological perspective not only contributes to a deeper understanding of global-local interactions but also encourages critical reflections on the role of culture in shaping the trajectory of our globalized society. [ABSTRACT FROM AUTHOR]

This cross-cultural anthropological analysis delves into the intricate web of gender constructs in societies worldwide. Recognizing the interplay between biology and culture, the study examines the multifaceted ways in which diverse cultures conceptualize and express gender roles, identities, and expectations. Through the lenses of rites of passage, language, economic structures, and instances of resistance and change, the research uncovers the nuanced dynamics that shape gender experiences globally. The exploration not only highlights the diversity of human societies but also provides crucial insights into the adaptive nature of gender constructs, challenging assumptions and fostering a deeper understanding of the potential for positive social change on a global scale. This abstract invites readers to embark on a journey through varied cultural landscapes, encouraging reflection on the complex and evolving nature of gender in societies around the world. [ABSTRACT FROM AUTHOR]

The use of AI-generated videos centered on the face raises various concerns among professionals and audiences due to the difficulty of providing coherent descriptive tools of their cultural significance. At the same time, the focus of artists and their audiences shifts from the art as a text to the collaboration process between artificial intelligence (AI) and the involved social actors. This raises significant concerns between policymakers and other social actors looking for guidelines for the appropriate use of AI as a tool, collaborator or substitute for creative workers, which can have immediate and long-term impacts on society and culture. Semiotics of culture provides descriptive tools for understanding and evaluating artistic texts and their role in semiotic space, the semiosphere. This article addresses how Lotman's theory can contribute to the methodology for analyzing AI-generated texts as dynamic models. The theoretical framework developed by Lotman in his research on artistic text, dynamic systems and culture can be applied to the studies of current shifts related to AI-generated arts. This paper looks at the reception of AI-generated videos focused on face representations. In doing so, it analyses the dynamic processes in the creation process of AI-generated videos through their reception in related texts. The findings of this article highlight how Lotman's theoretical framework can contribute to the methodology to analyze the cultural dynamics evoked by AI-generated artistic texts. [ABSTRACT FROM AUTHOR]

This paper analyzes the funeral rites and ritualistic practices associated with death among the Garo community of Northeast India, a community that has undergone linguistic divisions and witnessed fragmentation due to colonialism and subsequent conversion to Christianity. Employing an ethnographic approach, this research meticulously examines funeral rituals and practices through engaged participant observation, comprehensive interviews, and meticulous document analysis. Qualitative analysis reveals distinct patterns and themes, casting a revealing spotlight on the symbiotic relationship that exists between tradition and Christianity. The study finds that the Christian Garos have retained social customs such as matrilineality and the kinship system. However, a noticeable departure from their indigenous animistic belief system has taken place, with numerous deities being replaced by a single God, and fundamental beliefs like life after death seemingly abandoned. Nevertheless, upon closer examination of funeral rites, certain traditional elements are found to persist, reflecting the complex cultural assimilation within the emerging Christian identity among the Garo people. The primary contribution of this research lies in uncovering how these remnants of tradition persist, despite the transformative impact of Christianity on the religious and cultural landscape of the Garo community.

In recent decades, there has been a growing interest in the study of emotions, demonstrating their importance in understanding diverse human and social dynamics. However, as this field of study develops and diversifies, a structural yet simple question remains virtually undiscussed: Is it really possible to say that societies possess emotions or a certain sensitivity akin to individual experiences? This exploratory study, based on documentary analysis, endeavours to identify and examine emotional patterns across six different periods, spanning from the Middle Ages to the present day. Among the eight secondary findings, three fundamental conclusions stand out: (1) throughout history, societies have experienced different emotional atmospheres, sometimes simultaneously; (2) although societies generally propose an emotional model to follow, the reality does not always conform to it; and (3) it is mainly through the culture that society creates a certain emotional harmony, allowing the social body to remain cohesive and develop, thus postponing or preventing its disintegration. This study aims to offer a modest contribution to the complex and under-explored discussion on the correlation between specific emotional climates and particular social contexts.

The article considers the balance of tradition and innovation as forms of cultural dynamics using the example of education. The review of scientific publications published in 2020-2021 has found that the research interest in the topic is characteristic both of Russianand Spanish-speaking authors, which allows us to refer to international experience, mainly Spanish, for comparison. In this research the authors focus on the project of bilingual classes in primary schools in Moscow and Moscow region. The idea of bilingual education is that educational material is presented in two languages, yet the language pairs can vary: official and minority, official and migrant, official and foreign languages. In the context of the case study, teachers of primary education constitute the most promising group due to the structural features of this level. The system in which one teacher is responsible for most of the subjects allows the project to be implemented gradually without involving a large number of pedagogical staff. At the same time, a teacher of a bilingual class has an opportunity to develop an independent teaching strategy, demonstrating a high level of methodological freedom. The survey among the teachers found that while there is a demand for counseling on their part, they are motivated and receptive to innovations.

The purpose of the article is to study the content of the concept of cultural creativity as an integral component of the event industry development. Research methodology. To achieve the research purpose, a systemic and cultural approach, methods of analysis, synthesis, deduction, comparison, and functional were applied, which allowed a comprehensive analysis of the concept of culture creation in the context of the dynamics of modern event industries. The scientific novelty of the study lies in the theoretical generalisation of the concept of culture creation in the development of the modern event industry as a sphere of creative economy and cultural practice from the perspective of the cultural approach. Conclusions. The development of the economy in the post-industrial information society and the dynamics of modern mass culture, combined with the latest cultural practices, have led to the formation of a creative environment in various spheres of human activity, where the factor of cultural creation plays a significant role as a generator of innovativeness in professional activity. As of today, the sphere of culture and art, which generates value content capable of influencing the spiritual component of society, and the sphere of economy and business, which represents the efficient production of goods and services aimed at meeting various needs of society, are in active interaction, where the economy has transformed into a "creative economy", ("economy of impressions"), in which creativity is the key resource. At the present stage, the event industry acts as a tool for the formation of social relations not only through symbolic involvement, but also creates certain forms of social relations between participants, activating the collective consciousness through the manifestations of feelings of belonging and interconnection with different social groups, and society as a whole. [ABSTRACT FROM AUTHOR]

Gold is a sought-after good across the globe, particularly among Asian countries. The demand for gold is influenced by symbolic, utilitarian, and hedonic values. One of the critical values among these is symbolic value, which refers to the meanings associated with a commodity. This study attempts to identify the impact of cultural dynamism on the perceptions of women towards the symbolic value of gold. Cultural dynamism is a definite outcome of globalization; it refers to the changes in cultural beliefs and practices as an outcome of exposure to the elements of other cultures. These cultural changes will have an impact on the consumption of all types of goods, particularly those goods that are demanded due to a region's culture. The present study attempts to identify the direction of cultural dynamics and its impact on gold in India as an outcome of the economy opening up in 1990. The perceptions of two sets of samples have been compared and contrasted in this study: one is a set of females born and married (this is because marriage has a vital role in determining perceptions towards gold) before the advent of globalization and its impacts in India, and the second set is the daughters (to ensure that other elements, such as socioeconomic aspects, are not affecting the perception) of the first set of customers. This study adopts a multidimensional scaling technique to analyze the data; this is due to the sound method that it is, and also due to the ability to provide a visual depiction of the outcomes. It could reveal evidence of polarization regarding perceptions towards the symbolic value of gold; it opened a research gap. A similar study with which to identify perceptions towards hedonic and symbolic values is suggested as an outcome of the study. [ABSTRACT FROM AUTHOR]

The concept and connotation of critical thinking are formed based on human activities and social development in Europe and America, while relevant studies in East Asia are lacking. How to deconstruct the characteristics, formation and deep reasons of critical thinking in the East based on its continuous and dynamic human activities is still a challenge. Taking China as the research object, we reveal that the East also produces logic-based and intense critical thinking, and gradually integrates the characteristics of inclusiveness, euphemism, and result-oriented noun in the evolution, which can be attributed to the influence of war, religion, and nomadic and agricultural conflicts. This study is of great significance to the in-depth fundamental understanding of oriental critical thinking. It also holds promise to promote critical thinking education in East Asian countries and the cultural exchanges between the East and the West. [ABSTRACT FROM AUTHOR]

This paper examines the impact of social-emotional education on cultural dynamics from the perspective of Cultural Studies. An exhaustive theoretical review is carried out to analyze how socialemotional education can influence the construction and transformation of cultural identities. In addition, a mixed methodology is carried out that combines qualitative and quantitative analysis to evaluate the effects of social-emotional education programs in different cultural contexts. The results reveal that social-emotional education promotes empathy, intercultural respect and inclusion, thus contributing to a greater understanding and appreciation of cultural diversity. In conclusion, the importance of integrating social-emotional education into educational curricula as a key tool to foster peaceful coexistence and intercultural dialogue is highlighted. [ABSTRACT FROM AUTHOR]

• An ethnoarchaeological study document dynamics of pottery traditions in Senegal. • A fashioning technique is homogeneous in a heterogeneous cultural context. • Environmental, socio-economic and cultural factors explain technical changes. • Spatial distribution of two distinct firing procedures is related to precolonial kingdoms. • Recent transformations of potters' toolkits reveal changes in a globalized world. Ceramic traditions are constantly evolving, but the pace of change is variable and not all stages of the chaîne opératoire are affected in the same way, depending on the causes of borrowing, abandonment, or innovation. Few ethnoarchaeological studies in Africa have focused on a detailed understanding of these dynamics, which are important for the interpretation of past societies. Our study was conducted from 2012 to 2015 along the Falémé Valley in eastern Senegal, characterized by diverse cultures and environments. It aims to understand the historical dynamics of ceramic traditions by documenting the variability and spatial distribution of the different stages of the chaîne opératoire , and analyzing the factors that explain the transformations of techniques, potters' tools and finished objects over different temporalities, both long- and short-term. The results show that the same fashioning technique, molding on a convex shape, is used by all potters, whatever their cultural identity. On the contrary, firing procedures indicate two different traditions. The reconstruction of potters' genealogies and apprenticeship networks anchor both traditions in distinct social trajectories, and their spatial distribution corresponds with the ones of precolonial kingdoms expanding after the Mâli empire's collapse, between the 17th and the 19th century CE: the Fulbe kingdom of Boundou in the north, and three Mande kingdoms in the south. Beside this long-term dynamic, elements of paste recipes' or potter toolkits' transformation, and the abandonment of certain types of pots refer to recent dynamics dating back to a few decades, in a context of climate change and growing globalization. [ABSTRACT FROM AUTHOR]

The Nekrasov Cossacks belong to an ethno-confessional group that had to cope with adaptation to new environments several times. This happened due to multiple rounds of migration. Originating mainly from the southern Russian provinces with agriculture as a predominant type of economy, we would expect them to follow the agricultural calendar well, but ethnolinguistic expeditions to the Nekrasovites in 2010–2013 showed only some remnants of these motifs in the descriptions of the ritual year. Analyzing the causes of this, the article traces the Nekrasovites’ adaptation to the changing natural, economic, religious, and cultural context. The author pays attention to the different dominant in their economy in Turkey, where fishing acquired a higher status than agriculture. In addition to this, climatic differences between Turkey and southern Russia are noted, because they may underline the fact that some of the calendar omens and agricultural prescriptions may have lost their relevance. The necessity of religious consolidation of the Christians in the Turkish Muslim community led to the elaboration of the confessional dominant in the Nekrasovites’ ritual year, which maintained its stability even later, in the atheistic Soviet state. After their re-emigration to Russia, the Nekrasovites adapted to the rules of the new Soviet atheistic society and another round of changes in the predominant activities, since part of them settled in the region specializing in viticulture and winemaking. The changes in the ritual system, which followed their migrations, are analyzed in the article. [ABSTRACT FROM AUTHOR]

The exploration of diverse theoretical frameworks within anthropology presents a comprehensive analysis of influential perspectives that illuminate the complexities of human societies, cultural dynamics, and behaviors. Examining foundational theories such as Cultural Materialism, Structural Functionalism, Symbolic Anthropology, Cultural Ecology, Post-structuralism, Evolutionary Anthropology, Feminist Anthropology, and Actor-Network Theory (ANT), this research paper delves into the multifaceted lenses through which social life is understood. Each theoretical framework contributes distinct insights and challenges conventional paradigms. Cultural Materialism, rooted in the material conditions of societies, offers a lens to understand the influence of ecological and economic factors on cultural practices. Symbolic Anthropology, focusing on the interpretation of symbols, underscores the role of symbols in shaping human behavior. Structural Functionalism emphasizes societal functions and interrelated parts that sustain equilibrium. Cultural Ecology examines the relationship between culture and environment, illuminating how societies adapt to their surroundings. Post-structuralism questions fixed meanings and the influence of power structures on knowledge. Evolutionary Anthropology studies human biological adaptations and societal development, while Feminist Anthropology critically examines gender roles and power dynamics. ANT, a unique perspective, focuses on human and non-human actors within networks and their influence on social structures. The critical analysis and synthesis of these frameworks offer a nuanced understanding of societal complexities and behaviors. The implications of these frameworks extend beyond academia, influencing societal discourses, interdisciplinary studies, and policy-making. The inclusivity and diverse methodologies presented foster a more comprehensive understanding of societal dynamics, encouraging cultural sensitivity and informed interventions. This exploration also signifies the continual evolution of anthropological thought and contributes to a more inclusive and diverse academic environment. This study contributes to a deeper understanding of the multifaceted nature of human societies, cultural practices, and societal structures, offering valuable insights for diverse fields and broader societal discourses.

Starting from some ideas of H. Wolflin, O. Spengler pointed out an interesting problem of correlation between the evolution of art and social evolution. Regardless of the realness of their observations and conclusions, the idea of searching and analyzing such correlations seems to be very fruitful, and especially in the context of preliterate culture surviving due to archeology. This paper, drawing on the empirical archaeological data related to so called Incised and Stamped Pottery Cultures (ISPC) of Early Hallstatt period (XII-IX centuries BC) of Carpathian-Dniester region, aims to consider and verify the ideas of H. Wolflin and O. Spengler. For this purpose, and basing on the previously established by the author fivephase evolution scheme of ISPC of Carpathian-Dniester region (including such a key component of ISPC as Sakharna-Soloncheni culture), the dynamic of fine pottery ornamentation of these societies is analyzed. The analysis demonstrates that the evolution of pottery ornamentation of ISPC started from a minimal number of ornamental patterns and moved towards increasing their number. The parallel tendency was the increasing of the ornamented square of pots. These processes, as well as the innovativeness and openness to external influences, peaked in the fourth phase of Sakharna-Soloncheni culture; this phase was also the time of its greatest prosperity.

Along the Gabonese coast, native populations and migrant fisher communities live side by side and, together, build constantly changing life spaces. In the Nyanga region, past and current interactions between fishers from Benin, Senegal, Congo and Gabon (characterized by diverse rights regarding land, sea and lagoons, specific knowledge and know-how) conduct to particular cultural dynamics: loan dynamics, innovations and knowledge transfers between communities. Based on deep ethnographical fieldwork, this paper aims to: 1) describe how migrant and native fishers in Gabon share coastal places and adapt their ecological knowledge, environmental know-how and know-being in order to enhance their livelihoods; 2) and analyse how fishers' migration in Africa is a key factor for societal changes. [ABSTRACT FROM AUTHOR]

Ideologically committed minds form the basis of political polarization, but ideologically guided communication can further entrench and exacerbate polarization depending on the structures of ideologies and social network dynamics on which cognition and communication operate. Combining a well-established connectionist model of cognition and a well-validated computational model of social influence dynamics on social networks, we develop a new model of ideological cognition and communication on dynamic social networks and explore its implications for ideological political discourse. In particular, we explicitly model ideologically filtered interpretation of social information, ideological commitment to initial opinion, and communication on dynamically evolving social networks, and examine how these factors combine to generate ideologically divergent and polarized political discourse. The results show that ideological interpretation and commitment tend towards polarized discourse.Nonetheless, communication and social network dynamics accelerate and amplify polarization. Furthermore, when agents sever social ties with those that disagreewith them(i.e. structure their social networks by homophily), even non-ideological agents may form an echo chamber and form a cluster of opinions that resemble an ideological group. This article is part of the theme issue 'The political brain: neurocognitive and computational mechanisms'. [ABSTRACT FROM AUTHOR]

Copyright of Ciencia y Sociedad is the property of Ciencia y Sociedad and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

"Challenge disciplinary approaches", as well as « ocean learning », is only done in a context of trust. Serge Bahuchet, who supervised my PhD thesis in ethnoecology, supported scientific challenge which consists in going beyond ethnography and anthropology to produce a deep understanding of societal transformations. This paper describes the methodological choices made to describe the changes that have been observed on Gabonese coast in terms of fishing and interactions with the sea and to provide an analysis the dynamics of the knowledges and know-how of Gabon's fishers.

The COVID-19 global pandemic has brought into sharp focus the urgency of tackling the question of how globalized humanity responds to a global societal threat, which can adversely affect a large portion of the human population. Changing geospatial distribution of COVID-19 morbidity paints a gloomy picture of cross-national differences in human vulnerabilities across the globe. We describe the dynamic nexus among societal – particularly pathogen – threat, social institutions, and culture, and discuss collectivism (ingroup favouritism and outgroup avoidance) and tightness (narrow prescription of behaviours and severe punishment of norm violations) as potential cultural adaptations to prevalent pathogen threats. We then sketch out a theoretical framework for cultural dynamics of collective adaptation to pathogen threats, outline a large number of theory- and policy-relevant research questions and what answers we have at present, and end with a call for renewed efforts to investigate collective human responses to societal threats. [ABSTRACT FROM AUTHOR]

Humanity faces twin problems of adaptation—natural environmental challenges of climate change and global humanitarian challenges of ensuring well-being for all—that pose a dilemma for sustainable development. One way forward is to develop cultures of sustainability that highlight and reward the ideas and practices that will help us transition to a sustainable lifestyle. Although institutional responses are necessary and multidisciplinary approaches are required, individual citizens can also participate in cultural dynamics—the process of cultural formation, maintenance, and transformation—to craft cultures of sustainability, and psychological science can point to potential mechanisms for effecting this cultural change. Informed by the niche-construction perspective, I suggest that the critical ingredients of cultures of sustainability include (a) conceptions of human–nature connectedness, (b) conceptions of human–artifact relation, (c) interpersonal conversations about sustainability norms within social networks, and (d) visions of an achievable utopia for a sustainable future. Further research and action are called for. [ABSTRACT FROM AUTHOR]

The evolution of cultural diversity in some social systems can be observed as the oppositional patterns in different levels, namely, the directions of the trends of diversity in different levels are opposite. In this paper, we propose a payoff-driven metapopulation modeling framework to investigate the origin of the oppositional patterns in the trends of cultural diversity. This model considers the mobile agents in multiple communities, and the cultural characteristics of an agent are represented by a vector. The diffusion of cultural characteristics is driven by two opposite effects: the communication cost positively depending on cultural difference between agents, and the cultural attractiveness single-peak-functional correlating on cultural difference. In the numerical simulations of the model, the polarization is observed in the case with the homophily principle, and two types of the oppositional patterns can emerge in the case with time-varying mobility of agents. These findings efficiently explain the emergence of the oppositional patterns and help to understand the evolution of diversity under the dynamics of both synchronization and variation. [ABSTRACT FROM AUTHOR]

The purpose of the article. The study is connected with the substantiation of the communicative potential of symphonic performance, carried out on the example of large-scale creative activity of the Philharmonic Academic Symphony Orchestra of the Chernihiv Regional Philharmonic Center for Festivals and Concert Programs. The Philharmonic Symphony Orchestra is the first professional creative group in the region that, over the past twenty years, has systematically promoted symphonic music by domestic and foreign composers. Methodology. Following the goals and objectives, the main methodological approaches are based on historical and musicological, causal, systemic methods. It allows you to explore various aspects of symphonic performance, which had a significant impact on the formation of qualitative characteristics of the musical life of the region. The scientific novelty and significance of the results of art history research lie in the fact that the communicative potential of the symphonic performance of the first professional symphony orchestra in the Chernihiv region, actively promoting various styles and genres of symphonic music, is analyzed; It represents the performing culture of Ukraine at the international level, has a significant impact on the communication processes of the cultural life of the region on the principles of a dialogue of cultures and gives rise to new spiritual identities, demonstrating their construction in the real conditions of modern society. Conclusions. For the first time, the symphonic performance of the Philharmonic Academic Symphony Orchestra is seen as a communicative process of cultural interaction, which has a significant impact on the formation of a holistic picture of the musical culture of the region. The regional perspective of symphonic performance must allow us to explore both the national and international potential of musical art, which has developed on modern approaches to organizing tour and concert activities, based on the principles of cultural exchange in the framework of creative projects and has positive musical, professional, spiritual and aesthetic results, it becomes an influential factor in the cultural dynamics of the artistic development of Chernihiv region. [ABSTRACT FROM AUTHOR]

This paper explores the role of civic culture in expanding fiscal capacity by developing a model based on reciprocal obligations: citizens pay their taxes and the state provides public goods. Civic culture evolves over time according to the relative payoff of civic‐minded and materialist citizens. A strong civic culture manifests itself as high tax revenues sustained by high levels of voluntary tax compliance and provision of public goods. This captures the idea of government as a reciprocal social contract between the state and its citizens. The paper highlights the role of political institutions and common interests in the emergence of civic culture. [ABSTRACT FROM AUTHOR]