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3. Amália at the Olympia

Author

Gray, Lila Ellen, primary, Yamada, Keisuke, primary, Galbraith, Patrick W., primary, Bridges, Rose, primary, Michel, Patrick, primary, Roberts, Martin, primary, Hara, Kunio, primary, McCorkle, Brooke, primary, Johnson, Henry, primary, Lehtonen, Lasse, primary, Ohwada, Toshiyuki, primary, Brunt, Shelley, primary, Browning, Barbara, primary, Thayer, Allen, primary, McCann, Brian, primary, Hertzman, Marc A., primary, Burns, Mila, primary, Grasse, Jonathon, primary, Pardue, Derek, primary, Sharp, Daniel B., primary, Perrone, Charles A., primary, Moehn, Frederick J., primary, Hagen, Ross, primary, Silverman, Carol, primary, Bohlman, Philip V., primary, Nye, Sean, primary, Marstal, Henrik, primary, Szemere, Anna, primary, Elliott, Richard, primary, Mazierska, Ewa, primary, Mutsaers, Lutgard, primary, Val, Fernán del, primary, Looseley, David, primary, Tomatis, Jacopo, primary, Yardumian, Aram, primary, Sonevytsky, Maria, primary, Tochka, Nicholas, primary, Davidjants, Brigitta, primary, Rymajdo, Kamila, primary, Turner, Graeme, primary, Gibson, Chris, primary, Goold, Lachlan, primary, Renzo, Adrian, primary, Chapman, Ian, primary, Stratton, Jon, primary, Bannister, Matthew, primary, Jorgensen, Darren, primary, Encarnacao, John, primary, Beilharz, Peter, primary, Rodger, Dianne, primary, Green, Ben, primary, Brown, Michael, primary, Karlin, Jason G., additional, Rónai, András, additional, Gradowski, Mariusz, additional, Fouce, Héctor, additional, Istvandity, Lauren, additional, Giuffre, Liz, additional, and Rogers, Ian, additional

Published
2023
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6. The Dead C’s Clyma est mort

Author

Jorgensen, Darren, primary, Yamada, Keisuke, primary, Galbraith, Patrick W., primary, Bridges, Rose, primary, Michel, Patrick, primary, Roberts, Martin, primary, Hara, Kunio, primary, McCorkle, Brooke, primary, Johnson, Henry, primary, Lehtonen, Lasse, primary, Ohwada, Toshiyuki, primary, Brunt, Shelley, primary, Browning, Barbara, primary, Thayer, Allen, primary, McCann, Brian, primary, Hertzman, Marc A., primary, Burns, Mila, primary, Grasse, Jonathon, primary, Pardue, Derek, primary, Sharp, Daniel B., primary, Perrone, Charles A., primary, Moehn, Frederick J., primary, Hagen, Ross, primary, Silverman, Carol, primary, Bohlman, Philip V., primary, Nye, Sean, primary, Marstal, Henrik, primary, Szemere, Anna, primary, Elliott, Richard, primary, Mazierska, Ewa, primary, Mutsaers, Lutgard, primary, Val, Fernán del, primary, Looseley, David, primary, Tomatis, Jacopo, primary, Yardumian, Aram, primary, Sonevytsky, Maria, primary, Gray, Lila Ellen, primary, Tochka, Nicholas, primary, Turner, Graeme, primary, Gibson, Chris, primary, Goold, Lachlan, primary, Renzo, Adrian, primary, Chapman, Ian, primary, Stratton, Jon, primary, Bannister, Matthew, primary, Encarnacao, John, primary, Beilharz, Peter, primary, Rodger, Dianne, primary, Green, Ben, primary, Brown, Michael, primary, Karlin, Jason G., additional, Rónai, András, additional, Gradowski, Mariusz, additional, Fouce, Héctor, additional, Istvandity, Lauren, additional, Giuffre, Liz, additional, and Rogers, Ian, additional

Published
2023
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12. The Uncertain Future of the Large-Format Recording Studio

Author

Goold, Lachlan and Graham, Phil

Subjects
Musik, Music
Abstract

This paper investigates new spatial relationships in music production triggeredby the proliferation of low-cost digital music production tools and howthey have changed factors of time and creativity for the record producer. Weaddress the problem through a focused set of production projects and the peerreview of those projects by seven well regarded commercial producers. Putsimply, we are asking whether those producers can determine whether the recordingswere made in large-format or DIY “home” studio environments inblind listening tests.

Published
2019

13. Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces.

Author

Carah, Nicholas, Regan, Scott, Goold, Lachlan, Rangiah, Lillian, Miller, Peter, and Ferris, Jason

Subjects
CULTURAL identity, EXECUTIVES, ALCOHOL drinking, NEIGHBORHOODS
Abstract

Nightlife precincts are constituted by intersecting cultural, market and regulatory forces. They are a vibrant part of the experience economy of the city and important sites for the performance of live music and arts. This article examines original live music venues in Fortitude Valley, an inner-city neighbourhood in Brisbane, Australia. The Valley is both a culturally significant site for original live music venues and a dense hyper-commercialised nightlife precinct. Policy interventions in the area have sought to protect its live music venues, liberalise its nightlife economy, and curtail the harms generated by alcohol consumption. Drawing on interviews with live music venue owners and managers we argue that over time venues have adapted their ethos to the cultural and market logic of the nightlife precinct, rather than the music scene. Their accounts illustrate that venues are an important site where cultural values and market imperatives are negotiated. [ABSTRACT FROM AUTHOR]

Published
2021
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14. How a global crisis, drift racing and Memphis hip-hop gave us phonk - the music of the TikTok generation.

Author

Ward, Andy, Luttrell, Briony, and Goold, Lachlan

Subjects
DIGITAL music, SOCIAL media, HIP-hop culture
Abstract

Phonk is a genre of music characterized by down-tempo hip-hop, menacing bass, distorted drums, and plucky synths. It gained popularity through TikTok and is known for its subversive and sometimes troubling nature. Phonk originated in the '90s Memphis hip-hop scene and was popularized by artists like DJ Screw and SpaceGhostPurrp. In recent years, it has been repositioned as the soundtrack of the TikTok generation, particularly through a sub-movement called "drift phonk" that is associated with racing culture. Despite government censorship and content restrictions, phonk continues to be a part of our cultural zeitgeist. [Extracted from the article]

Published
2024

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