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The Reparative Impulse of Queer Young Adult Literature is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field's attachments to normative, capitalist, and neoliberal frameworks. Central to Matos'argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts. The Reparative Impulse of Queer Young Adult Literature shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Gender by the Book investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children's right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children.This title is freely available as open access thanks to generous support from the Fondren Library at Rice University.

Unbound Queer Time in Literature, Cinema, and Video Games investigates the potential of queer conceptions of time to unbind forms of understanding identities. In doing so, it recognizes the power of time to determine us but chooses to queer time and turn it into an ally of unbound forms of understanding identities.Through the analysis of different media—literature, cinema, and video games—the chapters revolve around three key ideas: that there are inherently queer styles of using and dealing with time and temporality in culture; that the critical rediscovery of canonical texts and the analysis of largely ignored queer texts and authors allow for a better understanding of queer identities; and, finally, that normative conceptions of time can—and should—be challenged through critical tools that reconceptualize notions of the self around time.This volume will be of interest to postgraduate students and researchers working close to areas such as queer and gender studies, media and cinema studies, cultural studies, literary theory, comparative literature, game studies, and art history.

The Persistence of Racialization: Literature, Gender, and Ethnicity represents an attempt at unpacking the legacy of modern ideas of race initiated and established during the conquest of the Americas and their current relevance for literary criticism of ethnic writing, also known as minority writing. The book challenges ideas of a post-racial globalized world to question the tendency to devalue ethnic literary writing in general, and ethnic women's productions in particular, by questioning reductive literary criticism of ethnic writing that perpetuates bias against ethnic writing and its authors. By advocating for a decolonial literary imagination, the book urges literary critics of ethnic writing to consider the complexities of modern race and its enduring impact on contemporary social and cultural narratives. Updated literary analyses of Jewish Argentine, Turkish German, and Chinese American women writers encourage literary critics of ethnic writing to explore alternative transnational frameworks that prioritize equity, diversity, and social justice.

This book addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts'full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters'performance of identity.This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses.

In The Sides of the Sea: Caribbean Women Writing Diaspora, Johanna X. K. Garvey examines the works of contemporary writers from eight Caribbean countries, including Haiti, Trinidad and Tobago, and the Dominican Republic. Authors from Anglophone, Francophone, and Spanish-speaking countries illustrate experiences across the African Diaspora, including enslavement, colonialism, revolt, marronage, and decolonization. Characters in fiction and poetry by such writers as Erna Brodber, Jan J. Dominique, Mayra Santos-Febres, Tessa McWatt, and Dionne Brand confront trauma, engage in struggle, forge connection, and act as agents of change. Complicating categories of identification and employing multiple strategies of resistance, these Caribbean women writers show us paths out of and beyond the binaries embedded in colonialism and its aftermath. As their texts remember moments and sites of trauma beginning with the Middle Passage, they embark on new passages, claim oceanic spaces, and suggest directions that stretch beyond the Black Atlantic to a more complex understanding of how to “pull the sides of the sea together” in the twenty-first century. The Sides of the Sea is organized in three sections: “Plumbing the Depths,” which examines representations of the Middle Passage and its legacies; “Voicing the Wounds,” which explores genealogies, inherited trauma, and potential healing; “Unsettling Borders,” which discusses decolonial epistemologies, transgressive sexualities, and new visions of citizenship.

This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another.Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions.The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji manga-and manga and anime in general once they went global.

During the interwar years in France, modernist literature challenged norms around sex and sexuality through daring portrayals of homosexuality and queerness. The same moment, however, witnessed the crystallization of the Western gender binary and its stark lines of division between male and female. Bringing together trans theory with French literary studies, Mat Fournier offers a new understanding of how the gender binary emerged in the modernist era.Dysphoric Modernism considers gender deviance in works by a broad range of French authors, both writers who are canonical for queer theory, such as Marcel Proust, André Gide, Jean Genet, and Colette, and lesser-known figures, including René Crevel, Raymond Radiguet, Maurice Sachs, and Maurice Rostand. Its trans readings track the dysphoria inherent to modern gender and the many ways these texts both disrupt and reinforce it. Examining the complex entanglements of gender and sexuality with the colonial project, Fournier argues that modernist writers'representations of sexual dissidence came at the cost of their enforcement of racial and gendered discrimination. A groundbreaking transgender analysis of French modernist literature, this book also demonstrates the significance of the concept of dysphoria for a number of fields.

Reading Literature and Theory at the Intersections of Queer and Class focuses on the crossover of queer and class, examining a range of texts across languages and genres and spanning nearly a century.This collection of chapters considers the intersection of queer and class in relation to literary aesthetics, a locus in which the interaction between sexuality and class is rendered with lucidity. Each chapter puts forward class and its manifestations as central to queer analysis of literary and cultural texts in historical and contemporary contexts. The readings adopt Kimberlé Crenshaw's intersectional paradigm by pointing to its activist as well as literary precedents and elaborations.These chapters emerged from a long-standing collaboration among three Central European universities whose faculty and graduate students established a joint queer literature and theory research seminar. They are supplemented by a roundtable discussion in which the contributing authors and their colleagues discuss how the concepts of queer and class in theory and (academic) practice have informed their current and previous work.Reading Literature and Theory at the Intersections of Queer and Class is intended for scholars in gender and queer studies.

The Planetary Humanism of European Women's Science Fiction argues that utopian science fiction written by European women has, since the seventeenth century, played an important role in exploring the racial and gender possibilities of the outer limits of the humanist imagination. This book focuses on six works of science fiction from the UK, France, Spain, and Italy: Jennifer Marie Brissett's Elysium; Nicoletta Vallorani's Sulla Sabbia di Sur and Il Cuore Finto di DR; Aliette de Bodard's Xuya Universe series; Elia Barcelo's Consecuencias Naturales; and Historias del Crazy Bar, a collection of stories by Lola Robles and Maria Concepcion Regueiro. It sets these in conversation with key gender and critical race scholars: Judith Butler, Rosi Braidotti, Gayatri Chakravorty Spivak, Paul Gilroy, and Jack Halberstam. It asserts that a key concern for feminism, anti- racism, and science fiction now is to seek inventive ways of returning to the question of the human in the context of increasing racial and gender divisions.Offering unique access to contemporary and historical women writers who have mobilised the utopian imagination to rethink the human, this book is of use to those conducting research in Gender Studies, Philosophy, History, and Literature.

De quelle manière se lier à l'autre en dehors des généalogies biologiques que nous impose le destin? Comment aborder différemment la pratique cynégétique de la filature, suivre un individu et le trouver sans le pister, le traquer? Et comment imaginer une vie sans l'enfermer dans les interprétations réifiantes que commandent les fictions patriarcales? Cet ouvrage a pour ambition d'interroger les pratiques littéraires de l'enquête à partir de deux perspectives. Celle, d'abord, de la figure de l'enquêtrice, qui ouvre la voie à l'exploration des dimensions genrées de l'investigation et à la manière dont celle-ci permet aux femmes de se lier entre elles par la fiction. Et celle, ensuite, des liens entre littératures policière et biographique par lesquels s'articule une pensée du genre littéraire à l'aune des théories du gender.

From early examples of queer representation in mainstream media to present-day dissolutions of the human-nature boundary, the Gothic is always concerned with delineating and transgressing the norms that regulate society and speak to our collective fears and anxieties.This volume examines British and American Gothic texts from four centuries and diverse media – including novels, films, podcasts, and games – in case studies which outline the central relationship between the Gothic and transgression, particularly gender(ed) and sexual transgression. This relationship is both crucial and constantly shifting, ever in the process of renegotiation, as transgression defines the Gothic and society redefines transgression. The case studies draw on a combination of well-studied and under-studied texts in order to arrive at a more comprehensive picture of transgression in the Gothic.Pointing the way forward in Gothic Studies, this original and nuanced combination of gendered, Ecogothic, queer, and media critical approaches addresses established and new scholars of the Gothic alike.

The English literary influence on classic American novelists'depictions of gender, sexuality, and race With All the Devils Are Here, the literary scholar David Greven makes a signal contribution to the growing list of studies dedicated to tracing threads of literary influence. Herman Melville's, Nathaniel Hawthorne's, and James Fenimore Cooper's uses of Shakespeare and Milton, he finds, reflect not just an intertextual relationship between American Romanticism and the English tradition but also an ongoing engagement with gender and sexual politics. Greven limns the effect of Shakespeare's Much Ado about Nothing on Hawthorne's exploration of patriarchy, and he shows how misogyny in King Lear informed Melville's evocation of “the step-mother world” of orphaned men in Moby-Dick. Throughout, Greven focuses particularly on male authors'treatment of femininity, arguing that the figure of woman functions for them as a multivalent signifier for artistic expression. Ultimately, Greven demonstrates the ambitions of these writers to comment on the history of the Western tradition and the future of art from their unique positions as Americans.

An exploration of how espionage narratives give access to cultural conceptions of gender and sexuality before and following the Second World War, this book moves away from masculinist assumptions of the genre to offer an integrative survey of the sexualities on display from important characters across spy fiction. Topics covered include how authors mocked the traditional spy genre; James Bond as a symbol of pervasive British Superiority still anxious about masculinity; how older female spies act as queer figures that disturb the masculine mythology of the secret agent; and how the clandestine lives of agents described ways to encode queer communities under threat from fascism. Covering texts such as the Bond novels, John Le Carré's oeuvre (and their notable adaptations) and works by Helen MacInnes, Christopher Isherwood and Mick Herron, Sexuality and Gender in Fictions of Espionage takes stock of spy fiction written by women, female protagonists written by men, and probes the representations of masculinity generated by male authors. Offering a counterpoint to a genre traditionally viewed as male-centric, Sexuality and Gender in Fictions of Espionage proposes a revision of masculinity, femininity, queer identities and gendered concepts such as domesticity, and relates them to notions of nationality and the defence work conducted at crucial moments in history.

Este volumen aglutina diferentes perspectivas críticas del tratamiento del género en los libros destinados a niñas, niños y adolescentes. Los estudios desafían los roles y estereotipos de género en la literatura infantil y juvenil a través de una mirada poliédrica que abarca diversas perspectivas y voces, y que va más allá de las simples nociones binarias de masculino y femenino. Se aborda la influencia de las narrativas en la construcción de identidades, la igualdad, la diversidad y la inclusión. El objetivo es analizar el impacto de la literatura infantil y juvenil en la construcción de una sociedad más igualitaria que ofrezca modelos de género alternativos, reflejo de un mundo multicultural y en constante evolución. Las contribuciones se fundamentan en análisis teóricos apoyados por una amplia selección de obras literarias y cinematográficas que conforman propuestas transformadoras sobre el rol esencial de la literatura infantil y juvenil en el empoderamiento de la juventud.

Tracing corporeality and materiality across Cuban texts and images of the twentieth century This volume looks at Cuban literature and art that challenge traditional assumptions about the body. Examining how writers and artists have depicted racial, gender, and species differences throughout the past century, Christina García identifies historical continuities in the way they have emphasized the shared materiality of bodies. García shows how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. García examines corporeality in a variety of works, including the poetry of Nicolás Guillén and experimental writings of Severo Sarduy; transspecies drawings, paintings, and sculptures by Roberto Fabelo; Tomás Gutiérrez Alea's popular queer film Fresa y chocolate; and contemporary narrative fictions by Ena Lucía Portela, Antonio José Ponte, and Ahmel Echevarría. Using the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism, García engages with Cuban cultural production at the intersection of diverse social issues. In this book, García explores how certain artistic practices focus on portraying ecological relationships instead of recognizable subjects or shared identity. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. The early twentieth century was awash in revolutionary scientific discourse, and its uptake in the public imaginary through popular scientific writings touched every area of human experience, from politics and governance to social mores and culture. Feeling Strangely argues that these shifting scientific understandings and their integration into Hispanic and Lusophone society reshaped the experience of gender. The book analyzes gender as a felt experience and explores how that experience is shaped by popular scientific discourse by examining the “strange” femininity of young protagonists in four novels written by women in Spanish and Portuguese: Rosa Chacel's Memorias de Leticia Valle (published in Argentina in 1945); Norah Lange's Personas en la sala (Argentina, 1950); Carmen Laforet's Nada (Spain, 1945); and Clarice Lispector's Perto do coração selvagem (Brazil, 1943). It pairs each novel with a broad scientific theme selected from those that captured the contemporary popular imagination to argue that the young female protagonists in these novels all put forth visions of young womanhood as an experience of strangeness. Building on Carmen Martín Gaite's term chicas raras, Rankin proposes this strangeness as constitutive of a gendered experience inextricable from affective and material engagements with the world.

Créé en l'honneur de Jean-Philippe Beaulieu, cet ouvrage collectif fait le point sur les avancées de la recherche dont il a été un précurseur dans le domaine de la généricité littéraire, de l'écriture des femmes et de leurs formes narratives à la Renaissance française. Vingt contributions inédites s'inscrivent dans le prolongement des travaux qu'il a menés tout au long de sa prolifique carrière de professeur, de chercheur et de mentor. En quatre sections, le livre propose un parcours à travers différentes formes scripturaires, notamment celles pratiquées plus fréquemment par les femmes, afin d'en dégager les enjeux et les spécificités. Des représentations des femmes et des figures de l'Autre sous l'Ancien Régime à la sociabilité des réseaux littéraires en termes de production et de réception des textes composés par des femmes, du XVIe au XXe siècle, en passant par la notion d'ethos, le livre se situe à la fine pointe des travaux contemporains en ce qui a trait à l'écriture des femmes et aux études de genre, un domaine en pleine expansion dans le monde littéraire. Il réunit les chercheurs canadiens et américains les plus reconnus dans ce domaine à la jonction de l'érudition européenne et de la réflexion théorique menée en Amérique du Nord.

Through close examination of references to gender identity, female sexuality and corporeality, this book is the first of its kind to shed light on the complexities of translating the recent transgressive turn in contemporary women's writing in French.Via four case studies, namely, the translations into English of Nelly Arcan's Putain (2001), Catherine Millet's La Vie sexuelle de Catherine M. (2001), Nancy Huston's Infrarouge (2010) and Nina Bouraoui's Garçon manqué (2000), this book explores how transgressive topoi such as prostitution, anorexia, matrophobia, rape, female desire, and transgenderism are translated. The book considers how (auto)fictional female selves portrayed are dis/placed by translation at both a textual and paratextual level. Combining feminist phenomenological perspectives on female lived experience with feminist translation theory, this interdisciplinary study offers an insight into how the experiential is brought into language, how it journeys via language into new cultural contexts via translation and creates a dialogical space in which the subjectivities of those involved (author, narrator, protagonist, translator) become open to the porosity of encounters with alterity.The volume will appeal to scholars in translation studies, French Studies, and gender and sexuality studies, particularly those interested in feminist translation and literary translation.

This collection, for the first time, explores women's self-conceptions and representations of women's and gender roles in society in their own Expressionist works. How did women approach themes commonly considered to be characteristic of the Expressionist movement, and did they address other themes or aesthetics and styles not currently represented in the canon? Women in German Expressionism centers its analysis on gender, together with difference, ethnicity, intersectionality, and identity, to approach artworks and texts in more nuanced ways, engaging solidly established theoretical and sociohistorical approaches that enhance and update our understanding of the material under investigation. It moves beyond the masculine, “New Man,” viewpoint so firmly associated with German Expressionism and examines alternative, critical, and divergent interpretations of the changing world at the time. This collection seeks to broaden the theorization, scholarship, and reception of German Expressionism by—much belatedly—including works by women, and by shifting or redefining firmly established concepts and topics carrying only the imprint of male authors and artists to this day.

Winner, 2024 ILBA Gold Medal,'Best LGBTQ+ Themed Book', given by the International Latino Book Awards Winner, 2024 ILBA Silver Medal,'The Raul Yzaguirre Best Political/Current Affairs Book', given by the International Latino Book AwardsArgues that queer picture books with main characters of color can disrupt structures of power in both literature and real lifeColoring into Existence investigates the role of authors, illustrators, and independent publishers in producing alternative narratives that disrupt colonial, heteropatriarchal notions of childhood. These texts or characters unsettle the category of the child, and thus pave the way for broader understandings of childhood. Often unapologetically politically motivated, queer and trans of color picture books can serve as the basis for fantasizing about disruptions to structures of power, both within and outside literary worlds. Fusing literary criticism and close readings with historical analysis and interviews, Isabel Millán documents the emergence of a North American queer of color children's literary archive. In doing so, she considers the sociopolitical circumstances out of which queer of color children's literature emerged; how a queer and trans of color aesthetic translates to picture books; and how the acts of imagination and worldmaking inspired by picture books produce a realm of freedom, healing, and transformation for queer and trans of color children and adults. Coloring into Existence explores the curious ways that queer and trans of color publications “color outside the lines”—refusing to conform to industry standards, intermixing fiction with nonfiction, and mobilizing alternative modes of production and distribution to create new worlds.

Regardless of his own sexual orientation, L. Frank Baum's fictions revel in queer, trans, and other transgressive themes. Baum's life in the late 1800s and early 1900s coincided with the rise of sexology in the Western world, as a cascade of studies heightened awareness of the complexity of human sexuality. His years of productivity also coincided with the rise of children's literature as a unique field of artistic creation. Best known for his Oz series, Baum produced a staggering number of children's and juvenile book series under male and female pseudonyms, including the Boy Fortune Hunters series, the Aunt Jane's Nieces series, and the Mary Louise series, along with many miscellaneous tales for young readers. Baum envisioned his fantasy works as progressive fictions, aspiring to create in the Oz series “a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.” In line with these progressive aspirations, his works are often sexually progressive as well, with surprisingly queer and trans touches that reject the standard fairy-tale narrative path toward love and marriage. From Ozma of Oz's backstory as a boy named Tip to the genderless character Chick the Cherub, from the homosocial adventures of his Boy Fortune Hunters to the determined rejection of romance for Aunt Jane's Nieces, Queer Oz: L. Frank Baum's Trans Tales and Other Astounding Adventures in Sex and Gender shows how Baum utilized the freedoms of children's literature, in its carnivalesque celebration of a world turned upside-down, to reimagine the meanings of gender and sexuality in early twentieth-century America and to re-envision them for the future.

Zakariyya Tamir is Syria's foremost writer of short stories, and his works are widely read across the Arab world. In this, the first English language monograph on Tamir's entire oeuvre, Alessandro Columbu examines Tamir's literary development in the context of changing political contexts, from his beginnings as a short story writer on local magazines in the late 1950s until the Syrian revolution of 2011.Thus, the movements from independence and Western-inspired modernisation to the rise of nationalism and socialism; war, defeat, occupation in the 1960s; the emergence of authoritarianism and the cult of personality of Hafiz al-Assad in the 1970s are charted in the context of Tamir's works. Therein, the significance of masculinity and patriarchy and its changing nature in relation to nationalism and authoritarianism are revealed as Tamir's foremost vehicles for social and political critique. The role of female sexuality and its disrupting/empowering nature vis-à-vis patriarchal institutions is also explored, as is the question of literary commitment and the relationship between authors and the authoritarian regime of Syria; homosexuality and representations of unconventional sexualities in general.

Cette étude est née d'un étonnement à la lecture d'un court et énigmatique roman de Balzac, Honorine. Tous les commentateurs, depuis les premiers lecteurs, dans cette histoire de mésentente conjugale et des jugements socialement portés sur elle, s'intéressent au sort du mari et bien peu à l'épouse, dont la voix, il est vrai, est à peine audible. Alors il a fallu scruter le texte pour rendre justice à ces enjeux, qui se déploient dans la Comédie humaine tout entière : quelle place pour les personnes du sexe? De quelle marge de manœuvre peuvent-elles disposer pour vivre leur vie? Car ce court roman écrit en 1842 traite de questions qui nous concernent directement aujourd'hui. Qu'est-ce qu'une femme, pour un homme, et que signifie être une femme, pour elle-même? La création du personnage d'Honorine, qui se revendique de la Lucrèce antique, pourrait bien être un jalon dans l'histoire du féminisme ; ses lectrices n'avaient donc pas tort de s'être reconnues dans les ouvrages de dames qui firent le succès des romans de Balzac.

Performing Female Blackness examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. This book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how the land widely known as Canada shapes these performances. By exploring Black expressive culture in familial, literary, and performance settings, Naila Keleta-Mae theorizes that “perpetual performance” forces people who are read as female and Black to always be figuratively on stage regardless of cultural, political, or historical contexts. Written in poetry, prose, and journal form and drawing from the author's own life and artistic works, Performing Female Blackness is ideal not only for scholars, educators, and students of the humanities, social sciences, and fine arts but also for artists and the general public too.

The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-based politics with the increasing visibility of imagined futures for all; and show how SF stories about new kinds of gender relations inspire new models of artistic, technoscientific, and political practice. Their chapters are grouped into five conversations—about the history of gender and genre, theoretical frameworks, subjectivities, medias and transmedialities, and transtemporalities—that are central to discussions of gender and SF in the current moment. A range of both emerging and established names in media, literature, and cultural studies engage with a huge diversity of topics including eco-criticism, animal studies, cyborg and posthumanist theory, masculinity, critical race studies, Indigenous futurisms, Black girlhood, and gaming.This is an essential resource for students and scholars studying gender, sexuality, and/or science fiction.

Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female'nature,'and are generically marked as'tragic.'Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy.

Although the traditions of philia and amicitia proclaim friendship as a universal concept, it has been an androcentric model until the emergence of the female friend in the Age of Enlightenment. This book analyzes the discursive turn from premodern to modern gendered constructions of friends in Spanish literature and sheds light on specific models of male, female, and mixed relationships in the seventeenth and eighteenth century. Our approach reveals the gendering of male friendship through the exclusion of women and shows the crucial moment when women appear capable of true friendship. The study traces the process of transition from a homosocial bond based on a feudal notion of honor in the Siglo de Oro to new forms of affective relations in a proto-bourgeois society that promotes equality, reason and citizenship. This book spans two centuries of friendship and scrutinizes the creation of specifically gendered social bonds in literary and theoretical frameworks ranging from political writing to poetry, and from the working classes to the intellectual elites. Through novellas, novels, plays, poems, moral weeklies, and letters by female and male authors, every chapter examines a specific concept of fe/male friends related to society, politics, ethics, subjectivity, courtly culture, family and marriage structures. Thus, the book demonstrates the very act of gendering as it relates to friendship as one of the most important forms of social interaction.

This book offers queer readings of Chinese Qing Dynasty zhiguai, ‘strange tales', a genre featuring supernatural characters and events. In a unique approach interweaving Chinese philosophies alongside critical theories, this book explores tales which speak to contemporary debates around identity and power. Depictions of porous boundaries between humans and animals, transformations between genders, diverse sexualities, and contextually unusual masculinities and femininities, lend such tales to queer readings. Unlike previous scholarship on characters as allegorical figures or stories as morality tales, this book draws on queer theory, animal studies, feminism, and Deleuzian philosophy, to explore the ‘strange'and its potential for social critique. Examining such tales enriches the scope of historic queer world literatures, offering culturally situated stories of relationships, desires, and ways of being, that both speak to and challenge contemporary debates.

The Retrospective Muse showcases the celebrated work of Froma I. Zeitlin. Over many decades, Zeitlin's innovative studies have changed the field of classics. Her instantly recognizable work brings together anthropology, gender studies, cultural studies, and an acute literary sensibility to open ancient texts and ideas to new forms of understanding. A selection of her luminous essays on topics still timely today are collected for the first time in a volume that shows the full range and flair of her remarkable intellect. Together, these illuminating analyses show why Zeitlin's work on ancient Greek culture has had an enduring impact on scholars around the world, not just in classics but across multiple fields. From Homer to the Greek novel, from religion to erotics, from myth and ritual to theatrical performance, she expounds on some of the most important works of ancient writing and some of modernity's most significant critical questions. Zeitlin's writing still sheds light on the durable aspects of classics as a discipline, and this book encapsulates her achievement.

The full extent of Plutarch's moral educational program remains largely understudied, at least in those aspects pertaining to women and the gendered other. As a result, scholarship on his views on women have differed significantly in their conclusions, with some scholars suggesting that he is overwhelmingly positive towards women and marriage and perhaps even a “precursor to feminism,” and others arguing that he was rather negative on the issue. Like a Captive Bird: Gender and Virtue in Plutarch is an examination of these educational methods employed in Plutarch's work to regulate the expression of gender identity in women and men. In six chapters, author Lunette Warren analyzes Plutarch's ideas about women and gender in Moralia and Lives. The book examines the divergences between real and ideal, the aims and methods of moral philosophy and psychagogic practice as they relate to identity formation, and Plutarch's theoretical philosophy and metaphysics. Warren argues that gender is a flexible mode of being that expresses a relation between body and soul, and that gender and virtue are inextricably entwined. Plutarch's expression of gender is also an expression of a moral condition that signifies relationships of power, Warren claims, especially power relationships between the husband and wife. Uncovered in these texts is evidence of a redistribution of power, which allows some women to dominate other women and, in rare cases, men too. Like a Captive Bird offers a unique and fresh interpretation of Plutarch's metaphysics which centers gender as one of the organizational principles of nature. It is aimed at scholars of Plutarch, ancient philosophy, and ancient gender studies, especially those who are interested in feminist studies of antiquity.

This book brings together an exciting new archive of queer and trans voices from the history of sexual sciences in the German-speaking world. A new language to express possibilities of gender and sexuality emerged at the turn of the twentieth century, from Sigmund Freud's theories of homosexuality in Vienna to Magnus Hirschfeld's “third sex” in Berlin. Together, they provided a language of sex and sexuality that is still recognizable today. Queer Livability: German Sexual Sciences and Life Writing shows that individual voices of trans and queer writers had a significant impact on the production of knowledge about gender and sexuality during this time and introduces lesser known texts to a new readership. It shows the remarkable power of queer life writing in imagining and creating the possibilities of a livable life in the face of restrictive legal, medical, and social frameworks. Queer Livability: German Sexual Sciences and Life Writing will be of interest to anyone who wants to learn more about LGBTQ+ history and literature. It also provides a fascinating insight into the historical roots for our thinking about gender and sexuality today. The book will be of relevance to an academic readership of students and faculty in German studies, literary studies, European history, and the interdisciplinary fields of gender and sexuality studies, medical humanities, and the history of sexuality.

This book explores how Israeli graphic novelists present depictions of masculinity and femininity that differ from conventional portrayals of gender in Israeli society, rejecting the ways that hypermasculinity and docile femininity have come to be associated with men and women.The book is the first to explore Israeli graphic novels through the lens of gender. It argues that breaking down existing gender delineations with regards to masculinity and femininity is a core feature of the Israeli graphic novel and comics tradition and that through their works, the authors and artists use their platforms to present a freer and looser conceptualization of gender for Israeli society. Undertaking close readings of Israeli graphic novels that have been published in English and/or Hebrew in the last 20 years, the book's texts include Rutu Modan's Exit Wounds and The Property, Ari Folman and David Polonsky's Waltz with Bashir, Galit and Gilad Seliktar's Farm 54, and Asaf Hanuka's'The Realist'. This book is of interest to students and scholars in comics studies, Israel Studies, Jewish Studies, and Gender Studies.

The question of gender has been ignored sometimes or mystified in historical literary analyses. This book focuses on contemporary Catalan literature and adopts a gender perspective that is difficult to overlook today. The very limited number of female authors in earlier times – whose numbers are increasing as more and more names of female writers consigned to oblivion by the historical canon are being unearthed – provided the justification for their discrimination. This volume contributes to the analysis of those past views on gender (all gender perspectives) as they appear through the lense of contemporary Catalan literature. In the social roles they adopt, female characters act, express, and assert themselves in the language they use and are based on the society of which they form part.

This exciting new book offers practical resources and lesson plans for exploring gender in the drama curriculum. It looks at how theatre performances throughout history have played with the concept of identity and gender and explains why drama lessons can provide a safe and considerate space for thinking about gender. Drawing on theatre history, world theatre, theatre forms and theatre theory, each chapter focuses on key topics that will challenge students to play and explore gender roles as they choose. Introducing a new drama vocabulary drawn from archaeology and cartography, this book includes a wide range of materials for excavation from traditional stories, contemporary children's literature, Greek mythology, Elizabethan and Restoration theatre, Japanese and Chinese theatre, mask, and physical theatre. Providing new insight into how existing drama units can be redefined to create a space where the exploration of gender identity is not only allowed but something exciting and joyful to focus on, this is an essential resource for all drama teachers.

​This book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace's fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.

Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage explores how seventeenth-century French theater represents queer desire. In this book, the first queer theoretical treatment of canonical French theater, Jennifer Eun-Jung Row proposes that these velocities, moments of unseemly haste or strategic delay, sparked new kinds of attachments, intimacies, and erotics. Rather than rely on fixed identities or analog categories, we might turn to these affectively saturated moments of temporal sensation to analyze queerness in the premodern world. The twin innovations of precise, portable timepieces and the development of the theater as a state institution together ignited new types of embodiments, orderly and disorderly pleasures, and normative and wayward rhythms of life. Row leverages a painstakingly formalist and rhetorical analysis of tragedies by Jean Racine and Pierre Corneille to show how the staging of delay or haste can critically interrupt the normative temporalities of marriage, motherhood, mourning, or sovereignty—the quotidian rhythms and paradigms so necessary for the biopolitical management of life. Row's approach builds on the queer turn to temporality and Elizabeth Freeman's notion of the chronobiopolitical to wager that queerness can also be fostered by the sensations of disruptive speed and slowness. Ultimately, Row suggests that the theater not only contributed to the glitter of Louis XIV's absolutist spectacle but also ignited new forms of knowing and feeling time, as well as new modes of loving, living, and being together.