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This article focuses on the way musical theater venues in Montreal were booked and managed during the continental integration of North American theater industries from the 1880s to the First World War. It investigates how local theater owners and managers cooperated with representatives of U.S.-American circuits and booking agencies that provided the shows. They had to find ways to reconcile the fragmented audiences in the bilingual city with the increasingly standardized theatrical offers available. A closer look at different kinds of mediating actors and organizations and at the range and mechanisms of the supply networks explains why those relations often did not remain anchored in a particular venue over a longer period. The profiles of theaters in Montreal shifted frequently when an especially dynamic phase of social and cultural specialization in the urban sphere overlapped with growing trans-regional rivalries between competing theatrical circuits. [ABSTRACT FROM AUTHOR]

Copyright of Comparativ: Leipziger Beiträge zur Universalgeschichte und Vergleichenden Gesellschaftsforschung is the property of Leipziger Universitaetsverlag GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comparativ: Leipziger Beiträge zur Universalgeschichte und Vergleichenden Gesellschaftsforschung is the property of Leipziger Universitaetsverlag GmbH and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Information is provided on the conference titled "Theatre, Globalization and the Cold War" organized by the theatre scholars Christopher Balme and Berenika Szymanski held at the Center for Advanced Studies at the Ludwig-Maximilians-Universität München, Germany from May 17-May 19 2012. Topics, including East German acting schools, postcolonial Manila, Philippines and the Soviet Union and India's cultural exchanges, are discussed.