Search

Three experiments were designed to investigate the effects and psychological mechanisms of three vocal qualities on persuasion. Experiment 1 (N = 394) employed a 2 (elaboration: high vs. low) × 2 (vocal speed: fast vs. slow) × 2 (vocal intonation: falling vs. rising) between-participants factorial design. As predicted, vocal speed and vocal intonation influenced global perceptions of speaker confidence. Under high-elaboration, vocal confidence biased thought-favorability, which influenced attitudes. Under low-elaboration, vocal confidence directly influenced attitudes as a peripheral cue. Experiments 2 (N = 412) and 3 (N = 397) conceptually replicated the bias and cue effects in Experiment 1, using a 2 (elaboration: high vs. low) × 2 (vocal pitch: raised vs. lowered) between-participants factorial design. Vocal pitch influenced perceptions of speaker confidence as predicted. These studies demonstrate that changes in three vocal properties influence global perceptions of speaker confidence, influencing attitudes via different mediating processes moderated by amount of thought. Evaluation of alternative mediators in Experiments 2 and 3 failed to support these alternatives to global perceptions of speaker confidence. [ABSTRACT FROM AUTHOR]

People are often advised to project confidence with their bodies and voices to convince others. Prior research has focused on the high and low thinking processes through which vocal confidence signals (e.g., fast speed, falling intonation, low pitch) can influence attitude change. In contrast, this research examines how the vocal confidence of speakers operates under more moderate elaboration levels, revealing that falling intonation only benefits persuasion under certain circumstances. In three experiments, we show that falling (vs. rising) vocal intonation at the ends of sentences can signal speaker confidence. Under moderate elaboration conditions, falling (vs. rising) vocal intonation increased message processing, bolstering the benefit of strong over weak messages, increasing the proportion of message-relevant thoughts, and increasing thought-attitude correspondence. In sum, the present work examined an unstudied role of vocal confidence in guiding persuasion, revealing new processes by which vocal signals increase or fail to increase persuasion., Competing Interests: Declaration of Conflicting InterestsThe author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.

Three experiments tested how low versus high pitch generated from sources beyond a message communicator can affect reliance on thoughts and influence recipients' attitudes. First, participants wrote positive or negative thoughts about an exam proposal (Experiments 1, 2) or their academic abilities (Experiment 3). Then, pitch from the message recipient (Experiment 1), channel (Experiment 2), or context (Experiment 3) was manipulated to be high or low. Experiment 1 showed that when participants vocally expressed their thoughts using low (vs. high) pitch, thoughts had a greater effect on attitudes toward exams. Experiment 2 revealed low (vs. high) pitch sounds from the keyboard participants used to write their thoughts produced the same effect on thought usage. Experiment 3 demonstrated that thoughts influenced attitudes more when listed while background music was low (vs. high) Pitch can influence attitudes through a meta-cognitive thought reliance process whether emerging from the recipient, channel, or context., Competing Interests: Declaration of Conflicting InterestsThe author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.