Search

Taking the specific example of Paco: Les Mains Rouges (2014; 2017) – a two-volumed sepia graphic novel by Fabien Vehlmann and Éric Sagot – this article explores the potential of the comic format to destabilize carceral histories via the trope of the convict tattoo. The creation of convict records (including the surveillance of tattoos) leaves a rich textual and visual archive that is steeped in power inequalities and absent voices, but also creative potential. By articulating the comic as a critical methodology, this article aims to explore the potential for the format to develop narratives that counter authorized archives and challenge dominant representations of incarceration whilst drawing creative inspiration from historical iconographies of punishment. In its consideration of creative interpretation and potential for engaging with new modes of collecting, it has applications for historical research, media, visual criminology and museum and heritage studies. [ABSTRACT FROM AUTHOR]

After decades of collective forgetting, heritage initiatives have resulted in the restoration of sites linked to France's former penal colonies in French Guiana and New Caledonia which operated in the nineteenth and twentieth centuries. In both territories, museums dedicated to the history of the 'bagne' have been created in buildings once used as kitchens and bakeries. However, as with other forms of penal heritage, the opportunity to create more nuanced and sustained narratives around the lived experience of food insecurity for those sent to the penal colonies remains subordinated to more sensationalist accounts of physical constraint and corporal punishment. This article analyses existing narratives and museography at the two sets of sites, identifying potential for further memory and interpretive work around food, nutrition, and sustainability. The article explores convict memoirs and correspondence that emphasise the 'slow violence' of malnutrition resulting from poorquality produce and unequal distributions of rations amongst convict populations. The wider intention is to consider how historical narratives of food insecurity can be developed at sites of former penal heritage to foster awareness and empathy around contemporary forms of food poverty, emphasising that food insecurity is still used as a form of control within spaces of confinement. [ABSTRACT FROM AUTHOR]

"Green Hell" was the nickname frequently given to France's largest overseas penal colony in French Guiana. This essay explores the slow and difficult recognition of penal heritage in France and its former colonies via the notion of "grey" heritage adopted by Philippe Artières to identify heritage associated with imprisonment and detention. Drawing on the cross-disciplinary field of colour studies, we explore a series of different possible readings of "grey" in order to highlight different ways in which sites can be instrumentalised to both affirm and negate carceral continuities across history and transnationally. Focusing on locations in French Guiana and the Con Dao archipelago in Vietnam, the essay explores the materiality of these spaces, their presentation and their visitors, in order to suggest how "grey heritage" might be developed as a critical and reflexive approach to the carceral past. [ABSTRACT FROM AUTHOR]